In this, the last extract of my new novel, ’til It’s Gone’, a sea captain, Hooper is taking the undercover researcher, Uzza to the poisoned ‘Wasteland’ to research a disease. During the voyage Hooper becomes fascinated by the sight of Uzza writing with pen and paper…

After dinner Hooper went up on deck to check that the mast and rigging were secure and to scan the horizon and coast manually, a task which instrumentation had replaced but which she continued to undertake herself as a safety measure. When she returned Uzza was again writing in a small book, an activity which fascinated the mariner as she had seldom seen anyone using a pen and paper except in footage from history lessons as a child.
“Why do you write” she asked her passenger, “when technology has replaced manual writing?”
Uzza finished the line she was writing and looked up. “Our ancestors would consider it a paradox, but paper has become the means of messaging that is most secret. Since communication became restricted to PAM, broadcast, V-meet and voice-technology there is no other secure way to record data, observations and conversation. Think about it. Surveillance has increased beyond calculation in our lifetimes. Here at sea we can perhaps enjoy a relative degree of privacy where a signal may not reach but on inhabited land there is no such luxury. Life for most is lived under a scrutiny so ubiquitous it is akin to living under a microscope. Paper can only be seen by the person who has it. Paper can be destroyed.”
“Where did you learn it?”
“I taught myself to write from watching history footage. It is not so difficult, although of course it is laborious in comparison to voice recording!” She bent her head to the notebook, signalling an end to the conversation and continued to make lines of marks on the paper with her pen.

In another day they were far enough north to need to make preparations for disembarkation. Hooper stood Fulmar out from the shore, far enough to be free of the poison zone but near enough to be able to get Uzza dressed and masked for her expedition. She would need to don the protective gear and wait outside while the yacht pulled in. Hooper explained how she would stand Fulmar as close as possible to the remains of the jetty using the small bio-motor, giving the woman as much of a chance as she could to step up on to it.
“But it has not been maintained” she advised her, “So you must be very careful to tread on the firmest parts. If you fall into the water it will be certain death and I cannot save you. The water will poison you in minutes, your skin, your lungs, your…”
“Yes, yes I realise, thank you.” Uzza frowned in irritation, anxious to be getting on with her project. She had a small bag containing vials which she intended to use to collect samples. She peered out at the shoreline. “What is that, Hooper? Is a factory of some kind?” She pointed to an enormous structure consisting of once tall, grey chimneys, crumbling warehouses and the skeletal remains of high scaffolding.
“It is the ruins of an old fossil fuel processing plant” she told her. “They used to call them refineries. The oil would be piped from the wells across the land to the coast then prepared for use before being shipped on flat vessels they called tankers, which then used vast quantities of the fuel to transport it. It seems a nonsensical process to us now, but it was all they knew.

This is the final sample of ‘Til It’s Gone’. Any feedback comments are appreciated. Updates on publication will be posted on ‘Anecdotage’. [Normal service resumes next week!]