The Exchange

I’m away. Here’s an old story… travel tales begin next week…

            I am first. I am always first; always too early. I don’t mind. Getting here before the others gives me an opportunity to peruse the cakes and pastries at my leisure without the pressure of pretending disinterest. By the time they turn up I’ll have chosen; even, perhaps have consumed something. I’m leaning in favour of the ‘special’, a slice of Christmas cake, a rich, aromatic slab speckled with fruit and topped with a glistening, tooth tingling band of white icing and a dark green fondant holly leaf.

On the other hand, if I buy it now I may not have finished devouring it by the time one, or both of them appear, which would present an unseemly image. I should wait. I exert a seldom utilised self control, and having made a mental note of my preferred option I go straight to a table-the only remaining table, which is next to the toilets.

There are diners who are perfectly at home eating alone, able to consume an entire meal in solitude without appearing uncomfortable. They pull out a phone or a tablet with what seems like an endless deluge of emails, texts or photos, or they have some absorbing task to complete. I could take out my phone, but then I’d have to feign interest in the one text I’ve received today, from ‘Store 21’, alerting me to their ten percent off day, a snippet of information I have already viewed and which is unlikely to sustain my interest for the unspecified period I must wait. I fall, instead to studying the menu and have read it all through twice and memorised it before I spot Beverley weaving her way through the tables towards me.

While her sunglasses are incongruous on a winter’s day in the gloom of this dark corner of the café by the lavatories, she is dressed in her customary way, in flowing layers and expensive fabrics. She is a tall, statuesque woman and can get away with this look in a way that the shorter and dumpier of us cannot.

I rise to greet her and we embrace gingerly, like wary politicians before she discards her tweed cape and sinks down on to the seat. She is forcing a wan smile, which may indicate tiredness or something more sinister. When she tells me that Ava will be late I can only smile. Ava is late in the same way that I am early-by default. Not wanting to share too much before she arrives we talk of the weather, the traffic, how busy the shops are. I know my eyes are straying towards the menu as my stomach growls in an impatient demand for the cake, although Beverley is occupied in checking her phone to see if Ava has called again.

Then she is coming in, bumping tables and customers with assorted bags, turning this way and that as she scans the café for us. For a few moments I observe Ava, taking in her discomfort, her small, breathless panic as she stares over the heads of the assembled diners until at last I relent and offer a wave.

She bustles up, all puffing and blustering excuses. ‘What a busy life I lead’, she seems to say, though the bulging bags of her purchases tell a different tale. She is so sorry to have kept us waiting and only wants a black coffee. She places a solicitous, manicured hand on Beverley’s arm and inquires if she’s alright because she looks tired. I volunteer to order, more a ploy to ensure the capture of the Christmas cake than a magnanimous gesture, returning to the table to find them already engaged in showing each other photos on their phones. In the competition of life’s successes Beverley has scored the giant prize of acquiring a grandchild.

They turn to me-a diplomatic nod of interest in my unglamorous existence. Has George retired yet? Is Jacob working now? Still living at home? Such a shame.

The order arrives; black coffee for Ava, cappuccino for Beverley, hot chocolate and the cake for me. There is a slight pause as we all regard the cake, before I lever off the first, sweet, rich forkful.

Ava is asking Beverley how Rob’s business is going now, since he had to reorganise and lay off staff. Bev removes her sunglasses and rubs her eyes, bloodshot and dark ringed. The business is ‘ticking over’. They’ve begun looking for a smaller property in a less expensive area, seeking to down-size, to release capital. She speaks to Ava, avoiding my gaze. I am allowing a chip of hard, sugary icing to melt on my tongue, recalling how I visited for coffee one morning and found her in the kitchen, working her way through the contents of a vodka bottle with a determination that had eclipsed her memory the invitation. The failure of the business is not the sole reason for needing to release capital.

She straightens, takes a sip of the creamy cappuccino. In an abrupt change of subject she questions Ava about Matthew. Does Ava have any recent pictures? Ava reddens as she fumbles with her phone, then hands it across the table. Bev studies the photo of Matthew for what seems like a screen bite as Ava glances at me, eyes wide in her frightened face. Matthew is only two, an ‘afterthought’ as Ava describes him. Holding out the phone, Beverley frowns at the tiny sparrow of a woman opposite her and declares she cannot see anything of Steven in Matthew and I’m thinking, no, because there is nothing of Steven in Matthew-a fact that Ava confessed to me prior to his birth when faced with the dilemma of whether to tell her husband he was not the father. I lick my finger to sweep the remaining crumbs from the plate, wondering how three years can have passed since Ava blurted the tale of her sordid affair out to me in a moment of tearful desperation. What should she do? Should she tell Rob he could be the father of her baby? I’d advised her to leave well alone-after all he might not be the father. Who would know? She was frantic, sobbing. The child might resemble her friend’s husband; and of course, now he is older, he does.

Check last Sunday’s post for Part 1…

I ask Ava if she has any photos of Lucy and I am rewarded by her feverish, relieved smile as she replaces Matthew’s guilt-inducing image with that of her student daughter.

Plates of beer battered cod with potato wedges and mushy peas are delivered to a neighbouring table, momentarily distracting me with the waft of delicious, hot grease. It is what I would choose if I were lunching.

We three have less in common these days; now that our children have grown. Once, as young mothers meeting at the school gate, starved of adult company, we could never see enough of each other. When I look at them now I think how age is most cruel to the once beautiful; Beverley no longer the willowy, well healed style guru, Ava’s slender, elfin appeal grown brittle as a dried twig. Beverley didn’t understand Rob, she’d explained when justifying her adultery to me. He’d needed someone to talk to, someone to console him when things went wrong with the business. If I’d considered that she’d undertaken the consolation with a little too much enthusiasm I’d kept the thought to myself. In any case, Beverley was too embroiled in her own dalliance with Mr Smirnoff to care or even to notice what her husband did.

All that remains of the hot chocolate is a circle of glossy, brown sludge in the bottom of the mug, a last scraping I might attempt to access with the long spoon if I were on my own. Ava still has half a cup of cold, black coffee, impressive as ever in her ability to make a coffee last for the duration. She is reaching into one of the bags to bring out two small parcels wrapped in co-ordinating Christmas paper from Marks with matching gift tags. Not for her the ironed out, salvaged wrapping from last year or three-for-a-pound from Savers. I wonder why it is we’ve continued with this ritual.

We have exchanged gifts every Christmas since we met, the first few years’ offerings being humble, home-made items, sewn or baked or grown, rather than the competitive quandary the exchange has now become.

Beverley presents her own gifts. They will have been purchased from a craft stall or a tiny, beach front gallery; a driftwood photo frame, shell jewellery or a hand-thrown pot. They are wrapped with that artful carelessness she retains, as though she has scoured the beach for cast off paper and string. Ava plucks her package from the table and turns it in her red-tipped fingers, exclaiming how interesting it looks. I assume from the shape that she has the pot this year. Sensing their expectation I withdraw the two, identical parcels from my bag.

Infrequent as they have become, I have grown weary of these meetings; weary of these two self absorbed women and their confessional outbursts, the inconsequential chatter and the shadowy events that lie under each rendezvous like bubbling volcanic pools. I have extracted what I needed from them only as recompense for my services over the years as confidante, counsellor, shoulder-to-cry-on and keeper of secrets. Now I am ready to move on.

Ava thinks the parcels look the same. They look like books. Is it a novel? Do they have the same gift? I nod. The same book?  Yes. Is the author someone they’ve heard of? I’m still nodding. When she tells me she hopes it ends happily because she can’t bear sad endings I say she will have to wait and see. Bev has shown little interest and has stowed her holiday reading away in the leather appliqué satchel she brought and stood up. I’m guessing she is anticipating her first, warming, reassuring slug of liquor of the day as if she were going to meet her own secret lover.

Ava straightens and tuts, rearranging the silk scarf around her neck, smoothing her blond, highlighted hair. I wait for her to say she must look a sight but she gathers her bags and reels off a list of appointments she has before picking Matthew up from nursery; travel agent, chiropodist, the returns counter at Burberry. She wants to know where I’m parked because we can walk together and I know she is anxious to find out if I think Bev suspects anything. I could tell her that Beverley wouldn’t notice if a bomb exploded here in the café but I surprise her, instead by deciding to stay here, in my seat, alone at the table.

Then they are gone; the farewells said; the promises to meet again soon and the air kissing are all done. I don’t need to consult the menu before returning to the counter, since the seductive, lingering aroma of cod and chips is pulling at my senses and cannot be ignored. I am happy to sit alone now while I wait for my lunch, and contemplate a future which exists without Ava and Beverley but with a significant upturn in my fortunes, now that the royalties for ‘The Exchange’ are flowing in such a satisfying way and my account is inflated by a substantial advance for the second novel. Is it a sequel? No. I have said everything I want to say about those two parasites. They can edit their own future. I’m still working on mine…

Novels by Jane Deans [Grace]: The Year of Familiar Strangers and The Conways at Earthsend. Visit my website: janedeans.com

Fiction Month 2015. Unmanned on a Wednesday. Part 2

Strangers Muriel and Niamh are bonding in the launderette-and Muriel finds they have more in common than an article of clothing…

[Part 1 of this story can be found in the previous post]

She gazed into the gyrating turmoil of clothes. “It’s complicated.”

“You mean he’s married.”

Muriel stared at the circulating washing. She realised now what the familiar item was. She was sure it was a shirt; one that her husband used to wear, but hadn’t for some time. She could remember where he’d bought it, when they’d been on holiday in Italy. It was an expensive, designer shirt; flamboyant, the colours an unusual mix of purple, red and cream, the design vivid and abstract like a Picasso painting.

A machine to the right of them jolted into an angry whirl as it prepared for its rinse cycle. Muriel continued to gaze into the enigmatic circle where the mingling colours jostled for prominence.

“I’m not shocked,” she said, once the raging machine had settled for a quiet, resentful simmer, “but it makes me sad. I’m guessing he’s an older man? I’d say you were too good for him, too young and lovely to waste your life on him.” She hauled her eyes away from the washer, from which a trickling sound issued.

Niamh drew out a tissue from her sleeve and blew her nose. “I don’t know why I’m opening up to you like this. I’ve not told anyone else. You must be easier to talk to than most people. I would never be able to confide in my mother like I’m confessing to you. Can we chat again next time you come? We could go for a coffee or something.”

Muriel was silent, contemplating the revolving drum. It turned this way and that as if undecided. The younger woman stood abruptly and began pulling articles from the dryer, which had churned to a grumbling halt. The Italian shirt tumbled out into a pale blue, plastic basket, pock marked with cigarette burns. She had her back to Muriel, speaking harshly into the cavernous cylinder.

“I’ve been too personal, haven’t I? I’m always like this with people; not reserved enough, nattering like we’ve known each other for years. I didn’t mean to make you uncomfortable. I’m sorry. Say something. Please.”

She turned around. She had the shirt in her hand. Muriel nodded at it. “I see you don’t send his washing home for his wife to do.”

Niamh held the hot garment against her cheek as if the spirit of her lover was bound within its vibrant folds. “I love to do things for him,” she said. “I pretend I’m married to him. I spend hours finding new recipes to cook for him. I like to open the wardrobe and see some of his clothes hanging next to mine. That way I’ve got some small part of him when he’s not with me.” Facing the dryer as she closed the door, she missed the fleeting look of weary scorn that passed over Muriel’s face. A stab of cruelty thrust out, threatening to pierce the friendly bubble of shared confidences.

“He won’t leave his wife, you know. They never do.”

“He is going to leave. He’s waiting for the right time to tell her. He’s sensitive to her needs. I love that about him.”

She was folding garments now and placing them into a rectangular laundry bag. There was a brisk manner to the way she was pushing the clothes into the bag, as if she could press her conviction into the still warm fabrics.

“I wonder if he knows what her needs are.”

“She’s been occupied looking after the children all these years and now they’re growing up and leaving-like yours are. He has to wait for her to find a new direction in her life; something to fill the void her children have left. You must know how that feels. How have you coped with the extra time on your hands?”

Muriel smiled an enigmatic, knowing smirk. “Oh I like to travel. I’m always planning the next holiday and preparing for it. I like comfortable hotels in beautiful locations with wonderful, scenic views. I enjoy eating in expensive restaurants, shopping in exclusive stores and finding exquisite, original art works.”

She paused to observe the effect her words were having.

Niamh stared, transfixed as she listened then nodded, grinning, her creamy skin pink with enthusiasm. “My man is well travelled. He’s going to take me on exotic trips once he’s free.”

She lifted the strap of her leather satchel over her head and gripped the handle of the chequered bag. She looked at Muriel.

“Shall I see you at the same time next week?”

“It’s possible.”

“Go on, you know you want to! I can give you an update on progress. I’m seeing him tomorrow night. He might have told her by then! Bye for now!”

She pulled open the door and stepped out, leaving the bell jangling. Muriel watched as she crossed the road, negotiating the passing traffic, tossing her head to rid the glossy, dark fringe from her eyes. Then she disappeared round a corner. Although the two machines had stopped, Muriel continued to sit in the silent laundrette. Outside the light was beginning to fade and glare from the headlights of passing vehicles cast intermittent flashes into the scruffy room.

It would soon be time to start packing, she thought, wondering what she would need this time.

She was jerked from her thoughts by the strident ring of her phone.

“Ah, I’ve got you. Where are you, Mu? I got home hours ago!”

“I had to come to one of those laundry places. The new washer won’t be delivered until next week.”

“Good God, Mu! Don’t these places collect and deliver or something?”

His voice crackled. “Anyway, never mind that now. I’ve found us some flights to Geneva. Thought we’d do the Swiss lakes. Fancy it? The flights are on Friday morning. I’ve just got a meeting tomorrow night to tie up some loose ends then I’ll be free.”

Muriel stood, pocketing the phone, savouring the anticipation. Last time they’d stayed at the Grand Hotel Kempinski on the lake. Their room had overlooked the Jet d’eau fountain. She would have to contact an ironing service in the morning, one that could do a rush job. She could spend tomorrow evening researching excursions and places to eat.

She crammed her laundry items into the holdall in an unceremonious bunch, stuffing recalcitrant clothes down into the corners, heedless of the creases that would form as they dried. When the zip gaped in an obstinate refusal to close over the bulging, newly laundered items she capitulated and grasped the handles, leaving it open in her haste to be away. She pulled the door, hearing its accompanying clank for the last time as she tugged the bag through to the outside. Trudging past the window she glanced back in at the stark, Spartan room, the plastic chairs and the worn lino and exhaled a profound, heartfelt sigh of relief.

Grey-What Does it do for You?

Grey. It’s the colour of the moment.
For one thing, I have just swapped the vibrant, colourful exuberance of the Caribbean for the dull, sombre, grey skies above the UK. It made me wonder what immigrants from hot, sunny climates must make of their first sight of our island country. For grey weather, which we are prey to for long periods of our year renders everything else grey. Trees, vegetation, buildings and people-we are all grey; never mind that we are a ‘green and pleasant land’. It is not at all evident at present.
For another thing, the odious ‘Fifty Shades of Grey’, that best-selling novel which was a sensation, made its lucky ‘writer’ into an immediate millionaire, spawned a brood of follow-ups plus copycat novels and should have been consigned, at best, to the Mills and Boon section of book shops and libraries has been released as a movie. The timing, of course is cynically devised to coincide with Valentine’s Day; the advertising and the accompanying merchandise in your face at every turn. The book, and it its turn the film are said to appeal to mature women. One study, by Michigan State University found that readers were more likely to be in abusive relationships or have drinking or drug problems. A cynic might suggest here that the university was somehow involved in the marketing of the book.
In other areas the ‘grey’ theme continues as, on returning from a holiday, once I have recovered and regained the ability to stand upright to peer into the mirror the inevitable grey roots of hair are apparent, surging through the remaining vestiges of colour as usual. At times like this I envy those who’ve had the courage to ditch the pretence. I almost followed suit two years ago as my 60th approached but was deterred by Husband, who may just have been right on that occasion. Making radical changes to your appearance is not best effected at such a momentous lifetime event.
From time to time the fashion industry conducts a serious campaign to seduce us to buy a lot of grey clothes. It does always work for me-I like grey, especially deep, charcoal grey although as I’ve grown older I’ve begun to realise that the relationship I have with it is not evenly balanced. Grey may not actually be so fond of me.
At the end of the last of the ‘Lord of the Rings’ trilogy a significant number of the main characters drift off in pale ships to somewhere called the ‘Grey Havens’. I’ve always wondered what the Grey Havens was. Was it a euphemism for death? After all some of the characters [eg the elves] had traded their immortality to save the world. Poor Frodo, forever injured by a blow from a ring-wraith was also compelled to repair to this mysterious location. Perhaps Tolkien knew something we don’t. Perhaps we all end up there, condemned forever to the grey. Who knows?

Fiction Month 5

Fiction month concludes with the prologue from my novel, The Year of Familiar Strangers, a tale of trust and betrayal, a friendship forged then mired in deceit. It is written by my alter ego, Jane Deans and available to download from Amazon: http://www.amazon.co.uk/Year-Familiar-Strangers-Jane-Deans-ebook/dp/B00EWNXIFA/ref=sr_1_1?s=books&ie=UTF8&qid=1417341020&sr=1-1&keywords=the+year+of+familiar+strangers

Prologue

“Look round” he whispers. “Look back! Please!”

He stares out at the receding figures as they cross the tarmac; the urgency of his whispered request growing weaker with their diminishing size. He stays, leaning forward in the seat, craning, until they reach the building, a squat, ugly concrete block. They are in profile now, moving along the side towards the entrance. In a heartbeat the two tiny figures will disappear. He holds his breath.

“If you turn and look back I can’t do it.”

Then they are gone.

For a moment he cannot shift his gaze and continues to sit motionless as the audacity of the act he is about to undertake seals him into a rigid inertia. A second later he is out of the vehicle, heart pounding, slamming the door shut with a force that sends a few prowling seagulls into the air in a corporate flurry of panic.

He dives to the back of the car to wrench the boot open. Beneath him the assorted bags and cases glare back in silent accusation. He reaches in. As he withdraws the case the surrounding luggage sags into the space it has left, as if his absence, as yet unmarked, has already begun to be obscured.

He drops the case on to the tarmac, closes the boot, fumbles in his pocket for his keys then realises he must not lock the car. He glances over to the terminal once more to check that they have not emerged and opens the driver’s door to reinsert the keys into the ignition.

He must be quick now. A rapid scan of the loading area reveals little cover except for  a couple of container lorries further along the quayside and it is these he makes for, imposing a fast, business like stride upon his flight while his instincts scream at him to run. When he has gained the shadow of the lorries he looks again at the terminal building before scuttling through the gap between them. He pauses, trembling. His shirt is soaked with perspiration. He takes a handkerchief from his pocket and wipes his face. The sun is high, unforgiving. There is a stifling smell of mingled diesel fumes and metallic tarmac.

The lorries provide a barrier between him and the car. He continues towards the street, squinting against the glare, cursing his forgetful abandonment of his sunglasses on the car’s dashboard. At the pavement he halts to look over his shoulder once more but is unable to see the vehicle lanes from here. He wonders if they’ve returned to the car, although it’s only been a few minutes and he wonders what they will do. The thought that they may come running to find him spurs him to make haste with his disappearance and he hurries across the busy road, looking up and down as he goes, seeking a taxi. On the opposite side he manages to flag one down, leaning in to give his directions.

“Atesa-alquiler de coches, por favour.”

He throws the case on to the back seat of the cab before scrambling in. As the cab pulls away he allows himself a long intake of breath, closing his eyes to exhale, smiling a little in acknowledgement of the anticipation that is growing inside him like a slow, insistent flame.

Writing Superstardom

Congratulations to Richard Flanagan, the winner of the Booker Prize 2014 for his novel, ‘The Narrow Road to the Deep South’. I have yet to read it, but fully intend to, not just because the judges were unanimous in their praise for the book but because I like to think the act of reading such an acclaimed and feted novel is a piece of research. Maybe there is a remote chance I will be able to uncover the secret of writing superb and successful prose by reading it.
When casting around for something new to load on to my Kindle I often turn to the long or shortlisted books that are in the race for a prize. I learned some time ago that Amazon reviews are not to be trusted [with the exception, of course of my own reviews]. I have posted before about the ghastly mistakes I’ve made-most notably in the case of the tedious ‘One Day’, a predictable rom-com set in the eighties [not a thrilling decade]. The book prize method of selecting reading matter is not always reliable and needs backing up with additional reviews, generally from a respected newspaper.
The only 2014 Booker contender I have read so far is American writer Karen Joy Fowler’s ‘We are all Completely Beside Ourselves’, a story which captivated me for a number of reasons. It is both laugh-out-loud funny and tear provokingly tragic. The subject matter-the tale of a child growing up with a chimpanzee as not only a sibling but a ‘twin’ is unusual and compelling. The book raised many issues including parental, children’s and animal rights. It is certainly a book I would have been proud to have written.
There was something of a shumuncous regarding the opening of the Booker prize to anyone who writes in English. I can see that widening the field does increase the competition, but perhaps it also leads to more diversity. As time goes on it becomes harder to find new subject matter. It is accepted that there are only seven basic story lines and that each and every tale is based on one of them.
The two world wars have spawned an explosion of literature both fiction and fact, much of which is very good-[Helen Dunmore, Sebastian Faulkes] and so any further foray into war territory must necessarily attack from a new angle. I gather Richard Flanagan’s novel is inspired by his father’s experiences as a Japanese prisoner of war. It is the author’s sixth novel and one that took him twelve years to write, a fact I find most heartening given that my novel 2 is stubbornly resistant to progress!
I wonder how winner Richard is feeling-beyond the euphoria of victory of course. There could be an element of pressure, I imagine, as once the excitement recedes the pressure must surely mount to produce another blockbuster, Hilary Mantel style!