It’s a squat, ugly bungalow on a corner between two busy roads. a short driveway bordered with scruffy weeds leads to the front door, paint peeling, neglected terracotta planters. I press the bell, peering through the wobbly glass until a blurred figure is visible and approaching. I clear my throat as the door opens just a bit, a narrow sliver of face in the gap, the rest shielded behind.

‘Steven?’ I say, summoning what I hope is a cheerful smile. He looks from me to Ed, his long , pale face guarded, his eyes hooded. He opens the door a fraction more. He’s a tall man, thin, a little stooped. He’s wearing a hand-knitted, navy cardigan over a grey shirt.

Ed’s lurking behind me on the step, semi-concealed as though he needs me to protect him. I take a breath and extend my free hand towards Steven.

‘My name’s Molly,’ I tell him, ‘and this is my husband, Ed’. I half turn to Ed, who appears to be what I term ‘skulking’ whenever he is engaged in a task he is reluctant to undertake. Steven glances down at my hand but doesn’t take it, preferring to move the door back until he’s narrowed the gap once more. I shift the bouquet of flowers I’m holding and plough on.

‘Steven, we’ve come to see you at the request of our neighbour, Elspeth. I believe you know her?’ A flicker of acknowledgement passes across his face. I continue. ‘I think your mum was a close friend of Elspeth’s. Am I right?’

He steps out from behind the door, nodding. I proffer the flowers.

‘Elspeth wanted you to have these. And she’s written you a note. Her writing’s a bit shaky these days but you should be able to decipher it.’ I do my utmost to fix an encouraging smile on my lips. There’s a pause while he stares at the flowers then back at us then he seems to rally, pulling the door wider and mumbling ‘come’, as he turns and lopes away into the hallway and turns left into a room. We follow, Ed trying to hisss something from behind me. I can guess what it is but ignore him. I know he’s even more averse to running this errand than I am myself. He wants to leave the flowers and the cake and go home.

I follow Steven into a living room furnished with two, faded, Dralon armchairs- ‘wingbacks’ I believe they’re called, in beige. There’s a worn, beige carpet, an old-fashioned gas fire opposite the door and a small dining table against one wall. The bay window has lattice panes, floral curtains on either side. It’s a bland, joyless room, unremarkable except for a large, metal-framed hospital bed, stripped down to its plastic-covered mattress. It faces the television, dominating the space like a huge, silent reproach. Steven, who has dropped into one of the wingbacks, must have noticed me staring.

‘It’s Mum’s’ he says, as if she’s still lying in it, frail and needing attention. I nod, aware that my smile must look grafted on my face.

‘You can sit’ announces, sweeping an arm at the other wingback. He pays no attention to Ed. There’s no other seating except for a dining chair, which Ed, still holding the cake, plumps for, giving me one of his hard frowns. I lean towards Steven.

‘We’ve brought you a cake’.

‘I don’t eat cake. I can’t eat gluten.’ I risk a glance at my husband, who rolls his eyes. Steven hasn’t made eye contact with either of us, rather keeping his face downcast, currently at carpet level as he sits, motionless except for the slightest twitch in his left foot, the one that’s resting on his right knee.

‘So, Steven’, I venture, ‘Your mum lived here in this room, did she?’…

The next part of ‘Visiting Steven’ will be in next Sunday’s Post. To read more by Jane Deans: novels, The Year of Familiar Strangers and The Conways at Earthsend are available. Visit my website: janedeans.com