If the writers in my writing group, The Spokes had begun writing whilst young I’ve no doubt that any one, or all of them would, by now have become best-selling authors. As it is we have left starting on the writing journey much, much too late. This is not a catastrophe-as we none of us are dependent on writing for an income [just as well] and all most of us want at this stage is some recognition.
This week there were a variety of readings as usual; one extremely hilarious on the subject of political correctness gone mad, another a whimsical tale of neighbourly domestics, one a police drama, one an extract from a [very promising] mystery novel and one a science fiction short on the subject of a manned mission to Mars. The Mars story got me thinking. An expedition to establish a human colony on Mars is no longer the stuff of sci-fi drama and written fiction. It is most definitely on the cards and is, as I write, being planned.
I understand that humans are programmed to want to know about everything within their world and beyond it. I understand that exploration and science are vital for any improvements in any area in the future. But I do think it dispiriting that having made an unholy mess of one planet, man is now set on going off to another one and messing that one up, too. It is not difficult to imagine how Mars will be in the future-over-populated, polluted and beset by tribal, religious and power wars. It all has a depressing predictability. Humankind as a species is programmed to cock up…isn’t it?
There is a wonderful children’s book called ‘Dinosaurs and all that Rubbish’, about a wealthy industrialist who, having destroyed his own environment sees a beautiful star and wants to travel there. In his absence Earth is restored by the forces of nature, becoming beautiful again and unrecognisable to him. Thinking it is another beautiful ‘star’ he returns and is taught his lesson. Simplistic, yes-pertinent, also yes.
In 2013, more than 200,000 people applied to become part of the Mars mission. Although there is no upper age limit [applicants must be over 18], a cursory glance at the application criteria is enough to demonstrate that an attempt from the likes of me would be futile since I am defective in most areas. Besides being dependent on medication I am also prone to aches and pains, as well as inclined to believe the apocalypse has come when there is a power cut.
But surely we should be putting our own house in order before going off and getting another one?
Once you have reached that age where there is more of life behind you than in front, do plans such as these seem to ease the pressure of life ending? Or are you excited enough in your dotage to want to know the outcome of such exploits? Myself I feel we are most fortunate not to have the choice.
Tag Archives: authors
I Submit!
In a flurry of unaccustomed, industrious zeal, during the week we’d had to make an unplanned return from the warmer, sunnier parts of Europe, I threw myself into yet another round of submissions of my first novel to still more literary agents. This burst of activity was, in part to justify and ‘make the best’ of the precipitate return to [then] chilly England and also because the next three submissions were, according to my schedule, due.
I admit I’ve been dogged and inflexible about following this agenda. In the Bible that is ‘The Writer’s and Artist’s Yearbook’ there is no shortage of advice on finding, selecting and submitting to an agent, however now that I’m past the six month mark the selecting part has become more a case of ‘anyone who accepts new writers’ manuscripts’…and rather than choosing on the basis of their current author stable or the genre, I’m using alphabetical order as a guide.
Literary agents’ websites vary from the pretentious to the austere and from the unapproachable and superior to the fluffy and avuncular. They rightly proclaim their discoveries and their successes, include lists of the prizes their authors have won, the bestsellers, the smiling debut novelists. ‘Come on in’ they say, beckoning encouragement or almost daring the fragile, amoebic beginner to send something. Many still demand postal entry for submission, requiring endless printing out on quality paper, no staples, single sided, double spaced, this, that and the other-plus a mint of postage and don’t forget the self-addressed envelope for the return [that is, if they agree to return it-a number candidly admit to shredding.]
There is no conformity of requirements for submissions. They want the first 3 chapters, a single page synopsis, a letter of introduction and a CV; or they want the first 50 pages, a letter outlining the story and some personal history, or they want a chapter outline, a 500 word synopsis and a CV. Each submission means beginning all over again with preparation. It may not be such a bad thing. Perhaps it weeds out those whose belief in their work is not absolute? Much is said and written about the tolerance of the would-be writer to rejection, but I’d say it is the absolute lack of any kind of response that is demoralising. A few weeks ago I received an email from an agent I’d submitted to last October, kindly saying the work could not be accepted at this time and apologising for the delayed response, a missive which did almost feel a little encouraging, in the face of so much ignorance.
Many agents are cashing in on the rush of aspiring authors by offering various courses, although according to an item I heard on a radio consumer programme, many are cynical exercises in generating revenue, rather than attempts to improve the standard of the great ‘unpublished’. One agent was quoted as rubbing his hands with glee at the prospect of ‘lots of lovely money and they haven’t got a clue’.
I will soon be coming to the end of my schedule of submissions, then I shall be doing what countless other amateur writers have done, ie self-publishing. In the meantime I press on with novel 2; after all, Iain Banks apparently penned a whole 6 tomes before getting one published. And if E L James can get lucky with an e-novel, I’m bloomin’ sure mine can make it!