Back from Tom’s Field and continuing to drown in the suffocating, germ-ridden aftermath of Covid I’ve applied myself to writing a new, short story. Two women meet in an unorthodox setting and have something in common…
Empathy in a Country Churchyard
“Mum, could we just go somewhere different this morning?”
Pamela. She says it every week. I watch from the window as she pulls up outside. She comes bustling up the path carrying the shopping, opens the door with her key and I can hear her impatient breath huffing and puffing as she stomps into the hallway. She opens the door and unleashes her exasperation. “It’s a lovely morning. How about going to the beach today and getting a coffee in the sunshine? Shall I get your shoes?”
“You could get my shoes” I tell her. “But I don’t want to go to the seaside. Just the usual, please.”
“Wouldn’t you like a change of scene once in a while, Mother? Whatever do you find to do, sitting in the same place, surrounded by the same, gloomy sights every week? Let’s face it, you never got on with him so why do you keep on going to visit him?”
“I like it there” I say. “It gives me a chance to think.” I’ve had to raise my voice now because she’s rummaging around in my kitchen, opening and shutting cupboards with a noisy efficiency of irritation.
It’s a lengthy business, these days, levering my feet into shoes, prising my body from the chair and thrusting unwilling limbs into sleeves but at last we make our way outside and she locks the front door before helping me out to the road and into the car. “Put your seat belt on” she orders, as soon as I’ve twisted my bones into the shape required by the seat.
“I’ll just drop you at the gate.” she snaps, like a piece of peanut brittle. “And I’ll go and do a few bits. You can make it round to there, can’t you?”
She never comes with me to the bench and I’m glad. I want peace and quiet, not a dreary, repetitive rant about how unsatisfactory her life is. She never needs to tell me what a burden I’ve become when it billows out in every sigh and tut.
She stomps around to open my door then I manoeuvre my legs round and prize myself out, remembering to take my stick. I catch my breath a bit, lift my hand as she pulls away. I feel lighter when she’s gone, like I’ve risen to the top of a murky pool. I turn towards the entrance and progress towards the bench; my bench, or at least that’s how I think of it; only it isn’t mine. It belongs to ‘Valerie Fraser, beloved wife of Geoff, mother to Gillian and Carol and grandmother to Daisy, Stanley and Olivia’. I assume Valerie doesn’t mind me using her bench every week since she’s got no use for it herself.
I’m just settling myself on Val’s bench when a flash of livid pink catches my eye, appearing through the gate- a woman in a magenta coat. I feel affronted by this, although I’m not sure why. Perhaps the colour of the coat feels inappropriate, or that I’d expected to be alone. Usually, it’s just me and a distant groundsman. Worse still, the woman is zig-zagging along the paths in my direction, like she’s coming to the bench and I don’t like the idea of this at all.
I make a point of taking no notice when she sits down on the other end. I think maybe if I ignore her, she might take a hint and leave. I’m irritated because I was just getting into my stride with Malcom and I’d been preparing what I was going to say for a week. Anyway, this woman in pink, she’s studying me. I know this without looking and I know she’s going to start talking, which is the last thing I need. I stare down at her shiny, pink shoes and I’m aware of how I must look in Malcom’s voluminous, old car coat and my extra-wide, orthopaedic slip-ons.
Who is the woman in pink? And what does she want? Empathy in a Country Churchyard concludes next week...