Continuum

The festival season is just around the corner, so here’s a fitting piece of fiction to capture the anticipation, the shared thrills and the bitter sweet memories of youth…

              We are waiting. Mickey elbows Dylan and stumbles to his feet, mumbling something incoherent. I glance at Shona, who is wearing her habitual expression of puppy dog longing. ‘Take me!’ it says.

              Dylan shrugs before shambling off after Mickey. He calls over his shoulder, ‘I’ll bring us back some chips’, then he’s gone, plunged into the throng that’s gathered for this year’s headliners ‘Continuum’, whose gear is just being set up.

              Shona looks at me pink faced. She leans forward and grips my arm. ‘Maz-has Dylan said anything about Mickey and me?’

              I don’t want this. I don’t want another ‘does Mickey care about me?’ discussion.

              On stage, the roadies are threading cables around the platform and repositioning parts of drum kit. I take a bottle of sun lotion from my bag and unscrew the top, squirt a little on to my finger, inhaling the coconut smell as I spread it over my forearms. I offer the bottle to her. ‘You should cover up, Shona,’ I warn her, ‘the sun is stronger than you think.’

              With her fair skin and white blond hair she could burn in a rainstorm, but she shakes her head. ‘Tell me’, she pleads. ‘What’s Mickey said about me?’

              I’m scanning the surrounding crowd now for Dylan’s large, reassuring bulk to reappear with the chips and it’s getting tricky keeping this space with standing, jostling fans closing in around us. How will Dylan and Mickey find us? The ‘Metallica’ T-shirt they tied to Shona’s umbrella as a marker is submerged and in a moment I’m going to surrender to claustrophobia so I get to my feet like everyone else. I lean down to her.

              ‘Can we talk about this later, Shona? We need to pick our stuff up and get ready for Continuum. If we hold up the umbrella the boys will see it.’

              Shona didn’t come for Continuum. On the train she’d played no part in the argument about which of their two albums was better or whether the new bass player was any good. She hadn’t joined in with any of the songs and had admitted to not owning any of the band’s music. Shona is here because of Mickey. Mickey is barely aware of her existence.

              She is up at last and I can pull the rug up, roll it and stuff it in my bag. I turn to her. ‘Look!’ I shout, ‘the announcer is on stage. They must be ready to come on! Where have those boys got to?’ I squeeze the T-shirt clad umbrella under my arm and stand on tiptoes, straining to see above the mass of bodies.

              ‘Maz’ she persists. ‘What do you think I should do?’

              I want to swat her like an irritating fly now and I’m mad at Mickey for leaving her with me. ‘What do you mean, ‘do’? Just enjoy the band, Shona, like everyone else. It’s what we came for.’

              But she is not to be distracted. ‘You and Dylan,’ she says, her voice raised to a plaintive squeak above the burgeoning excitement of the fans, ‘You’re so good together. I want that for Mickey and me. I want us to be a proper couple like you are.’

              I turn on her. ‘Shona, Dylan and I aren’t a ‘couple’. We’re just mates hanging out until we go to uni. We get on ok, that’s all.’

              She stumbles a bit, jostled by fans behind her and turns to throw them a furious look. ‘All I want is Mickey. I want him to marry me.’

              I stare at her. How can she be so deluded?

              There is a roar and as I stretch to see over the heads in front I spot Jacob Rimmer, the band’s vocalist and frontman running on to the stage. He takes the mike from its stand and bounces to the front. ‘Hello Wilchester!’ he calls and is met with a deafening din from the hoards below. I’m grinning with the infection of the thrill as the remainder of them run on to take their places. ‘Are you ready for Continuum?’ he hectors and the response is an ear-splitting bellow.

              At this moment Dylan reappears, pushing through, head and shoulders above most of them. He’s cradling three polystyrene boxes like babies in his arms and my relief is about more than chips. He hands us a box each as the first, pulsing drum beats herald the first number, prompting us to grin at each other like idiots then we’re nodding, stamping and hollering along with everyone else in between hot, greasy mouthfuls. I love this. I love the shared adulation, the belonging, the elation of knowing all the songs and joining in companionable singalong. It is all at an end too soon, even with two encores.

              As the crowd begins to thin I realise I’d forgotten about Shona but she’s still there, behind us, looking kind of droopy, as if she won a holiday and it was to Skegness. Dylan reaches out and grasps her round the neck, pulling her to him in a clinch. ‘What did you think of THAT then, Shona-lona?’ he bawls, ignoring the woodenness of her response and the tears that are making their way down wet channels on her face.

              ‘Where’s Mickey?’ Shona hiccups, slumping against Dylan, who has a way of pulling in his chin and frowning when he’s flummoxed, which makes me laugh. Releasing her from the bear hug he shakes his shaggy head. ‘Haven’t seen him.’

              ‘We’ll give him twenty minutes then we’ll need to get the train,’ I tell them, ignoring the girl’s stricken expression. ‘You can wait, Shona if you want but I’m not missing the train home because of him.’

              We’re picking up the chip boxes and collecting our belongings when he reappears, loping towards us, an inane grin hovering around his lips. As he reaches us he folds his gangly frame down on to the ground and motions us to do the same. He stretches out his long legs and leans back on his hands, revealing a ribbon of smooth, tanned stomach in the gap of his between his T-shirt and jeans. His head rolls back and he sighs. ‘Man…’ he slurs, ‘man…. Shona has knelt on the grass beside him but Dylan and I stare down, rucksacks on our backs and still holding the chip boxes.

              Mickey’s unfocused eyes fix on Shona. ‘That was some fantastic shit, man’ and as she kisses him he rolls backwards on to the grass pulling her to him. She’s smiling like she won the lottery.

              ‘Come on, let’s go’ I say to Dylan. He gestures towards Mickey, who is uttering senseless chuckles where he lies with Shona draped over him like an exotic quilt.

              ‘We can’t leave him like this, Maz.’

              ‘He’s got Shona to look after him. I don’t want to miss the train!’

              Dylan hands me his chip box, stoops and grabs Mickey by an elbow, dragging him up, shouting, ‘What did you take, Mick?’ He’s a big guy, Dylan, as tall as Mickey but with a beefy frame. He puts an arm around Mickey’s waist. Shona’s hanging off the other side as if she’s welded to him.

              We make slow progress towards the station, surrounded by thousands of homeward bound fans which makes me wonder if we’ll even get on a train let alone get home but Dylan manages to drag Mickey all the way to the station, up the stairs, on to the platform and at last on to the train where we sink down in a heap by the exit doors.

              It’s nearly Christmas. From my seat on the coach I’m gazing out at the drab towns as it travels southwards. I’m wondering if my choice of St Andrews was a deliberate ploy to get as much distance as possible between my home town and uni. This is my first visit home since I left in September and I’m hoping to help the time to slip away by catching up with friends but my messages and texts to Dylan have not been answered so I suppose he’s been as caught up in university life as I have. I don’t call my parents as often as I should, although the few times I’ve spoken to Mum she’s had no news of any of them-Dylan, Mickey or Shona. The Continuum gig seems a lifetime ago now.

              I’ve left it late to do any Christmas shopping so I struggle up on my first morning at home and walk down into town, where the familiar streets look smaller to me and a little tired; some of the High Street businesses have disappeared or been replaced by charity shops but at least it’s warmer here than in Scotland.

              I’m browsing in the fair trade shop when I think I see Shona. I say ‘think’ because to begin with it’s just the back of her, the signature white hair hanging down like a waterfall but when she turns I get a shock. Her shape has transformed and she has the substantial swell of pregnancy. Before I’ve time to move she’s spotted me and she’s making her way around the display to reach me.

              ‘Maz! It’s great to see you!’ As she leans forward to air-kiss me I’ve an uncomfortable sense of the proximity of her bump, as yet unmentioned. ‘You’re looking,’ I hesitate ‘-well’. She steps back and circles her protruding stomach with her forearms, her eyes dancing with excitement.

              ‘I’m having a baby in March.’

              ‘Congratulations’, I murmur, ‘Is it…?’

 She breaks in. ‘It’s Mickey’s.’

              I’m nodding but I can’t look her in the eye. ‘And are you and Mickey…?’

              She laughs. ‘No, Maz I’m not with Mickey any more. But my baby will have a dad. We’re living with my Mum at the moment but we’re going to get a flat as soon as we’ve got enough money for a deposit.’

              I’m struggling to understand. This is Mickey’s baby but he won’t be the father.

              ‘You met someone when you were pregnant?’ She shakes her head, chuckling.

              ‘No-no one new. I’m with Dylan, Maz. He wants to take on me and the baby, too. He doesn’t care that it’s Mickey’s. He got a job at the DIY store and they might be making him a department manager. You must come round and say hello!’

              Back home in my bedroom I put on my headphones and listen to ‘Every Life’, my favourite Continuum album. Sitting on the edge of my bed, listening to Jacob Rimmer screaming out the lyrics the tears stream down my face. Dylan. Big hearted Dylan. No wonder he didn’t reply to my messages and texts. All this term I’d thought he was at uni and he never even started. I’ve lost him and with him my old life, my home life, my formative life.

              Christmas comes and goes. I go through the motions with my family, the traditional, familiar routines a soothing background to the mourning I feel. Much as I love my family I realise I’m looking forward to getting back to St Andrews now, to throwing myself into the new term.

              At last I’m on the coach, pulling northwards, the January skies leaden and a fitting backdrop for the grey cities we pass and the dreary mood I need to leave behind. I listen to music, read a course book and at some point I sleep. It is late when we pull into the bus station. I stand to pull my rucksack from the rack, shuffle down the aisle to the front and down the steps into Scotland. There is a fine drizzle falling so I lift my face and let the soft mist bathe it, tasting the wet smoky air and I’m smiling. Soon I’ll be back in halls. There’ll be news, gossip, coffee, doors open, laughter, music blaring. This is my new life and I love it.

Grace is the alter ego of novelist and short story writer, Jane Deans. To date I have two published novels to my name: The Conways at Earthsend [https://www.amazon.co.uk/Conways-at-Earthsend-Jane-Deans-ebook/dp/B08VNQT5YC/ref=sr_1_1?crid=2ZHXO7687MYXE&keywords=the+conways+at+earthsend&qid=1673350649&sprefix=the+conways+at+earthsend%2Caps%2C79&sr=8-1 and The Year of Familiar Strangers [https://www.amazon.co.uk/Year-Familiar-Strangers-Jane-Deans-ebook/dp/B00EWNXIFA/ref=sr_1_1?crid=2EQHJGCF8DSSL&keywords=The+year+of+familiar+strangers&qid=1673350789&sprefix=the+year+of+familiar+strangers%2Caps%2C82&sr=8-1 Visit my writer Facebook page [https://www.facebook.com/search/top?q=jane%20deans%2C%20novellist%2C%20short%20fiction%20and%20blog or my website: https://www.janedeans.com/

Festival Fever

It’s years since we went to a music festival, not counting, of course, our own local festival which we were involved in running in various capacities and which has now become a casualty of the plague, never to rise again.

Years ago, as a teenager and then a twenty-something I went to see a lot of bands. In the beginning there would be one major band and a support act. Then festivals started up with venues like Isle of Wight and Reading among the first. Nowadays they’ve become a vast industry, corporately run and, for the most part on a much bigger scale.

So we take the plunge and set off for Wickham Music Festival- an hour or so away, featuring a few bands I’ve heard of [at least] and offering campervan facilities and all the rest.

We arrive on a Thursday, the first official day of the festivities and after waving our tickets at the blue-vested volunteer we’re directed, and directed, and further directed to a place in a row at the top of a huge, mown field. At the end of our row there is drinking water, some flat, black tanks for loo emptying and grey water for rinsing. So far so good! We’ll be here for 4 nights and will be relying on solar power plus our gas fridge. At the bottom of our field there are trailors with showers, which helps!

Once we’ve settled in I lend a hand to our neighbour, Lisa, who’s travelled all the way from Grimsby. She’s bought a dinky Quechua tent en route but is confused about how to put it up. I know these tiny tents have a release mechanism which allows the tent to spring into action so the problem is soon solved. Lisa’s partner is coming to join her tomorrow.

We’re not in a hurry to rush to the festival field on this first day, preferring to make a meal and stroll over there for the evening. It’s quite a trek to the arena- down across our field, along past the showers, through a shady [and very dusty] lane, dotted with helpful lights for later and to the main road, where there are temporary traffic lights and volunteers. Then it’s across the road, past the farm shop, turn right and across the tent field. At last we’re at the gate and get our wrist bands, but there’s still a hill to climb to get up to the 2 huge marquees and all the other paraphernalia that belongs to a festival.

Inside the gate is The Magic Teapot, serving tea, coffee, chocolate and various treats from pots and kettles on a wood burner- a hot job for the staff. It’s opposite the storyteller’s tent, which I’ll visit later in the festival.

We go on to the top to familiarise ourselves with the layout- the 2 stages, the merchandise, the loos, the drinking water, bars, food outlets. Best of all though, one of my favourite bands from the 70s is on tonight- 10cc. I was lucky to see them in their original lineup in about 1975 at Hammersmith Odeon, a concert I still regard as one of the best I’ve ever seen. Tonight’s show is brilliant- even if only one original member is left- Graham Goulden. The sound, though is still pure 10cc and a wonderful start to the festival…

Grace is also known as the novelist, Jane Deans. Her new novel, The Conways at Earthsend is now out and available from Amazon, Waterstones, Goodreads, W H Smith, Pegasus Publishing and many more sites. Visit my website: janedeans.com or my author page on Facebook: (1) Jane Deans, Novellist, Short Fiction and Blog | Facebook.

Easter Circus

A bright spark at the BBC has hatched a cunning new celebrity, reality TV programme called ‘The Road to Santiago’. With scheduling aplomb, it is airing now in the run-up to Easter. It consists of seven individuals, some of whom are minor celebrities [a comedian, a comic actor, a singer and the widow of a semi-famous magician] one lady vicar, one ex-convict and someone else. They are an eccentric mix prompting you to wonder why they’ve been selected, or if they were selected at all-more a random sweep of anyone whose flagging career needed a kick or who has designs on fame.
The comedian [Ed Byrne] and the comic actor [Neil Morrisey] provide some much-needed entertainment during the walks to historic Santiago de Compostela, although spiritual enlightenment or succour is on neither of their agendas. Ed is a habitual walker, Neil has probably been pointed the way by his agent. The widow [Debbie Magee] is seeking ‘answers’-the questions, presumably not having been answered by taking part in ‘Strictly Come Dancing’, another celeb series, which aired before Christmas. I’ve no idea about the ex-con or the other person but it is the vicar who interests me, since she appears to become less Godly as the series progresses.
That this is not one sustained walk but a series of selected walks along the way feels like cheating. Nevertheless, the vicar struggles up the hills, complaining and sweating, neither svelte [like me] nor used to exercise. She is not spiritual, serene or exemplary. In one comical scene her group happens upon a tap offering an unlimited supply of wine free of charge, a blessing of which she avails herself by glugging the wine directly into her open mouth in a most un-Godly fashion, after which she straightens, smacking her red, dripping lips and rejoicing in the best freebie since communion wine.
I’m always amused by the antics of religious nuts. Returning [late] from the pub a week or so ago Husband and I passed a stream of cross-wearing hikers wending their weary way through our little town. Where they were from or where headed we’d no clue, but I remembered that years ago, when on an American west coast road trip with a friend we stopped in San Francisco for a few days. It was August. We were taking in the sights of the city, beginning with the iconic Golden Gate Bridge which was half-swathed in cloud-commonplace weather for San Francisco. As we sat to enjoy the spectacle of the rose-tinted towers rising from the mist a small, excitable group of young adults arrived, one of whom trailed an extremely large cross on his shoulder and prepared to tramp over the bridge with it. I raised my camera, only to spot, at the base of his cross, a small trundle-wheel. Was Jesus afforded this convenience, I wonder? And why was this little charade taking place in August? I will never know; but it was one of those wonderful, whimsical moments that make life entertaining.

Christmas is not for Life-it’s just for Christmas.

Christmas is almost upon us again, returning with almost indecent speed. With a couple of weeks to go I’ve begun to turn my attention towards gathering up some gifts and writing some cards.

As I stood at a till yesterday the cheerful sales assistant enquired as to whether this was the end of my Christmas shopping quest [we were waiting for the card issuer’s response]. It made me smile. “No!” I told him. “This is my first go.” His eyebrows shot up. “I did all of mine in September. I’ve followed my mum’s example. She always begins in January and does it all throughout the year.”   I explained that in September I would just be going off on holiday and still in summer mode but his behaviour is not unusual. What kind of lives do people lead, that their entire year from January is devoted to preparing for the one day that is Christmas?

Husband is at the other end of the extreme, proclaiming each year that he will begin on Christmas Eve and reminding me of the time-honoured male boast that ‘the garage will be open late the night before’.

Christmas, however is changing. It takes on elements of other cultures and evolves like other celebrations and festivals. In my childhood my mother made Christmas puddings months in advance to allow the flavours to develop and we undertook the magic ‘stir-up’ process of making a wish. I am sorry to say that I haven’t perpetuated this tradition due to the fact that none of our progeny can stand the sight or smell of Christmas pudding. The same applies to mince pies and Christmas cake. Having been brought up in a similar way, Husband and I are more partial to these treats than is good for us, so I’ll be purchasing a tiny, delicious pudding for us to share and some chocolatey, indulgent desert for the next generation. I will, however be making some mince pies because it is an activity and an outcome that I cannot resist.

As a child Christmases followed a routine-from the arrival of one or other maiden aunt to the strict recording of who’d given what [in preparation for the hated ‘thank-you’ letters]; from the division into three of the pound or ten shilling notes [a tricky business] given by aunts and uncles to the round of Boxing Day visits and evening party games. If we’d seen Santa Claus it would have been in a department store with a sparkly grotto.

We woke on the morning to feel the weight of a crackly, knobbly, woolly sock filled with the expected items [a tangerine, a sixpence] and some unexpected ones. I can still remember the excitement of finding a hardback copy of ‘The Lion, the Witch and The Wardrobe’ next to my stocking, the gift I had longed for more than anything on earth.

Christmas is no less exciting for small people these days but I do wish it didn’t have to start cranking up in September!

 

The Tale of a Festival

The hedonistic, gargantuan, explosion that is the festival season is well underway. Here in the UK we have just had the mother of all festivals in the form of Glastonbury, to the excited trilling of some and the grumpy grumbles of the ‘not-like-it-used-to-bes’.

No, festivals, and indeed live music concerts are like anything else, not what they used to be. This is generally taken to be a bad thing but is not necessarily always so.

The first Glastonbury festival [known then as the Pilton festival] was held in 1970, although festivals had begun to take place on the Isle of Wight and elsewhere before this. In the USA there had already been Woodstock, which set the bar for festivals to follow, was turned into a feature-length movie and passed quickly into legendary status. Watching the film was the nearest we British teenagers were going to get to a Woodstock experience although not all of it was riveting. I remember the thrill of Ten Years After but Sly and the Family Stone must have been somewhat less enthralling because I did actually drift off during that bit.

As the third and last child of the family I was cut some slack during my teenage years and able to do pretty much as I liked. My then BF was a grammar school attendee and a choirboy, attributes which must have assuaged any fears for my safety and morals my mother had. This meant I was able to attend live music events and indulge in the inevitable, obligatory experiences they provided, legal or otherwise, with impunity.

As much as anything, festival or concert going enables those who’ve been there to analyse, relate and share years after the event. Hence ‘I saw The Stones at Hyde Park’ or ‘I saw Dylan at the Isle of Wight’ bestows a kind of status on the sharer of this information. Knowing this, merchandisers can make loadsa money from flogging commemorative T-shirts bearing details of the festival and most importantly, the date. This says of the wearer ‘I was there’.

This weekend, the first in July is the date of our own, local, modest music festival. During the last few years Husband has taken on an organising role, provoking much gnashing of teeth and tearing of hair as the date approaches. The regulations, risk assessments and fire documents, which become more demanding each year have at last been completed. The fencing, stage and marquee are all up. I prepare to step into my, more meagre role-that of selling tickets at the gate or picking up litter. The proceeds, such as they are go to local charities, the bands giving their performances free, the crowd gathered from the immediate community. It is anxiety-inducing and exhausting-no less for the fact that we stagers are increasingly old-stagers-but remains fascinating and fun. As they stream through the gate dressed in their ‘festival’ finery, children, dogs, wheelchair grannies, minders, partners and friends in tow it is like watching a smiling carnival procession, and all with one aim-to enjoy a weekend of music in the summer sunshine…

And so that was Christmas- [sorry JL]

We have now had the feverish consumer-fest that is Christmas 2014. All of that deliberating, researching, stressing, purchasing, sending back, re-purchasing, stressing again, decking the halls, stressing, preparing, wrapping, adapting, teeth-gritting, cooking, overeating, unwrapping, lying around, overeating again-all of that was about one day.

I do it all. I do the researching, purchasing, wrapping, preparing and the stressing. I also do the overeating, the lying around and the regretting. Then I look forward with a lover’s yearning for it all to be over and done with. I wait until the very last moment to festoon the house with gaudy tat and I am more than ready, by the end of Boxing Day, to tear it all down and stow it away for next time. What an extraordinary waste of time, energy and resources it all is!

But nothing beats the heady euphoria that the smooth, clean nakedness of the unadorned house presents. It induces [in me, at least] a gargantuan sigh of relief-so much so that it is almost worth the effort involved in all the preparations and clearing away to achieve the feeling.

Of course I don’t clear it all away the day after Christmas day. Don’t get me wrong-I do wait a decent interval before blitzing everything; until the last mince pie is consumed and the last guest has shuffled off to the station. But I can never stand to wait for that traditional ’12 day’ period to elapse. Nothing is more depressing than the sight of tired, dusty tinsel flapping in the drizzle and gales of a shiny new year.

In empathetic reflection, the post-Christmas news broadcasts are undergoing their own detox. There may well have been terrorist attacks, beheadings, invasions, tsunamis or Biblical-style famines but we are spared any intelligence of such events. The number one spot for news items is that of the Boxing Day sales. Whoopee! For those suffering sale-scrum withdrawal after Black Friday there is a chance to rise at 2.00am and stand in a queue for six hours with the possibility that they may purchase five or six handbags at a price of £500-a mere half of the [alleged] £1000 presale price.

Reader, I cannot think of a single item I want enough to queue up through the night in the damp and cold then plunge into a screeching, tearing pack of sale hounds for. Besides the fact that I am not a handbag person [this has been addressed in a previous post] I understand that the over-hyped prices of August are merely set lower and termed ’sale’ prices. In addition I actually want less stuff, not more[this was also addressed in a previous post]. On Black Friday one triumphant woman, flushed with the success of having snatched two flat screen, HD televisions proclaimed ‘I got two and I don’t even know if I want one’. Others were injured by falling TVs or trampled in the stampede. I’m betting these same people are in the queue for the next sale ruck. Happy Christmas one and all!