Fiction Month. ‘The Courtyard Pest’ [Part 2]

               Nancy has heard enough from Jeffery and takes an escape route. Will she be able to integrate into her new community and can it offer her any of the comfort and friendship she misses?  Part 1 of this story can be found in last Sunday’s’s post on ‘Anecdotage’

The Courtyard Pest

Part 2

               Having had to demonstrate her intention by leaving the flat, she wanders along the High Street and turns down the lane leading to the library. There may be a noticeboard showing local events, groups and activities or at least someone who could point her in the right direction. The building is new with lots of internal glass. She spots a small, neat, grey woman like herself wearing a navy raincoat and realises it is herself, reflected in a rotating door.

The vast space is decorated in garish lime greens and scarlets. At a circular desk she has to wait as one librarian is attending to a young woman with a foreign accent and another is talking on the phone.

At last she is directed across to an area designated ‘local information’ where there are brochures, wall maps and a noticeboard advertising special interest groups and activities. She reads each flyer. There is a cycling club, meeting each Sunday morning at seven, a ‘knit and natter’ group in a church hall on Monday afternoons, there is the WI, the University of the Third Age and Psychic evenings. On a low table is a file labelled ‘cultural events’ and she bends to begin flipping through but is interrupted by a commotion around the reception desk.

Nancy straightens to peer around a bookcase and sees a figure in a beige waistcoat gesticulating at the librarian, who is responding by adopting a decidedly non-library tone and pointing in the direction of the exit doors.

“Mr Marsh, as I’ve said before we cannot stock every periodical and the library is run according to local authority guidelines. Now I’m sorry but unless and until you are able to follow our code of conduct I am going to have to ask you to leave the building and you may be barred from entering the premises in future.”

Her neighbour doesn’t spot her as he is escorted out of the exit doors. She sits down to look through the file of cultural societies, noting one or two phone numbers down then waits ten minutes before she leaves to avoid bumping into him.

She has walked twenty five yards before a dizzy spell threatens to topple her and she stops by a bus stop, clutching the side of the shelter until it has passed, then perching on the narrow plastic bench inside. A bus pulls up, disgorging several passengers; the driver leaning forward to see if she’s getting on. She shakes her head and takes a few deep breaths as the doors wheeze closed.

 

Back in the flat she feels jittery and unsettled. Perhaps getting on with her unpacking will help. But when she leans down from her bed to get a box out from underneath the dizziness descends like a fog and she sits back up, closes her eyes and sinks on to the pillows. A deluge of jumbled images gushes in to a background of piercing squeaks which rise to a crescendo, at which point her eyes fly open and she is aware of the door bell ringing with an insistent, lengthy clang.

“I didn’t know if you were in.” There is an element of reproach in his frown. “I thought I’d better let you know I’ve put some rat poison down in the alley. In case you go out that way. Let me know if you see anything, won’t you?”

It takes Nancy a moment to gather her thoughts. “Yes. Thank you. I will”.

He clears his throat. “Can I interest you in an early evening glass of wine? Over at my place?”

She pulls the edges of her cardigan together, aware that she is dishevelled from sleep. “Just a small one” he continues and she can think of no excuse to refuse. She keeps him at the door while she slips her shoes on and fetches her bag and keys. “All secure?” he asks, as she locks the door.

His flat is as different from hers as an identical design could be, the surfaces crammed with objects, odd-shaped stones, pieces of wood, metal parts of things; the walls clad in pictures, photos, mirrors and hangings. It feels claustrophobic, as if the entire space is closing in on her. She murmurs ‘thanks’ as he hands her a glass, watching as she takes a cautious sip. “Know your wines?” he asks, “Where do you think that one’s from?”

Tempted to say ‘Tesco’ she perches on the edge of a sagging sofa covered in piles of magazines and shakes her head. He grins, holding his glass up to an imaginary light. “Algeria! You wouldn’t know, would you? A friend brought it back from a trip for me. I love the stuff.” He places his glass on the edge of a shelf, snatches up an object from the coffee table and offers it to her. “What do think this is? Any ideas?” She turns the small, circular, metallic item in her hand. It has an opening with a serrated edge like tiny, sharp teeth

“A nut-cracker?”

He chuckles. “It’s a pepper grinder. African. I bet you’ve never seen one like that before!”

She clears her throat. “I must go, Jeffery. I have some calls to make. Thank you for the wine.”

“You haven’t finished it!”

“No. It’s very nice. But I’m not much of a drinker. It goes straight to my head I’m afraid”. She picks up her bag. He continues to stand, tilting the glass up to drain it then twirling the stem as he watches her.

Back in her flat Nancy makes some tea and takes it into the sitting room. She finds the numbers she wrote down in the library. As she picks up the phone she is distracted by a sound. She sits still and concentrates. There! A scraping, grinding sound, like a pot sliding along on the slabs of the courtyard. Jeffery told her if the rats got into the yard they might dig up the bulbs. She goes to the patio door and pulls a curtain back, peering along the shaft of light that’s been cast. But there is nothing other than the pots standing motionless in their places.     A rat, however large would not be strong enough to move a large, terracotta pot full of earth. The sound must have come from something in the alley; someone trundling something along there, perhaps. She picks up the phone again.

It is two twenty three when she wakes, having fallen asleep thinking about her telephone conversation with Rebecca Fripp, of the local amateur dramatic society. Rebecca’s response to Nancy’s enquiry had been Luke-warm, as if she’d be doing her a favour by allowing her to attend a rehearsal. But they always needed ‘front-of-house’ help, she’d said, even though Nancy’d explained about her experience in set design. Once she is awake, she is unable to drift off again and thinks that perhaps she should get up and make tea. She stretches out her hand to the light and there! There is the sound: scrape. Outside the windows.

She freezes, stomach churning, her skin prickly; but forces her feet to the floor; tiptoes through to the kitchen. She takes her time in the half light, pulling open a cupboard door to withdraw a heavy pan with a long handle. She breathes in long, slow pulls like an automaton. She returns to the living room, pan held to her side in one hand and uses a finger to create a slit of light in the long curtains.

A wind has got up, stirring the trees over the alleyway and chasing leaves around the small yard; but there is also a dark, rounded shape moving around the pots. Nancy grips the pan handle and uses her other hand to inch the patio door open. The swishing breeze is louder as she steps outside, flattening her nightie against her legs. She searches for the shape then spots it-moving from behind one pot to another. In two paces she is there. She pulls her arm back straight like a forehand smash and swings hard at the shape. Crunch! The contact is sickening, jarring her arm as she stumbles. The shape topples and she drops her weapon. She takes a step forward to look but the foot gives way, sliding and she falls to her knees in the wetness, confused. There has been no rain so why is there a puddle? Reaching out she feels fur, wetly sticky; then she is swaying, sinking as the fog descends.

 

She is dressed and in the chair when Sarah arrives. “Ready, Mum?”

Got your tablets and everything?”

Nancy nods. She stares at her daughter, eyes wide. She swallows. “Sarah-I can’t, I don’t…”

“Shh-Mum it’s ok. You don’t have to go back to the flat. Danny and I have packed all of your stuff. You can take a case with you today and the rest will follow.”

“How…how is he?”

“He’s doing alright, Mum. He’s a tough old boy. His skull has a small fracture but it will heal. He doesn’t blame you. He’s an idiot to have been there in the middle of the night! ‘Checking the rat bate’, apparently.

A solitary tear rolls down her mother’s face. “I’ve caused so much harm. I’m so sorry”

Sarah takes her hand. “No, Mum. I’m the one who should be sorry. I should never have nagged you to come. Now we must go or we’ll be late.”

Nancy stands and accepts her daughter’s supporting arm. In the car she sinks back, closing her eyes to picture Meg’s sparkly eyes and the way specks of scarlet lipstick are visible on her teeth when she grins. “You don’t have to downsize, dear” her friend had told her, sitting by the hospital bed. “Just come back and live at my place. We can look after each other, can’t we? And you can come back to The Nettlehide Players, where you belong.”

Nancy had nodded, feeling relief course through her like a transfusion. Of course. It was all anyone wanted or needed. To belong.

 

 

 

 

 

 

 

Fiction Month: The Courtyard Pest

             A new, two-part  story  begins today. Nancy has moved to be near her daughter but has left her old life behind. How will she adjust? A neighbour is offering support; or is he?

The Courtyard Pest

                  Nancy wakes again. The grey glow of an autumn dawn is seeping between the curtains. This room is still new, shadows in strange places. She pushes the quilt back, eases pale legs over the bedside then pads across the carpet to the en-suite, shaking her head at the incongruity of it. An ‘en-suite’! Imagine!

On the way back she pauses by the window to peer out at her tiny patch of yard, bare except for the wooden bench, a flat-warming gift from Sarah. “What will you do with this courtyard?” her daughter had asked her as they sat on it, only three days ago. Nancy shrugged. “Not sure yet. A few pots. A bird feeder.”

Sarah laughed. “You and your birds!”

But they were company; bird company was easier to come by in a strange town than the human sort.

There is a movement, a flicker in the passageway outside the yard gate, caught in the corner of her eye as she stares. But it is nothing; a moving branch across the faint light. She sighs. It is still only six. She must try to get back to sleep. The days are already too long to fill.

She is washing up her breakfast bowl when the doorbell rings, a shrill unaccustomed sound above the murmur of the radio news programme. A silhouette fills the door’s frosted glass as she fumbles with the key. “Won’t be a minute!” she calls and at last the door yields, revealing Jeffery, from number five. He leans down towards her, eyes protuberant in his florid complexion. “Is the door a bit stiff? I can fix it, if you like.”

She knows her smile is weak. “It’s just new, that’s all; new to me.”

Clad in a beige waistcoat with pockets, he is grasping a canvas shopping bag. “I’m off down the road. Can I get anything for you? Hexton’s bread is marvellous. Shall I get you a loaf? And I’m going to D0-IT-ALL for a few bits this afternoon if you need anything”.

It is only eight. Early, Nancy thinks, to be setting off for the shops. What time does he get up, this neighbour? She has a sense that he must have been waiting until it was an acceptable time to call on her. She shakes her head. “It’s kind of you but I’m going out myself later.”

“Like a lift?” He breaks in. Too fast. She maintains the narrow opening, lifting her chin. “I shall walk. I like to walk. It does me good.”

He takes a step back and she lets out a breath.

“OK. By the way-watch out for rats, won’t you? Some have been seen in the alley at the back. They’re probably from the social housing in the close. Vermin, that’s what they are.” Nancy nods, unsure whether he means the rats or the residents of the housing association development opposite their flats.

He turns with a wave and withdraws, swinging the canvas shopping bag as he plods around the corner.

Later, as she drifts along the unfamiliar High Street Nancy wonders if she should have asked Jeffery to fetch her some compost for her courtyard pots. Has she been a little hard on him? He is only being neighbourly. She did ask Sarah if Danny might be able to take her to the garden centre but they are so busy all the time.

It had been Sarah’s idea for her to move here, to be nearer the family. Nancy was reluctant at first, then attracted by the notion that she might be of some help now that Sarah and Danny were both working full time. She’d thought she might be able to collect the boys from school, help with homework, even make some meals when the parents had to work late. But Sarah pointed out that the boys had little need of childcare and either went to clubs and after school activities or messed about with their friends.

Nancy stops to study a display in the window of ‘Chic Shack’, a small shop selling household items, many of which appear to have been made from driftwood, or been painted and subsequently had patches worn off. She snorts. These are things that wouldn’t have got into a jumble sale in her day.

Since she moved to be near Sarah she’s had no more contact with her and the boys than she did when she was seventy eight miles away. At least then they’d talked on the phone every evening.

Later, when she’s finished clearing up her supper things and is settled in front of the TV the phone rings.

“Will you be in tomorrow evening, Mum? Danny can drop your compost off then. He’ll pick it up on the way home from work”.

Nancy had been looking forward to a morning at the garden centre and had been going to suggest she treat them all to lunch. “It’s very kind, when he’s so busy.”

“It’s nothing. How are you settling in? How are the neighbours?”

“Oh-the couple in the flat above are very nice. They say Good Morning”. She hesitates. Jaqui and David are polite but self-contained and disinterested.

“Anyone else?”

“There’s Jeffery.”

“Is that the man with the wild, grey hair and the county accent?” Sarah met Jeffery when Nancy was moving in. He’d been on the forecourt sweeping up and had introduced himself, shaking their hands and offering assistance. “Has he been a nuisance?”

“No. He’s friendly enough. I’ll see you later.”

“Not me, I’m afraid Mum. Just Danny. I’ve got to collect Lewis from football training.”

Danny arrives with the compost, leaving the engine running while he heaves the bags into the small yard outside her living room and waving a cheerful goodbye as he drives off. Nancy surveys the three bags stacked against the fence. At least she’ll have something to be getting on with tomorrow. She can’t get to the garden centre for spring bulbs but the ‘Supercuts’ shop had some mixed bags on offer outside in a basket. She is about to close the curtains when a face appears above the fence, prompting her to cry out in alarm, hand over her mouth. An arm waves at her. She opens the patio door. Jeffery.

“You’ve got your compost then? Want a hand with the planters tomorrow? I can bring a trowel.”

She sighs. “Alright. Just not too early.”

Nancy’s sleep is restless. In her dreams giant rats stream over the gate, flooding her tiny yard, squeaking at her, hectoring, chastising, although she can’t catch the words. She wakes many times, hears scraping sounds, feels disorientated and sleeps on to an unaccustomed eight o’clock.

She is on the phone when the doorbell rings, chatting to Meg. When she’d heard her friend’s voice she’d visualised her unruly hair and bright lipstick and felt tears pricking her eyes. ‘Yes’ she tells Meg, ‘the move was fine. The flat is perfect. Just what I wanted.’ She doesn’t say it was what Sarah wanted.

“And how have you been, dear? Any more falls?”

Nancy shakes her head then realises Meg can’t see. “No. And I don’t need to use the stick Sarah got me. I’m as steady on my feet as I’ve ever been. I’m not sleeping well, but I suppose it’s just the newness of the place.”

There is a pause.

“We all miss you here, Nancy. ‘The Nettlehide Players’ isn’t the same without you.” The tears are threatening again. “We should arrange a meet up. Shall we? A weekend, even! There’s always the coach-why don’t you come to me? Or I’ll come down if you’ve room. What do you say?”

“I’d like that.”  The bell is ringing. “I have to go, Meg. We’ll arrange it.”

Jeffery is wearing overalls and brandishing a trowel. “I’m not quite ready” she tells him. “You’d better come in. Would you like a cup of coffee?” He takes up all the space in her miniature kitchen, scrutinising the tiny room, unabashed.

“You don’t have much…” he sweeps the trowel around at the walls “…stuff, do you? My place is an Aladdin’s Cave! You must come round.” She brushes past him to get to the kettle before reaching into a cupboard for a small jar of Nescafe. “Could I have tea? I’m not a fan of instant. I grind my own beans. Costa Rican. A friend gets them for me. Have you tried Costa Rican? It’s marvellous!” She replaces the jar and pulls out tea bags. “I’ve got a spare tea pot at mine. Do you want it?” he asks, watching her. She takes the two mugs of tea outside and places them on the wooden seat.

“Where are you having the pots?” Jeffery gestures at the tall, terracotta planters which are dotted about on the paving slabs in what Nancy considers a satisfying, random arrangement. She stares at him.

“They’re staying where they are.” Nancy’s chin lifts a little then she stoops to take the bags of bulbs from under the bench. He shrugs. “I prefer a bit of symmetry myself.”

When Nancy can take no more advice about which bulbs to put where she goes in to make more tea. They sit on the bench to drink it.

“So, Nancy, what did your husband used to do?”

She frowns at the paving slabs by her feet, taking a sip of the tea. “I’m sorry?”

“Your husband. What was his line of work?-if you don’t mind me asking. I was a financial adviser myself. Got it all up here still.” He places a finger on his unruly hair. “If you need any help with investments, that kind of thing, you have only to ask!”

She is silent for a moment, placing the mug on her lap between her hands.

“I’ve never been married”.

“Oh I’m so sorry!” he blurts, drops of tea splashing on to his overalls.  “I’ve been married three times. Had five children. Not that I see much of them of course. They’re spread far and wide. One in Singapore, one in America. I expect they’d contact me if they were in trouble. No news is good news, as they say.”

Nancy stands up and holds out her hand for his cup. “Thanks for helping. I’ll have to leave it there for now, though. I have an appointment after lunch and will need to clear up and get changed.”

 

The Crackling Feast [Part 2]

As Alex’s repugnance at the hog roast grows, her sister Chrissie’s appetite for the savoury treat increases. Chrissie and Simon seem to have developed a relationship. What have they been up to? And where has Jacintha gone?

The Crackling Feast concludes today. Part one is in the previous post.

 

Their father had been unusual in leaving express instructions that he didn’t want a funeral. He’d wanted this; a celebration, party, get together-call it what you like. He’d left it to Jacintha to issue invitations so she’d been surprised to have received the card-an elaborate, hand-painted creation on Jacintha’s own, customised, recycled paper. The woman had not been immune to the sisters’ antipathy, since they’d been at best Luke-warm when they’d greeted her at their infrequent meetings with their father. She must have realised she was the reason their visits had dwindled to annually, duty stops while en route somewhere. ‘Just a cup of tea, don’t want to put you to any trouble’. Jacintha would produce some herbal infusion picked from the hedgerows and proffer something inedible like nettle scones with tofu. It occurs to Alex now that these efforts may have been attempts to buy their approval, though in her own unorthodox way. Their father never commented on their lack of warmth towards his new wife, nor did he complain at the sporadic nature of their visits. Perhaps he felt it was the price he’d paid for her, for Jacintha; to lose the affections of his daughters.

Chrissie and Simon have settled at a table with their plates of hog roast. Chrissie appears to have overcome her repugnance and is tucking into a pork roll with gusto in between slugs of wine and peals of laughter at whatever Simon Patterson is saying. She glances at Alex then says something to him before getting up and approaching her, stumbling a little on her spindly heels. She sits down and drapes an arm around her younger sister, close enough for Alex to smell her hot, grease and wine laden breath.

“You should get something to eat, Alex. It’s really very good.”

“In a minute.” Alex stares at her lap. She and Chrissie have grown apart, their mother having been the glue that cemented their closeness as sisters. Now they rarely see each other and on the occasions when they do they’ve only had the one same conversation, one shared dislike of Jacintha. After a few minutes she allows Christina to pull her up and tow her to the table where Simon still sits and accept the glass of wine her gets for her. The plate she is handed is loaded with a pork roll, cole-slaw, apple sauce and a heap of greasy crackling, brown scored skin with a few blackened hairs still clinging. She nibbles at the roll and salad.

“So you’ve left the family at home then, Alex?” Simon Patterson is making an attempt at small talk. She shrugs. “It didn’t seem fair to drag them up here.”

Chrissie makes a face. “I’d have got to see my nephews! You’ve deprived me of the pleasure!” Alex looks sideways at her sister, who has never been shy about expressing her dislike of children.

The solicitor continues “She is quite a character though, Jacintha-a strange choice for your father to have made, don’t you think? All those odd tattoos in Greek letters and the dreadlocks?”

Alex puts her plastic fork down. “I suppose she made him feel younger-and I expect he got lonely. You must know where she is now though, don’t you? You must have been acting for them both-for Jacintha and our father?”

Chrissie is watching them, her small, white teeth nibbling on a piece of pork scratching. There are faint vestiges of blue ink near her fingers, indicating that this must be from the etched area of pig. Alex feels her stomach lurch as she recalls Jacintha’s ample, decorated thighs. Simon laughs. “All will be revealed” he tells her as the distant ringing of a spoon against a glass signals silence among the revellers.

The vicar asks for their indulgence, rising from his seat, paper in hand. He has a message for all of them, from Jacintha:

Dear Friends,

I hope you are all having a wonderful afternoon in the sunshine enjoying the good company, the delicious food and wine and the memories.

Edgar and I were only together for a short time before he was cruelly taken but for me it was the happiest time of my whole life…

Alex glances at her sister, who raises her eyes to heaven.

I ask you to understand that I am not able to be with you today to celebrate Edgar’s life as it is too soon for me to face people who knew us as a couple. In order to grieve I am leaving for pastures new and will be settling in Corfu where I am setting up a studio in order that my emotions can find an outlet in my work.

So it’s ‘Goodbye’. Bless you all and enjoy the remainder of the party.

In Edgar’s memory

Jacintha.

There is a pause before the guests begin to murmur again. Chrissie is still clutching the spear of pig skin marked in blue ink. Alex sees her peer at it, then across at Simon Patterson who returns her look with an almost imperceptible wink.

 

So Long Leonard!

So Long Marianne

We did love our Leonard Cohen! We’d sit around singing along to ‘Hey That’s No Way to say Goodbye’, or ‘Suzanne’, instead of sweating over essays or reading the next chapter of ‘Ethics and Education’.

“Why does she give him milk and oranges?” I’d always say. “It’s a horrible combination.”

We knew all the harmonies, even recording our own versions of the songs on her battered reel-to-reel tape recorder then shrieking with laughter at hearing ourselves on the playback.

When we went out we’d communicate in code, using pre-arranged phrases for unwanted attention from members of the opposite sex. At the never missed Thursday night discos we leapt around to the Rolling Stones or The Faces until a slow number prompted one of the lads to ask us to dance; then we revolved as couples, coming into contact with each orbit, when she’d make faces at me and whisper. “Double Gristle!” she’d hiss, meaning ‘Get me out of this’.

We lavished too much of our meagre grants on cheap wine from plastic barrels in the Union bar, resulting in puerile practical joking such as crawling back to our rooms on hands and knees or writing notices for all the doors we passed; the inevitable outcome of over indulgence being our failure to attend any of the following day’s lectures. We had endless discussions analysing budding or fading relationships, boys we liked, boys we wanted to be rid of, whether we had, whether we hadn’t, wishing, regretting.

When, in the second year I was forced out into a depressing bed-sit with a repressive landlady I missed her so much I spent regular nights propped up at the end of her bed eating cheese and pickles, envying her for having the foresight to claim ill health and keep her room at the halls of residence.

Once it was clear I’d have to undertake some work if I was to gain a qualification that would lead to employment I began to knuckle down, completing mediocre essays, attending lacklustre lectures, keeping appointments with disapproving tutors and applying myself to placements. As the lucky recipient of a modest income from some shares, Marianne did not feel the pressure to strive for academic success and continued to maintain a hectic social life, made all the more pleasurable by the acquisition of a small car. She continued to live in her tiny room, spend her days shopping in ‘Chelsea Girl’ or ‘Top Shop’, date hapless men and leave a string of lovelorn boyfriends in her wake. Her health issues, a useful weapon in the defence against obligation or duty, morphed slowly into hypochondria and each time we met she regaled me with some new symptoms she’d noticed, or tests or treatment she’d been undergoing, difficulties that prevented her from completing the course.

With no other option than to join the grown up world, at the end of the three years I became a career woman with a flat and a boyfriend I’d picked up along the way. I still met up with Marianne, though less often. She’d found another tiny room, a bedsit in a shared house that eked out the modest income she still had. She spent her days attending hospital appointments, researching alternative therapies and taking courses in obscure, esoteric fields. Our lives began to diverge. I was promoted to a new and better job, split with the boyfriend, moved to a different, leafier part of town. She took a course as a ‘holistic’ healer and did freelance astrology readings in between courses of treatment for various ailments. She moved to a small flat, subsisting on benefits to augment her income, inconsistent now that the shares had crashed.

In another ten years I’d married, moved away to the coast, taken a career break and had two children. We corresponded, letters documenting lives that seemed to be led on separate planets. I was mired in the minutiae of domestic triviality; she was taking to the stage in her debut as an exotic dancer whilst continuing in her quest to find the perfect man, though available men were becoming scarcer and more selective.

I resumed my career, became single again and sought to rekindle friendships that had foundered in the wake of my marriage. When I began a long distance relationship with a London man I contacted her and arranged to visit her at her Streatham flat during one of my metropolis weekends.

 

I got to her road. I stood on the pavement opposite her house and gazed up at her window; but I didn’t cross over, didn’t ring the bell. I turned back and made the long trek back to Hampstead. She rang me, later.

“Where were you?” she said.

“I rang the bell and no one answered” I lied. She was angry. I felt tearful. There would never be another chance.

I continued to send letters and cards for a couple more years with no response. I look at the photos she sent me of herself posing in a leopard print bikini against a background of tropical plants on a night club stage and I wonder what she is doing now, but the clock is set firm in the present; no going back. Here’s to you, Marianne. So Long!

 

 

 

Fiction Month 2016.

This week marks the start of Fiction Month on Anecdotage. In this first, dark story two very different daughters attend a celebration of their father’s life-only to find that his young widow is absent. But where on Earth can she be?

The Crackling Feast [Part 1]

                Who are all these people? Alex squints into the still bright glare of the late afternoon sun as she tries to identify someone-anyone amongst the chattering guests. She watches them standing around on the paths and the lawn, glasses in hand, appearing and disappearing in the intermittent billowing smoke. This disconnect must come from living at the opposite end of the country and having become an infrequent visitor.

“He knew a lot of folks, your dad. He was involved in everything, you know; amateur dramatics, music society, history society, Scouts, gardening club, church council…”

“I know.” She cuts him off. It is Reg, her father’s old scouting friend. He is bent and frail, the hand enclosing his supporting cane wrinkled and liver spotted. His voice has grown tremulous.

“He was generous with his time and his money. Look at all this! Even at the end he made sure that everyone he knew could have a get together and have a good time. But Jacintha’s not here. I find that odd, don’t you? Do you know why she chose not to attend?”

Alex turns from the photos she’s been inspecting, the visual archive of her father’s life. She’s in some of them, a grinning toddler wielding a beach bucket or sitting squarely with a large dog. There’s one of them all together; she and Christina, their mother and father, posed against a backdrop of the Houses of Parliament.

“No. I’ve no idea why she isn’t here, Reg. Have you asked the solicitor?”

The old man shakes his head, shuffling away towards the bar and muttering. “It’s not my place to pry.”

Now her sister is making her way across the grass, clutching her wine glass, wrinkling her nose as a drift of smoke engulfs her. “Darling!” she drawls, kissing Alex on the cheek. “Good God-was that us?” She bends towards the photo, a slender vision of elegance in pale green shot silk. “Whose idea was it to have this ghastly hog thing? It’ll make everyone’s clothes smell like a bloody bonfire, not to mention greasy drips all over everything. I can’t believe Jacintha allowed it; she being such a rampant vegan and all that other hippy stuff.”

“Jacintha’s not here.”

“No, she isn’t, is she? There might be a God after all.”

Alex raises a brow at her sister. “She made Dad happy, Chrissie and looked after him when his health failed. You surely didn’t begrudge him some happiness in his last years.”

Christina straightens and takes a sip of dry, white wine. “I don’t begrudge him getting a wife younger than us. I do begrudge her taking our inheritance. I don’t know about you, darling but I could just do with a few grand at the moment.”

Alex sighs. “Divorce is expensive, you know that better than most.”

Her sister’s impudent grin is accentuated by the jaunty hat perched on the salon-perfect highlighted hair. “It is an essential, darling, not a luxury. Have you met Simon yet?”

Alex frowns. She must mean Simon Patterson, their father’s solicitor. How is Chrissie already on first name terms? Feeling an urge to escape the sibling she cannot relate to she leaves her with the photographs and wanders out towards the source of the smoke, where a rectangular metal box like a coffin revolves over a nest of coals. Here, intense heat has not deterred a throng of spectators all fascinated by the revolving steel casket. Upon each revolution an oblong window reveals a glimpse into the interior, where the russet skin has already wrinkled and cracked in glistening rivulets of fat, a plump carcass sizzling and spitting on its long skewer. The watchers murmur together in a shared commentary of greedy anticipation and disgust. “Mmm-smells wonderful, doesn’t it?” “How long until it’s ready?” “Not sure if I fancy it now”.

Alex stares, fascinated as the window comes around. Whatever body part is visible has not burnt enough to obliterate a dark blue shape like a stamp.

She leaves them to their ghoulish observations and returns to the house; the home that they grew up in, now customised by Jacintha’s enormous paintings, batiks, weavings, appliqués, pots, sculptures and installations. She’d been nothing if not prolific in her output, filling every wall, alcove, shelf, nook and cranny with her creations, eradicating every vestige of their mother in a sustained and vigorous onslaught; elimination by pottery. Alex climbs the stairs.  From the landing window she can see the carvery taking place below on a trestle table which is also laden with bread rolls, paper plates, bowls of salad and plastic boxes of apple sauce

In their marital bedroom she opens the door to an immense old oak wardrobe in which the profusion of Jacintha’s hand-dyed flowing skirts, shawls and dresses is barely contained and wonders where her father kept his clothes? A musty scent emanates from the clothing-faded perfume overlaid with hints of her skin. She’d been into anything alternative and believed that a rigorous regime of personal hygiene destroyed the body’s natural oils. Alex can remember the shock she and Chrissie had experienced on meeting her, almost ten years ago now. They hadn’t been prepared for their father to begin a new relationship, still less with a pierced, tattooed, dreadlocked artist wearing rainbow harem pants.

She is startled by her sister’s voice calling upstairs and returns to the landing to look down.

“There she is! We were looking for you darling! Come down and meet Simon.”

Alex makes a slow descent to shake the hand of a tall, angular man standing by her sister. He is a man who is accustomed to a luxurious lifestyle, judging by the sweep of his grey hair and his casual but expensive clothes. A pale blue cotton sweater is slung around his shoulders and his feet are bare inside designer deck shoes. “I own a classy yacht” the clothes say and the deep, tanned skin is a clue to where he sails it.

“I’m delighted to meet you”, he tells her, his voice deep, rich and aristocratic. Chrissie is wearing an expression Alex has seen before on too many occasions, like a child with the run of a sweet shop. “Come on Alex. Let’s all go and get some food. We should sit down or we won’t get a table. The firm that supplies these hog roasts is something else, you know. All their carcasses bear a trade mark. I saw it come in on the truck, proudly displaying a shield in blue ink on its rear end.”

She follows the two of them outside and over to the counter, where a queue has formed for rolls stuffed with hot, greasy pork, crisp crackling and sweet apple sauce. Next to them in the line a woman is also explaining to her companion that each hog carcass is etched with a code in some kind of hieroglyphics detailing the heritage of the pig, its lineage and place of birth. “It seems almost indecent, doesn’t it?” she laughs. “As if we were eating someone we’ve been introduced to!” Her friend is chuckling and Alex feels a slight nausea at the idea of the greasy meat topped with crisp, bubbly crackling. Ahead of her she can see Chrissie and Simon sharing a joke or an intimacy, her head tilted up towards his, her lips parted in a smile. The familiarity of this scene makes her weary. She breaks free of the queue and walks down to the end of the lawn to sit on a bench in the shade.

Read Part 2 of ‘The Crackling Feast’, the conclusion, next Sunday- 

Tales from the Red Carpet

Film award season is upon us. I must admit to a passing interest in the BAFTAs and the OSCARs in spite of myself. I’m not a fan of the hype, the ‘loviness’, the millions of bucks chucked at those whose earnings are already millions of bucks, the horrible, fawning adoration and blitz of papparazi resulting in tabloid, red carpet effluent. Then there are the ceremonies themselves; the over confident, self-congratulatory smugness of whoever is hosting, the simpering and the tearful gushing of the winners. On occasions there is a glimpse of a plucky loser as the camera pans around the glittering audience, applauding with as much generous enthusiasm as they are able to muster.

Sometimes I will have seen one or two of the nominated films. If this is the case it will either have been due to having read the book or because something about the story has grabbed my attention. This time I have seen ‘Room’, drawn by the fact that I’ve read it and that Mark Kermode, a reliable BBC critic gave it a ‘thumbs up’. Having initially been interested to see ‘The Lady in the Van’ I am now deterred by the [again reliable] remarks of my writing group members, who declared it ‘awful’. This is disappointing, in view of the fact that the writer, Alan Bennett is a national treasure.

This year I am intrigued to see that traditional story-telling appears to dominate the selected movies, rather than over-blown productions salivated over for their special effects. I can see no virtue whatsoever in resurrecting tired old Star Wars. Give me some gritty drama and a brilliant story and I’m happy-oh and the acting has to be plausible.

Of course, a film is about more than the plot or the acting. There are costumes, photography, direction, locations, ‘stars’. But for me the overriding element is always story line and while I am inevitably compelled to see a movie about a book I’ve read I will always come away knowing the book was better. Yes, ‘Room’ the movie was excellent and the best actor award well deserved but the book got into my head in a way that seeing the images never could.

I’m always surprised by how many people have no interest at all in fiction and I’ve a sneaking suspicion that most are of the male gender, but I may be wrong. Throughout all the years of my previous life as a teacher I never once encountered a child who didn’t love stories. What happens during the transition to adulthood to turn some people off reading them?

 

Fiction Month-The Exchange [part 2]

Check last Sunday’s post for Part 1…

I ask Ava if she has any photos of Lucy and I am rewarded by her feverish, relieved smile as she replaces Matthew’s guilt-inducing image with that of her student daughter.

Plates of beer battered cod with potato wedges and mushy peas are delivered to a neighbouring table, momentarily distracting me with the waft of delicious, hot grease. It is what I would choose if I were lunching.

We three have less in common these days; now that our children have grown. Once, as young mothers meeting at the school gate, starved of adult company, we could never see enough of each other. When I look at them now I think how age is most cruel to the once beautiful; Beverley no longer the willowy, well healed style guru, Ava’s slender, elfin appeal grown brittle as a dried twig. Beverley didn’t understand Rob, she’d explained when justifying her adultery to me. He’d needed someone to talk to, someone to console him when things went wrong with the business. If I’d considered that she’d undertaken the consolation with a little too much enthusiasm I’d kept the thought to myself. In any case, Beverley was too embroiled in her own dalliance with Mr Smirnoff to care or even to notice what her husband did.

All that remains of the hot chocolate is a circle of glossy, brown sludge in the bottom of the mug, a last scraping I might attempt to access with the long spoon if I were on my own. Ava still has half a cup of cold, black coffee, impressive as ever in her ability to make a coffee last for the duration. She is reaching into one of the bags to bring out two small parcels wrapped in co-ordinating Christmas paper from Marks with matching gift tags. Not for her the ironed out, salvaged wrapping from last year or three-for-a-pound from Savers. I wonder why it is we’ve continued with this ritual.

We have exchanged gifts every Christmas since we met, the first few years’ offerings being humble, home-made items, sewn or baked or grown, rather than the competitive quandary the exchange has now become.

Beverley presents her own gifts. They will have been purchased from a craft stall or a tiny, beach front gallery; a driftwood photo frame, shell jewellery or a hand-thrown pot. They are wrapped with that artful carelessness she retains, as though she has scoured the beach for cast off paper and string. Ava plucks her package from the table and turns it in her red-tipped fingers, exclaiming how interesting it looks. I assume from the shape that she has the pot this year. Sensing their expectation I withdraw the two, identical parcels from my bag.

Infrequent as they have become, I have grown weary of these meetings; weary of these two self absorbed women and their confessional outbursts, the inconsequential chatter and the shadowy events that lie under each rendezvous like bubbling volcanic pools. I have extracted what I needed from them only as recompense for my services over the years as confidante, counsellor, shoulder-to-cry-on and keeper of secrets. Now I am ready to move on.

Ava thinks the parcels look the same. They look like books. Is it a novel? Do they have the same gift? I nod. The same book?  Yes. Is the author someone they’ve heard of? I’m still nodding. When she tells me she hopes it ends happily because she can’t bear sad endings I say she will have to wait and see. Bev has shown little interest and has stowed her holiday reading away in the leather appliqué satchel she brought and stood up. I’m guessing she is anticipating her first, warming, reassuring slug of liquor of the day as if she were going to meet her own secret lover.

Ava straightens and tuts, rearranging the silk scarf around her neck, smoothing her blond, highlighted hair. I wait for her to say she must look a sight but she gathers her bags and reels off a list of appointments she has before picking Matthew up from nursery; travel agent, chiropodist, the returns counter at Burberry. She wants to know where I’m parked because we can walk together and I know she is anxious to find out if I think Bev suspects anything. I could tell her that Beverley wouldn’t notice if a bomb exploded here in the café but I surprise her, instead by deciding to stay here, in my seat, alone at the table.

Then they are gone; the farewells said; the promises to meet again soon and the air kissing are all done. I don’t need to consult the menu before returning to the counter, since the seductive, lingering aroma of cod and chips is pulling at my senses and cannot be ignored. I am happy to sit alone now while I wait for my lunch, and contemplate a future which exists without Ava and Beverley but with a significant upturn in my fortunes, now that the royalties for ‘The Exchange’ are flowing in such a satisfying way and my account is inflated by a substantial advance for the second novel. Is it a sequel? No. I have said everything I want to say about those two parasites. They can edit their own future. I’m still working on mine.

Fiction Month 4-The Exchange [part 1]

The Exchange

            I am first. I am always first; always too early. I don’t mind. Getting here before the others gives me an opportunity to peruse the cakes and pastries at my leisure without the pressure of pretending disinterest. By the time they turn up I’ll have chosen; even, perhaps have consumed something. I’m leaning in favour of the ‘special’, a slice of Christmas cake, a rich, aromatic slab speckled with fruit and topped with a glistening, tooth tingling band of white icing and a dark green fondant holly leaf.

On the other hand, if I buy it now I may not have finished devouring it by the time one, or both of them appear, which would present an unseemly image. I should wait. I exert a seldom utilised self control, and having made a mental note of my preferred option I go straight to a table-the only remaining table, which is next to the toilets.

There are diners who are perfectly at home eating alone, able to consume an entire meal in solitude without appearing uncomfortable. They pull out a phone or a tablet with what seems like an endless deluge of emails, texts or photos, or they have some absorbing task to complete. I could take out my phone, but then I’d have to feign interest in the one text I’ve received today, from ‘Store 21’, alerting me to their ten percent off day, a snippet of information I have already viewed and which is unlikely to sustain my interest for the unspecified period I must wait. I fall, instead to studying the menu and have read it all through twice and memorised it before I spot Beverley weaving her way through the tables towards me.

While her sunglasses are incongruous on a winter’s day in the gloom of this dark corner of the café by the lavatories, she is dressed in her customary way, in flowing layers and expensive fabrics. She is a tall, statuesque woman and can get away with this look in a way that the shorter and dumpier of us cannot.

I rise to greet her and we embrace gingerly, like wary politicians before she discards her tweed cape and sinks down on to the seat. She is forcing a wan smile, which may indicate tiredness or something more sinister. When she tells me that Ava will be late I can only smile. Ava is late in the same way that I am early-by default. Not wanting to share too much before she arrives we talk of the weather, the traffic, how busy the shops are. I know my eyes are straying towards the menu as my stomach growls in an impatient demand for the cake, although Beverley is occupied in checking her phone to see if Ava has called again.

Then she is coming in, bumping tables and customers with assorted bags, turning this way and that as she scans the café for us. For a few moments I observe Ava, taking in her discomfort, her small, breathless panic as she stares over the heads of the assembled diners until at last I relent and offer a wave.

She bustles up, all puffing and blustering excuses. ‘What a busy life I lead’, she seems to say, though the bulging bags of her purchases tell a different tale. She is so sorry to have kept us waiting and only wants a black coffee. She places a solicitous, manicured hand on Beverley’s arm and inquires if she’s alright because she looks tired. I volunteer to order, more a ploy to ensure the capture of the Christmas cake than a magnanimous gesture, returning to the table to find them already engaged in showing each other photos on their phones. In the competition of life’s successes Beverley has scored the giant prize of acquiring a grandchild.

They turn to me-a diplomatic nod of interest in my unglamorous existence. Has George retired yet? Is Jacob working now? Still living at home? Such a shame.

The order arrives; black coffee for Ava, cappuccino for Beverley, hot chocolate and the cake for me. There is a slight pause as we all regard the cake, before I lever off the first, sweet, rich forkful.

Ava is asking Beverley how Rob’s business is going now, since he had to reorganise and lay off staff. Bev removes her sunglasses and rubs her eyes, bloodshot and dark ringed. The business is ‘ticking over’. They’ve begun looking for a smaller property in a less expensive area, seeking to down-size, to release capital. She speaks to Ava, avoiding my gaze. I am allowing a chip of hard, sugary icing to melt on my tongue, recalling how I visited for coffee one morning and found her in the kitchen, working her way through the contents of a vodka bottle with a determination that had eclipsed her memory the invitation. The failure of the business is not the sole reason for needing to release capital.

She straightens, takes a sip of the creamy cappuccino. In an abrupt change of subject she questions Ava about Matthew. Does Ava have any recent pictures? Ava reddens as she fumbles with her phone, then hands it across the table. Bev studies the photo of Matthew for what seems like a screen bite as Ava glances at me, eyes wide in her frightened face. Matthew is only two, an ‘afterthought’ as Ava describes him. Holding out the phone, Beverley frowns at the tiny sparrow of a woman opposite her and declares she cannot see anything of Steven in Matthew and I’m thinking, no, because there is nothing of Steven in Matthew-a fact that Ava confessed to me prior to his birth when faced with the dilemma of whether to tell her husband he was not the father. I lick my finger to sweep the remaining crumbs from the plate, wondering how three years can have passed since Ava blurted the tale of her sordid affair out to me in a moment of tearful desperation. What should she do? Should she tell Rob he could be the father of her baby? I’d advised her to leave well alone-after all he might not be the father. Who would know? She was frantic, sobbing. The child might resemble her friend’s husband; and of course, now he is older, he does.

To be continued-Part 2, the conclusion in next week’s post…

Fiction Month 4. Caught [part 2]

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                 Caught [part 2]

                  Next morning a stiff breeze has sprung up as I stroll up to the village store on the Copseway to buy a newspaper and a pint of milk. On the way I search for the old butcher’s shop that was Ernie Brabrook’s, but almost all the buildings that housed businesses have been converted to dwellings, either having been demolished and rebuilt or their big front windows bricked in and I no longer recall the exact location of Ernie’s place. All I remember is standing inside while my father waited for his order to be prepared, the sawdust floor dusty beneath my feet and the cold, raw carcasses dangling, white on their metal hooks, an odour of chill sweetness and the resonant thwack of the butcher’s cleaver as he prepared chops or steaks.

The store assistant is solicitous. My father will be missed by the community, she says, and how am I getting on with clearing up the house? Feeling heartened by her concern I ask if she knows anything about Imberton Dance Band and the various members. She nods as she packs my purchases into a bag.

“My parents used to go dancing every Saturday. A girl called Mavis used to come and babysit us.”

I take the photo from my pocket and place it on to the counter. She looks closely before shaking her head.

“I can see that’s your Dad, in his young days, and that was his brother. But I don’t know the others I’m afraid. I’d have been too young, I suppose.”

When I mention Dick Abbott a look of recognition springs to her face.

“I was in the same class as June at school. We were a fair bit older than you and your brother I think, so we’d have left to go to the secondary by the time you two were in the juniors’ class. She was sweet, but she was a bit soft, if you know what I mean; not the brightest, but always kind and smiling. It was awful, what happened to her.”

“I heard she died. What was it, illness?”

She purses her lips, looking grave.

“No, nothing like that; she drowned in the brook that runs along the bottom of the field behind the house. ‘Accidental death’ they said it was, although no one knew how she came to be there. She was in her night clothes when they found her; all a long time ago now.”

I take a diversion back to the bungalow, down an old, overgrown footpath that leads to the narrow rivulet behind what was Abbott’s shop, with a dwelling at the rear. We’d dangled jam jars on strings into the stream to catch tiny stickleback, bearing them home triumphantly then being made to return them by our stern parents. The brook is no longer the rushing torrent of my memory, rather a thin trickle, banks overgrown with tall, bushy nettles. I wonder how she could have drowned, here in the shallows where the water is inches deep and the gravel of the stream bed ruffles the flow. Further up the sloping field the back of the house is just visible, changed now; refurbished. A new wire fence provides a barrier before the brook, where none was before. Perhaps she sleepwalked down to the stream and fell, found herself tangled in the undergrowth or mired in some mud. I’ve an image now of her night clad body lying cold in the water under the moonlight, her dark hair loose and mingling with the eddying current, but surely she’d have called for help?

My father’s modest house, the pride and joy of his later life seems diminished now that his furniture and effects are packed up to be distributed or disposed of. The rooms are strewn with cartons of bric-a-brac, books or bin bags full of clothing ready to be taken to charity shops. The walls bear the ghostly shapes of the pictures and mirrors that hung against them. His upright piano awaits collection. This is all that remains of his life. We humans spend a lifetime accumulating objects only to leave them all behind us for another to discard.

I make tea in the ancient ceramic teapot my parents always used. It is lined with a crust of brown stain but to succumb to dunking tea bags into cups feels a betrayal here in their kitchen. While I’m waiting for the tea to brew I ring my wife to tell her I’m almost done with the clearance and I’ll be returning home tomorrow.

I’m about to pour the tea when I catch sight of Arnold Goodridge unlatching the front gate and labouring up the path towards the front door and I think he must have smelt the tea to have timed his arrival like this. He settles into the worn settee with the ease of one who has sat there, in that same spot on many occasions, leaning his walking stick against the arm and placing a bulging manila envelope on the seat beside him. He glances around the room at the bare walls and loaded cartons as he sips the tea, nodding in sage acknowledgement, his chest still heaving with the exertion of his walk.

“Going up for sale, is it?”

“I’m afraid it is, Arnold. The family is too far flung to keep it. I’m hoping to drop the keys with the agent tomorrow, on my way home.”

He puts his cup and saucer on the coffee table and opens the envelope to pass me a few photos. I move to sit next him while he describes each scene. There are more pictures of the band, of course, but also snaps depicting charabanc outings to the seaside, village fetes and family parties, many showing my parents and their friends, the most striking aspect their smiles as they face the camera. It would be easy to assume that their lives were one long holiday on which the sun never failed to shine.

I pore over one shot of the beach, where my parents and another couple, all dressed in their Sunday best, are installed in deck chairs on the sand behind a number of children of varying ages playing with buckets and spades. Amongst the offspring is a young girl of about eleven, with soft, dark eyes, clad in a typically substantial swimming costume of the era, her arm around a sturdy child who I recognise as my brother. He is looking into her face with an adoring smile.

“There’s June,” Arnold offers. “She always did love the littl’uns. She’d have made a good mum if she’d had the chance.”

“Arnold, how did it happen? How come she drowned in the brook? There’s so little water. And why was she wearing night clothes?”

He gazes at the photo as he begins to talk.

“It was like I said. When Dick started stepping out with Mae they was only young, so it weren’t really serious, if you see what I mean. Then she fell pregnant with June and it was all Hell let loose. In them days it was like the end of the world. It weren’t long before that a young couple had drowned themselves in the lake from the shame of it and the fear of being found out. There weren’t any choice for them. Dick had to marry her quick, so when the baby came they could just say it was a bit early, like.

They lived with Mae’s parents to start with. It must have been hard for Dick. He was always a bit of a one for partying, had an eye for the girls. He could of taken his pick of ‘em, too if he’d wanted. But he was stuck with Mae then, and didn’t he know it! She never forgive him for landing her with a baby so young and I don’t think she ever thought he was good enough for her neither.”

“But she must have loved the baby when she came along. June was so pretty and so sweet!”

“She were. She were a cracker! But she were never the brightest, if you get my meaning. She weren’t going to get to college or anything like that.”

“Is that why she ended up helping in the shop when she left school?”

He nodded.

“Mae hated the shop, like everything else. She thought it was beneath her to work behind a counter; didn’t think she should work at all. ‘Course the shop folded in the sixties and Dick retired then. It had never made much money. Customers preferred the stores up on the Copseway and you could see why. Mae drove them all off, with her spiteful tongue and her nasty ways.”

“So what did June do, when the shop closed down?”

“She took up hairdressing, somewhere down Hardwick way I believe it was. Of course she favoured her Dad for looks, so she weren’t short of a few admirers. I think she did do a bit of courting, while her Dad was still alive but nothing serious. Then Dick passed away, a bit sudden. After his funeral no one hardly saw Mae. She stayed indoors, kept herself to herself, and June stayed looking after her. There weren’t no more gentlemen callers because Mae wasn’t having it. She were too scared June would up and get married and leave her. Thing was, with Dick gone she only had her daughter and they used to say in the village that were when June changed, stopped smiling, like. Some said it were because of losing her Dad, but I reckon there were more to it than that. That bitter old witch made her life Hell, that’s the sum of it. She tormented her and bullied her until her life weren’t worth living. And June, she were caught, like in a trap. She’d nowhere to go and couldn’t leave her mother. It got so she couldn’t stand no more. So she took the only way out she could. There were more to the stream in them days, but most folks don’t need a lot of water if they’re determined to drown their selves. You know the rest.”

He puts the photo on the coffee table before looking up. When he catches my expression he puts his hand on my arm, his face softening.

“I shouldn’t of probably told you all that, what with your Dad and all. Not exactly a cheerful story, is it? But you got to remember it were all a long time ago.”

“No, I’m glad you did. And I’ve enjoyed looking at the photos and hearing all the other stories.”

On his way out Arnold stops on the path to button up his jacket.

“Know what I reckon?” There is a mischievous gleam in his eye as he adjusts the stick in his grip. I shake my head.

“Them lot in the band, they’ve been up there waiting for your Dad to join them. Now he’s got there they’ll be making heaven jump to the beat with all their tunes!”

Though I don’t share his conviction, the image is so pleasing I have to smile as I thank him again.

 

I wake to an overcast sky, feeling moved to make haste with loading my car and starting on the long drive home. There is little of any monetary value amongst the house contents and nothing of use or ornament to us, the next generation, for whom tastes have changed. I have wrapped and packed the few items my brother and I decided upon as keepsakes; one or two first editions, leather bound, a hand painted tea set, a couple of prints and the box of photographs, which I have volunteered to sort and annotate. Everything else will be removed by a clearance company, leaving the empty shell of the house ready for viewing by prospective buyers. Once I have locked up and pulled the front door shut behind me I know I will not be returning. I pocket the house keys in readiness for the estate agent.

Before leaving the village I pull into the lay by outside the churchyard. I want to spend a few minutes alone by my parents’ grave, an action I doubt my busy life will allow in future. The new plot, freshly piled with earth stands out like a brown scar among the neat, green mounds surrounding it. Soon the simple headstone will bear the addition of my father’s name informing the reader he is ‘reunited at last’ with my mother. There are, as he requested, no bouquets wilting on the soil, donations having been made, instead, to the hospice that cared for my mother. He’d been pragmatic to the last, made all his wishes clear; his only desire to be laid to rest here in the rustic setting of the village churchyard next to his deceased wife.

I have no faith in an afterlife. I believe that our allotted span above the earth is what we get. I know that my parents are not here, under the soil in this country graveyard, nor do they exist anywhere except, for a short passage of time, in my memory. But the shady, green space with its gentle hummocks, vases of chrysanthemums and trailing ivy is a peaceful spot for contemplation and remembrance. I wind my way through the graves, stopping here and there to read a name and a date where they are visible, not obliterated by algae and age. As I round the corner by the low stone wall I halt as my attention is caught by a simple, marble, upright slab with the inscription, ‘June Elisabeth Abbott, 1945-1978, ‘Resting where no shadows fall’.

I perch nearby on a neighbouring slab. Her plot is overgrown, a joyous carpet of daisies and dusky pink autumn crocuses. A light mist of drizzle has begun to drift down, lifting a rich, earthy aroma from the vegetation. Somewhere close by a robin begins to trill a jaunty song. Then, at last I feel the tears well up and course down my face in hot, salty tracks until I drop my face into my hands and I’m howling, there in the secluded churchyard with the ghosts of my past for company.

After a while, when the tears have drained away I stand and brush the moss from my clothing before walking back through the grassy mounds and ancient stones to the gate. In the car I pick up my phone and call my wife. She asks if I’m alright. I tell her I’ve missed them all; that I love them and I’m ready to come home now. I start the car. When I get home I want to hold them, my wife and children; catch them in my heart and never let them go.

 

 

Fiction Month Week 3-New Short Story Begins Today!

Caught

Trap! Paralyse! Consume! An unwitting moth flutters in an innocent, random pattern only to be ensnared, caught in a mesh of elastic threads, thrashing wildly but doomed as the predator pounces to inject the body with piercing jaws, stilling the spasms, rolling it with rapid efficiency into a food parcel; to be consumed later.

Here in my father’s back yard, in the still warm air of a September evening, I am glad of a distraction from my task. I light a cigarette and inhale, watching the curling twist of smoke wind upwards. Excitement over, the rotund spider withdraws to the shadows, out of sight until aroused by the next tweak.

Back inside I gaze around at the devastation I’ve wrought and think it’s enough for today. Amidst the piles of books, sets of musical scores, files of correspondence and personal papers in my father’s study there is a box containing old photographs and it is these I’ve been perusing, losing a sense of time both literally and figuratively as I delve back into his life; a jumble of grey-brown, faded and dog-eared images chronicling events and scenes, depicting some characters I remember and many I do not.

I realise I am hungry but have no wish to eat here, alone amongst the detritus. I will walk down through the village to the pub. Before leaving I slip a photo into my pocket, a picture of Imberton Village Dance Band on stage. In the twilight, the quiet of the somnolent village street is punctuated only by the last, retiring song of a blackbird as he defends his province and by the distant, mechanical hum of a lawnmower.

To stroll along this street is to walk in my childhood steps, the way I went to school; down along the hot tarmac, treading on the raised tar bubbles that erupted like sticky larva under the sun’s  hot rays. Here in the gateway by the open field my brother and I paused to see who could pee the furthest as our exuberant, steaming fountains arced over the gate. On past St Mary’s where we languished, imprisoned at Sunday school, the time hanging heavy until we could loosen our collars and race back home to lunch, through the ivy clad churchyard, whose deceased inhabitants now play host to a newly interred inmate.

It is growing dark by the time I am level with the gravel track that slopes up towards Abbott’s, where a lone street lamp casts enough light for me to make out vestiges of the faded imprint on the side of the building; ‘Abbotts Grocery’. I pause for a moment, remembering. The old red brickwork had been painted yellow, the words in red and green, though now all that is visible is a faint square of flaking cream with a few pinkish lines. Old Ma Abbott, who’d seemed ancient to my seven year old self, must be long gone by now. But what of June? To my naive, infant scrutiny she had appeared grown up, although she couldn’t have been much more than sixteen when we plagued the shop in our crude, heedless bids for amusement. She would greet us, soft voiced, smiling with wide spaced, guileless eyes like a baby fawn’s as she tipped Rhubarb and Custards from a jar into a paper bag or ladled out ‘Eiffel Tower’ lemonade powder. I’d peer at her upswept, beehive hairdo and the way her wide skirt fanned out like daisy petals, buoyed up by layers of stiff petticoats as she climbed the step to replace the jar.

I’d been the youngest, tolerated but not acknowledged, the tagger-along, more spectator than participant as we roamed the village in search of diversion. We built dens, made bows and arrows or rudimentary, wooden guns, climbed the hay bales in Worts’ barn, fished in the stream, spoke in hushed whispers about the mysterious Bryant sisters, whose nocturnal activities had provoked speculative gossip from our parents. We played endless games of Cowboys and Indians or Cops and Robbers, when my involvement was accepted if I agreed to be the Indian, or the ‘baddie’ and submitted to the inevitable tying to a post to be danced around and jeered at or executed by bow and arrow or firing squad.

A few heads turn as I enter the pub, one or two nodding and murmuring in uneasy recognition. I am known to them nowadays only by association with my father. They are caught in the uncomfortable circumstances that accompany a meeting with the newly bereaved. I order my meal and take my pint to a lone, corner table, allowing them to continue their conversations unburdened by the obligation of sympathy.

While I wait I withdraw the photo and place it on the table. The band members are on a wooden stage flanked by velvet curtains in what looks like the village hall. My father is seated on a stool at an upright piano, to the right of the picture so that his face is only visible in profile, mouth open, his head tilted down, intent on his fingers as they depress the keys; one foot underneath pushing down on a pedal. To the left of the stage his brother Dib sits leaning forward to strum his banjo, a bowler hat perched at a jaunty angle, staring a broad grin into the camera despite the cigarette jutting from the corner of his lips. I guess that the slim, smiling woman in the centre at the microphone, dressed in a neat, dark frock with a lace collar is Doris Lampard. Behind them, less distinct are a guitarist and a drummer.

I am aware of someone standing at my elbow; a stooped, portly, elderly figure leaning on a stick, sharing my view, peering with rheumy eyes at the picture. I recognise him as Arnold Goodridge, one of my father’s friends, although I’m unsure of the connection. Perhaps he’d been a fellow parish council member, or they went to cricket matches together.

“That would have been a Saturday nighter,” he says, gesturing at the photo. “There’s your Dad, on the old Joanna, and your Uncle Dib up front. He was a lad, that Dib!”

The bloodshot eyes are lit with interest as he leans forwards to peer closer. I pull out a chair, inviting him to sit and he accepts my offer of a pint. He squints at the aged image, pinching it by the narrow, white border as he holds it up to the light.

“I know that Doris used to sing,” I tell him, “but who are the other two- the guitarist and the drummer?”

I wait while he examines the scene, his breathing rapid and wheezy, the sound my father’s piano accordion made when he was warming it up. He takes so long to answer his pint arrives and he lifts it to take a long draught before he speaks.

“That there,” he prods the guitarist in the picture with a thick, stubby finger, “is old Ernie Brabrook. He used to have the butchers, up on the Copseway. That’s up the road behind your Dad’s place. And that fellow behind the drums is Dick; Dick Abbott that had the grocers shop. You’ll remember that from when you was a nipper.”

I nod.

“I do remember. Walking past it tonight made me think of when we used to go up there for sweets. I’m afraid we went in more for the thrill than to buy anything. We were terrified of Mrs Abbott so we dared each other to enter.”

The old man smiles his understanding.

“Oh ah! She was a hard woman, Mae Abbott. Bitter, with a wasp sting for a tongue. Weren’t no one missed a tongue lashing from Mae at some point. ‘Course Dick got it the worst. He spent as much time as he could out of her way; he had his grocer’s round in the daytime, doing deliveries, then he’d be out with the band as often as you like, four or five nights a week sometimes. He played in the darts team, too.”

“So Mae didn’t go along to see the band? I suppose if Dick was on stage she’d have no partner for dancing.”

“Mae? No! She weren’t one for dancing. Back when they was first married she had June to look after. She only ever went out on a Sunday, to church, as I recall.”

“June must have been born quite soon after they were married, then.”

He scratches his head, frowning at his glass.

“Things was different then.”

For now the old man has completed his narrative. He drains his pint and hauls himself to his feet as my meal is delivered to the table with enquiries as to whether I’d like any sauces and another drink.

Arnold is shrugging his coat on, turning to leave then he stops to voice a thought.

“I might have one or two of them photos at home, the band and that. I’ll have a look and bring them round, if you’re interested.”

I am. I thank him.

“Arnold, before you go, can you tell me anything about June? Does she still live in the village?”

He grips the chair back as he faces me, his knuckles white, his breath whistling.

“I’d have thought your Dad would have told you. She passed away. Must have been twenty years ago; not that long after Dick, but before Mae. It were a sad business.”

The spiders have retired for the night when I go out to take a last cigarette in the cool air of the yard. This small space, illuminated by a shaft of light from the doorway is cluttered with accumulated rubbish and scruffy with weeds, neglected and unloved, another task to be undertaken before I leave. My father had been devoted to his small garden, growing gaudy dahlias and rows of fat onions, trimming the hedge and tending the pond, now relapsed into a murky, stagnant pool, clogged with choking blanket weed. When my mother died he’d withdrawn to the house, leaving his beloved plants to fend for themselves, as if the garden itself had been responsible for her death. Grief affects people in strange ways, driving them to relinquish lifetime habits and adopt new ones. I think how little I knew him in the later years, my visits short and peremptory and executed from a sense of duty.

I make my way to bed in the tiny, inhospitable guest bedroom, crawling between slippery sheets topped with unaccustomed, heavy layers of blankets and an eiderdown; the bedding a relic from when we were boys, although never in this cramped bungalow designed for retirement. The elderly bed springs creak and protest as I fidget, sleepless with memory. June Abbott; she’d have been in her sixties now. What had happened to her?