Starting Back

4 Revisions

After leaving Caunes Minervois in the far south of France, and an arty interlude, we set off north. And while we’ve journeyed up through France many, many times it’s still a pleasure to meander up through the country and experience the differing landscapes, the changing crops, the divers architecture. We’ve crossed the fantastic bridge at Millau on numerous occasions but it continues to inspire awe, even though this time there is work being done.

We opt for autoroutes for a good deal of the way on this occasion. We head up towards the Loire. We’re constrained, now by campsites that are still open this late in the season but there will be enough places to stay on the way home. It helps, too, if there are sites near to towns or villages where we can enjoy an evening, perhaps get a drink in a bar or a meal.

There’s a likely place across the bridge at Chateauneuf-sur-Loire. We think we’ve stayed at the site before but once we arrive and enter the long avenue that is their driveway we realise it isn’t the one we thought it was. This happens often- either we think we’ve stayed somewhere and haven’t, or we think it’s new to us and then remember we’ve been at the site before. This is a combination of memory loss and sheer number of sites visited!

We park on the long avenue/driveway and go to reception, where there is a lengthy wait while someone booking in enjoys a chat with the receptionist about where they’re from etc and the receptionist tells the someone how much she enjoys speaking in her fluent English. Once we get our turn in the small office, the young woman is determined to use her English once more, even though it is not so fluent and we’d have got on better in French. Still, we eventually book in and can choose where to go except not near the river, where it is decidedly soggy.

There is still enough sunshine to sit outside the van, although we’re accosted by an English couple from the VW van opposite who are keen to talk about their grandchildren and how they’ve had to go home and return in order not to fall foul of the 90/180 day rule. This rule is news to us, and when we check it transpires we’ve used 87 of our 90 days. Phew!

We wander across the bridge to the town, which is pleasant enough, with a tiny chateau and park. The shop windows are full of autumn displays. Nothing restaurant-related pops out, but a riverside bar has tables in the sun so it seems churlish not to take advantage for a beer in the sunshine.

Next day we’re unable to detect anything resembling a hosepipe for water filling and the waste emptying is coyly concealed. We make an exit and embark on the next hop- up to Falaise, which holds some pleasant surprises! The municipal site is beautiful, with excellent, modern services and a stunning view of the stand-out castle- William the Conqueror’s castle, no less! By the time we get up the hill to look at it there’s only about half an hour of visiting time left, so it’s not worth buying tickets, but the exterior is lovely and boasts great views of the surroundings.

It’s just as well we’re on our way home, since the van’s leisure batteries have now given up and there’s no point in hooking up as nothing seems to happen when we do. So we’re without electricity.

Then we’re off up to Caen-via a supermarket, of course, for a good stock-up. The trusty campsite at Ouistreham is open and, best of all, the lovely canal-side restaurant has a table available. Husband drops me off to rush in and do a booking. It’s all getting end-of-trip now and I’m experiencing my usual mix of regret and anticipation. What kind of state will the house be in? And the garden? We’re limping home with some van problems to sort out. There will be plenty to do!

Grace is also known as the novelist, Jane Deans. Her latest novel, The Conways at Earthsend is available from Amazon, Waterstones, Goodreads, W H Smith, Pegasus Publishing and many more sites. Visit my website: janedeans.com or my author page on Facebook: (1) Jane Deans, Novelist, Short Fiction and Blog | Facebook.

The Lost Van and the Art Village

Our Ferry from Corsica arrives back to Toulon, south on the French mainland. It’s early enough to still be dark and I’m feeling stretched from lack of sleep, having spent a wakeful night on a mattress I’ve dragged from the top bunk. But we stumble out and make our way out of the cabin decks and in the general direction of the car decks. But which one? We came up from our deck in a lift, but there is more than one. I definitely recall a large, shiny space when we exited the lift- but where is it?

We begin to search all exits, trying staircases, of which there are many, descending to car decks, lorry decks, dead ends. Which deck is ours? Which side? And which end? We squeeze between gigantic lorries, searching for our van. Outside in the half-light of dawn, vehicles are streaming out and off while we continue to do a frantic search for our campervan. We’re starting to despair as we go back upstairs to try again to find our lift area- then we spot a group of foot passengers in a waiting area which is…shiny, spacious and outside some lifts. At last! We push through the foot passengers and go down to the depths. And there is our van, in almost solitary splendour except for a few vehicles trapped behind it, their drivers waiting for us to arrive and a few extremely irritated ferry crew members. We’re sheepish as we drive off and I’m mouthing ‘sorry’, although it doesn’t feel entirely our fault.

We’ve to navigate Toulon in the half-light then off up the motorways. We’re heading towards home now, although France is big [by our terms] and we’ll be making a small diversion to see a friend and ex-colleague of Husband’s. Nick was an art teacher and is now a successful painter living in a small village in the Minervois area. This entire region is almost entirely given over to wine production, with a spot of tourism thrown in- as well as art, of course.

The village where Nick lives, Caunes Minervois, has a community of artists including potters as well as painters. We arrive mid-afternoon and search for the village’s handy campsite, which, as Nick has established for us, is open. The entrance isn’t obvious, although it’s by the sport complex, which is commonplace for a municipal site. There’s nobody manning reception but we’re directed, via a notice, to find a place and see someone later. The site is tiny but lovely, with a view of the cute village. It’s beautifully maintained and has everything we need- and all for 12 Euros per night!

Husband strides off up the village to see his friend while I get an hour or so of sleep. We wander up to Nick’s cottage later in the evening, strolling through the lanes. It’s hilly, narrow streets flanked by stone, terraced cottages. There’s a stone cross and a beautiful bell tower on the church. It’s all idyllic. Opposite Nick’s house, on the sloping lane, lives a potter, Lionel- examples of his ceramics adorning his front yard.

The inside of Nick’s house is as quaint and cute as everywhere else, with small rooms leading on to a courtyard partly covered by a vine. The rooms are filled with his art works, large canvases, swirling and vigorous. Across the courtyard is his huge studio, rustic and criss-crossed with beams. It’s warm enough to sit in the courtyard to eat.

It’s late when we walk back through the village to the campsite. Nick has warned us that the streetlights will be off and indeed, it is dark, but there’s enough light to see to walk and there’s something lovely about the ancient village, silent in the dark.

In the morning Nick comes to us for coffee and we ask to buy a painting, making a quick second visit to the studio to choose. It’s tricky! Nick’s work is shown in many, prestigious exhibitions, including the Saatchi Gallery and Brazilian locations. https://www.saatchiart.com/account/profile/938067 But we reach an agreement and he wraps it carefully for us to take away.

I feel reluctant to leave but we must make progress north now that Autumn has taken firm hold so we bid Nick ‘au revoir’ and we’re off again…

You can visit Nick’s Facebook page here: https://www.facebook.com/search/top?q=nick%20rands

Grace is also known as the novelist, Jane Deans. Her new novel, The Conways at Earthsend is available from Amazon, Waterstones, Goodreads, W H Smith, Pegasus Publishing and many more sites. Visit my website: janedeans.com or my author page on Facebook: (1) Jane Deans, Novelist, Short Fiction and Blog | Facebook.