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A Neighbourly Manor [Part 3]

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In Part 3 of ‘A Neighbourly Manor’, Lena and Richard return from a holiday and meet yet another of Jackson’s visitors. Richard is less than impressed…

A Neighbourly Manor [Part 3]

                 We left Chiddlehampton and the UK a few days later to spend April in Marbella with our son, who works there as an architect. We prefer to visit in spring or autumn when the Spanish temperatures are less sweltering than in summer.
On the day following our return I collected Molly from some friends in the village who look after her when we are away and decided from her disgruntled expression and affronted manner that I should offer a brisk walk as a placatory gesture, so I combined this with a route through the estate. I was keen to learn what changes had occurred and who might be in residence.
In our absence the mature trees in the grounds had taken advantage of the balmy May sunshine to burst into blossom so that intermittent drifts of white or pink petals showered across in a light breeze. Scaffolding was still in place around the creamy walls, although the roof replacement looked to be almost complete.
Around the back in the car park area I noticed that an unsightly, corrugated pergola had been removed to reveal a semi-circle of elegant columns, a stunning feature. Jackson then had not been idle. His car was parked next to one of the sets of French windows facing the lawns. I loitered for a few minutes in hopes of spotting him or Imogen, or even Kristina, but with no obvious signs of human activity I continued through to the meadows with Molly.

That evening, when Richard suggested we stroll down to the pub and catch up with some village news, I needed no persuasion. Since the evenings had drawn out and drawn the locals out, the garden of the Cuckoo was as busy as the two bars, making it tricky work getting to buy a drink. I noticed that most of the tables were occupied with diners, too.
We’d just managed to gain access to the counter and the attention of the bar staff when I felt a rangy arm clamp around my neck and winced as a deafening voice boomed in my ear.
‘Well, well! The wanderers have returned! Welcome back you two. Did you have a good time? You must come down and see all the changes we’ve made. You won’t recognise the place! We have a table over in the alcove. Come and join us. You will let me get those, won’t you old chap?’
This was addressed to Richard, who’d not turned his head during the greeting, but responded while taking a note from his wallet and handing it across the counter.
‘We only came in for a quick one.’
I could have predicted my husband’s reply, however I was not about to allow an opportunity to talk with one of the two women pass me by.
‘But we’ll come and say Hello. Where are you sitting?’ A quick scan of the tables revealed no one resembling either of them.
We picked up our drinks and followed Jackson through the throng to the alcove. A woman was seated there, not Imogen, not Kristina; a young woman with a mane of dark curls and a heavy pasting of make-up, dark, sooty eyelids and a scarlet gash of lips. Jackson introduced us. When she stood she revealed a swell of cleavage above the line of her blouse.
‘This is my friend Liliana. She is an architect and has come to help with the interior design plans.’
The woman placed her hands on Richard’s shoulders and kissed his cheek, one side followed by the other, continental style. Her fingers, resting on my husband’s upper arms were long and tapered, nails topped with the same livid red as her mouth; as she leaned to offer the same treatment to me I caught a whiff of sweet, pungent perfume.
‘I am happy to meet you’ she breathed; her speech coloured with a strong Latin accent which was confirmed by Jackson’s adjunct.
‘Liliana is Italian.’
Beside me on the bench, Richard was silent, concentrating his attention on his pint of Best as Jackson continued.
‘She is also a terrific artist. We’ve brought some of her canvases down to see where they’ll hang. You must come and take a look.’
As he spoke the woman’s lips smiled in their red slash, her eyes narrowing until I thought she might purr like a pampered cat stretched on a hearthrug. To fill the conversational void I murmured something non-committal and took a sip of my wine. Richard lifted his glass and tipped it back it in uncharacteristic gulps before turning to me.
‘We can’t be too long, Lena. Don’t forget Bob is coming round this evening.’
As we walked back along the lane I asked him, ‘Who on Earth is Bob?’
‘No one. Anyone. What does it matter?’ he replied, ‘I just couldn’t spend any more of my time with that insufferable man.’

 

A Neighbourly Manor [Part 2]

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In Part 2 of ‘A Neighbourly Manor’ Lena discovers some surprising facts about Imogen and is confused when she encounters another member of Jackson Agnew’s entourage. If Imogen is Jackson’s partner then who on Earth is Kristina?

A Neighbourly Manor [continued]

                ……….Her voice was soft and low and her neat features dominated by intense, deep blue eyes that held mine; her short, glossy cap of black hair a stark contrast with the near translucent pallor of her skin. She took my proffered shortbread, murmuring ‘how kind’ before placing the plastic box on the bar.
While Richard’s responses are never obvious I noticed from the widening of his eyes and a slight flare of his nostrils when she took his hand that he was impressed.
‘Now’
We swung towards the master of the estate. He had a look of Christopher Plummer as Captain Von Trapp mustering his numerous children as he addressed us.
‘Shall I take you for a tour before we have tea?’
I nodded before catching my husband’s expression, which was set into ‘I don’t want to be here much longer’ mode. He glanced at his watch.
‘Perhaps just a short tour’ I suggested, and we followed Jackson through the connecting doors at the end of the bar into the adjoining drawing room; another vast, empty space with tall windows facing on to the grounds and adorned with only a huge, stone fireplace.
As we wandered through the network of rooms I hung back to allow Richard and Jackson to get beyond earshot and Imogen to draw level with me as I pretended to examine a carved mantel.
‘It’s all so big,’ I began, gesturing at the room. ‘Whatever will you do with it all? Do you have a large family to fill it up?’
‘Oh no,’ she shrugged. ‘I have one son and Jackson has a stepdaughter. But he loves large rooms and he wants a project now that he is semi retired.’
‘And how about you?’ I asked her.
‘I won’t be retiring any time soon.’ She gave that enigmatic half smile, yet I was undeterred.
‘And do you work in the same field, in art dealing?’
She smiled a little wider then, as if enjoying a private joke. ‘Oh no, no-nothing so glamorous; I am a nurse.’ Though my surprise must have registered on my face she was disinclined to elaborate. I pressed on. ‘It will be difficult for you to spend so much time here then.’
She began to walk in the direction of the men’s voices, speaking swiftly, clandestine-voiced, over her shoulder.
‘We don’t live together, Jackson and I. He lives in Kensington and I am not so far from here, in Dorchester. We meet at weekends.’
I caught her up, wanting to know more but she was intent on reuniting our group.
Jackson was explaining his plans to Richard, his long arms waving about and his cultured vowels bouncing around the bare walls. When we approached my husband gave me a meaningful stare, which I chose to disregard.
‘We thought we’d make this our kitchen as it’s so sunny. Imo would like to turn it into a monument to Monet-all yellow walls and blue tiles, but I like a bit of sexy steel and glass myself.’ He beamed at us, ruffling Imogen’s glossy hair and she closed her eyes, liquefying under his touch. Throughout the remainder of the tour she stayed close to her man as if every moment without him was wasted.
All attempts to engage Richard in feedback regarding the visit were quashed, his only remark being ‘bought himself a trophy wife.’ I knew better than to argue, but it was obvious to me that beautiful Imogen was infatuated with her distinguished, older lover, wealthy or not.

We saw nothing of our new neighbours in the ensuing two weeks, but before we’d left that afternoon I’d elicited permission from Jackson to walk our dog, Molly in the grounds of the manor and for Richard and me to continue to walk across them as a short cut to the pub.
‘Do as you like, my dear!’ he’d roared, throwing a gangly arm around my shoulders, ‘It’s Liberty Hall!’
And so it was the next weekend, while walking with Molly down the driveway, pausing to admire the view of the house with infinite swathes of daffodils surrounding it that I spotted a figure striding along ahead of me, dressed in a voluminous raincoat, wellington boots and a sou’wester hat; a vigorous, purposeful gait, head erect, hands in pockets.
‘Not Jackson Agnew’, I surmised, since he was taller and I’d the distinct impression that it was a woman; yet the figure lacked Imogen’s neat style, from the rear at least.
Our gregarious Jack Russell terrier had rushed ahead to greet the walker, who stopped and bent to the little dog. I could see from the profile it was indeed female and not Imogen. As I drew close the woman grinned as she made a fuss of Molly.
‘Good Morning! Friendly dog! I am Kristina and I guess you must be our neighbour-Lena, perhaps?’
I may have looked as confused as I felt, for she waited for my response, continuing to grin in an abstract, good natured way. Since she appeared older than Imogen I assumed she must be a relative, perhaps a sister of Jackson’s, except that she spoke in a heavy enough accent to demonstrate that she was not of British origin, perhaps Scandinavian. She had a flamboyant, Bohemian look; red curls escaping from the sou’wester, bare legs between the Mac and the boots.
We strolled on together. A scud of spring rain began to sprinkle us. ‘Are you here for long?’ I asked her. She tilted her head to the sky, allowing drops of rain to fall on to her face and into her open mouth.
‘Isn’t this wonderful?’ she laughed. ‘I love English weather! We are just here for the weekend. My daughter must not be left alone for too long. She is supposed to study for her exams but without supervision, well I guess you know what teenagers are like. But these builders, they must also be supervised.’
We were almost at the house, which was encased in the cage of scaffolding that had arrived and been erected during the week in readiness for the replacement of the roof, a renovation that had prompted Richard to describe Jackson Agnew as having money to burn.
I remained silent, absorbing the ‘we’. Imogen had also used ‘we’. Was she here at the manor too? Who was Kristina? She was surely too old to be the stepdaughter Imogen had mentioned.
We parted company with a ‘see you again’ from Kristina as I made my way around to the rear of the manor, where Jackson’s BMW was parked, though not Imogen’s Fiesta. ‘She could be out’, I thought, ‘she could be shopping or running an errand’ but I felt this couldn’t be true. The most likely thing was that she was working.
Richard, when I described the events of my walk declared that he was neither surprised nor interested in ‘that man’s affairs’, but I was disappointed not to have seen Imogen, who I’d hoped to involve in village life. I’d saved some literature for her about parish activities and was hoping to have a conversation with her about the village History Society. I couldn’t help wondering if she knew Kristina was there, or even if she knew of the other woman’s existence.

A Four Part Story-Part 1 of ‘A Neighbourly Manor’

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The remainder of fiction month consists of a longer short story, ‘A Neighbourly Manor’, in which Lena and Richard encounter a complex and not entirely conventional household.

A Neighbourly Manor

‘I wonder what she sees in him?’ I kept saying.
‘Leave it alone, can’t you?’ Richard grumbled, or he would shake out a new page of his newspaper in a crackling signal of finality. But one month on the events following that afternoon dogged me as I weeded the border or strolled along the lane to the farm for eggs.
After we’d received the invitation I’d been full of excited zeal, wanting to make a reciprocal gesture before we’d even taken a step along the wide sweep of their driveway, but Richard had curbed my ambitions by frowning,
‘Let’s wait and see how it goes. We haven’t met them yet. We are only neighbours, nothing more. By all accounts they are society people so I don’t suppose we will be of any interest to them except as a kind of ‘country bumpkin’ story for their London friends.’
Despite my husband’s dashing of cold water I continued to harbour fanciful thoughts of what might transpire. I knew that the manor house next door received a constant flow of visitors despite the seedy state of its accommodation. Some were well known figures in publishing, the media or the arts, invoking thrilling fantasies of meeting someone famous. Who knew what might transpire? This could be the beginning of a series of gatherings to which we were part. I began to run a mental inventory of the contents of my wardrobe and concluded it was lacking in some areas.
The previous occupant’s attempt to run Chiddlehampton Manor as a hotel had failed in a gurgling whirlpool of bankruptcy, depression and alcohol dependency. Villagers who had worked there told of stained carpets and mouldy en suites in the twenty three bedrooms, slimy, brown grease covering kitchen surfaces, dwindling bottles in the wine cellar, failed initiatives such as ‘poker breaks’ or ‘murder mystery weekends’ attracting a desultory handful of revellers and resulting in increasing event cancellations.
The parlous nature of the building lent even more urgency to my desire to see it and to meet the latest occupants, who wanted it for a country retreat, no less. A country retreat! Twenty three bedrooms and bathrooms, a ballroom, eight acres of grounds containing stables and seven cottages for staff plus a vast, walled garden with endless greenhouses-all now fallen into disrepair; disintegrating into the chalky, Dorset soil from which it had risen.
There was a blustery March wind gusting across the fields as we walked through the open gate into the driveway; gaps in the two rows of elegant beeches that bordered the sweeping drive, and fallen branches. Weeds punctuated the centre of the crumbling tarmac as it curled around to reveal the yellow stone manor house nestling in a dip below.
I stopped for a moment to admire it, tucking the box of homemade shortbread under my arm. Richard had scoffed.
‘They won’t want that. Their sort is used to posh nosh; Fortnum and Mason, Harrods, all that sort of thing’. I’d ignored him of course, as only one who is shackled to a curmudgeon for thirty two years can.
Even in a decadent state the manor is beautiful, a graceful old house whose romantic symmetry complements the rustic setting of rolling Dorset countryside. As we approached the columns of the grand portico I shivered, hanging back as Richard strode up to the vast, oak door and pressed the bell in his no-nonsense way.
In the ensuing hiatus my misgivings expanded. ‘Do you think they’ve forgotten?’
Richard snorted. ‘Let’s hope so! Then we can go home and have a cup of tea.’ But steps could be heard echoing inside.

I’d heard plenty about him from villagers, in the pub or at the community shop but I was still unprepared for the experience of meeting Jackson Agnew. That he was ‘upper class’, ‘stinking rich’and ‘ponsy’ was circulating the public bar of The Cuckoo, with ‘a bleeding, towny nob’ thrown in by Noah Barnes, Bendick Farm’s cowman, who was not known for holding back on his opinions. Little had been expressed about Dr Agnew’s companion; whether she was partner or wife or daughter no one knew, only that she was ‘posh totty’ [Noah Barnes again] and thought by some to be a model or an actress.
The door was not so much opened as flung wide and filled with him; with Jackson Agnew. His frame crammed the doorway, everything broad, everything extended, from his lengthy arm and thin fingers reaching out to shake Richard’s to his gaping grin and booming ‘Hello hello-Welcome to my humble abode!’
Once I’d followed my husband into the hallway my own hand was enveloped and squeezed. ‘We meet at last!’ he said and his voice was like a deep, mellow gong echoing around the cavern of a hall with its bare walls and floorboards. After I’d glanced around the barren space I noticed he was scrutinising our faces, hungry for our reactions.
‘I expect you’ve been in here hundreds of times, haven’t you?’
Richard was peering up at the ceiling, eager for a sign of damp, death watch or woodworm. He avoided Jackson’s gaze as he replied.
‘We haven’t lived in the village all that long ourselves; retired here from Bristol eighteen months ago. We had no cause to come to the hotel. If we want a drink we go to the pub.’
‘We met the Judds, of course, out and about, you know, when walking the dog,’ I added.
Jackson grinned. ‘Yes. Pour souls. What a state they got into. Shall we move into the lounge and we can rustle up a cup of tea, or something stronger if you like?’ He looked beyond us to an open doorway, calling, ‘Darling, our neighbours are here.’
We walked through into what had been the hotel bar but was now being used as a makeshift kitchen and dining room. Here, overhead the ceiling was adorned in an ornate series of murals decorated in gold leaf portraying rotund cherubs cavorting with plump maidens in diaphanous robes. Jackson caught me scrutinising it and barked in noisy mirth.
‘What do you think of that? Someone went to town, didn’t they? Are you familiar with the Baroque style at all? Ah, there she is! Darling! These are our nearest neighbours, Richard and er…’
I broke in. ‘Lena’
‘Lena, of course. Richard and Lena.’
She was standing behind the bar, motionless, an almost smile on her lips; eyes that had been fixed upon him moving in a slow turn towards Richard and myself. In that moment I understood why all of the descriptions of her had been correct and at the same time wrong, because while she was young and undeniably beautiful there was no element of Hollywood style; no trappings that could be considered cosmetic enhancement. And one thing was clear. She could not in any way be mistaken for his daughter, since no daughter in the world would ever look at her father like that.
She moved around to join us, extending a hand, first to me.
‘Imogen.’

Fiction Month has Arrived!

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November is Fiction Month on Anecdotage, where a selection of my latest short stories are showcased free in honour of Novel Writing Month, the onset of Winter and longer, darker evenings. Just the opportunity to curl up and have a read.

Story 1 is a gently dark tale for Halloween:

The Uninvited Guest

            How many there are! The only space remains here at the back, near the door. I’d have chosen to sit here anyway, since I am less likely to be spotted and can make a swift exit whenever I choose.

Who selected this music, I wonder? It makes me realise how little we know those who are closest to us. I wouldn’t have opted for ‘You’ll Never Walk Alone’. It is far too gloomy. ‘Always Look on the Bright Side of Life’ would have been a more cheerful opener-and more appropriate, of course.

Ah-someone is closing the door. The service must be about to begin. And there is someone approaching the podium, the woman they’ve chosen to officiate. She’s Pastor Mona Chesterton, according to the programme. They’ve got that correct, at least; getting a woman to do it.

I can just about see the casket from here, between the heads of those in front. I’m hoping it’s cardboard, sustainable and eco-friendly; only one spray of flowers so they must have asked for donations instead.

Pastor Mona has asked Val to take the stand. She’s going to read a poem. Ha! This will be interesting! Although I love my sister Val, she isn’t the most literary of people. I think her reading material consists mainly of ‘Hello’ magazine and the Daily Mail so she’ll have had to Google funeral poetry or ask someone for a suggestion. Yes. Just as I thought: ‘Stop All the Clocks’. She’d have remembered it from ‘Four Weddings’. When it comes to Auden I’ve always thought ‘Tell me the Truth about Love’ was one of his best. She must have practised reading the poem but she’s made the classic mistake of reading too fast. I notice she’s sat herself next to Stan, close enough for their arms to be touching and a little too close for mere comfort. I suppose she’s got what she wanted now, hasn’t she? Good luck to them is what I think.

Stan isn’t going to say anything. That’s wise of him. The hollow echo of his words would be magnified in this cavernous building with its barrel-vaulted ceiling.

They’re all standing to sing ‘All Things Bright and Beautiful’. What a cliché! The singing is a bit weedy, as if they are a load of drunks at four o’clock in the morning, which is disappointing. I’d have liked some gusto, a rousing chorus of enthusiastic mourners.

Ah, here are James and Becca, together, for moral support, perhaps? They’ve got scruffy pieces of paper. I suppose James has scribbled something on the way here, which is his normal approach to any task. Becca looks pale but dignified and I expect she’d be delighted to be described so. They are a handsome pair of young adults, considering the genes they’d have been handed. I’ve enjoyed hearing their childhood memories but I was startled by their choices. Camping? When was that? Perhaps they went with Aunty Val…

Pastor Mona is summing up now, with the platitudes used by those who never knew the deceased. She’s asked everyone to stand for the final hymn, ‘Abide with Me’, which will be appropriate for Stan and Val, at least, as the carton begins to slide away behind the blood red curtain.

It’s time for me to leave so I’ll slip out during this dirge of a hymn. I’m glad I came but happier still to be outside in the fresh air of this April afternoon.

I know what you did, Stan and Val. They say revenge is best served cold and cold is my future now. I’m going to extract a great deal of entertainment from watching your regrets as I occupy your dreams and loiter around your shared bed disturbing your recreation.

I feel a new spring in my step and a soaring joy to be away now. You’re a long time gone. Can’t wait to get started…

 

 

Continuum- [part 2]

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The story concludes with Part 2 today, as Maz learns that you cannot move on with your life and expect the old order to stay the same…

There is a roar and as I stretch to see over the heads in front I spot Jacob Rimmer, the band’s vocalist and frontman running on to the stage. He takes the mike from its stand and bounces to the front. ‘Hello Wilchester!’ he calls and is met with a deafening din from the hoards below. I’m grinning with the infection of the thrill as the remainder of them run on to take their places. ‘Are you ready for Continuum?’ he hectors and the response is an ear-splitting bellow.

At this moment Dylan reappears, pushing through, head and shoulders above most of them. He’s cradling three polystyrene boxes like babies in his arms and my relief is about more than chips. He hands us a box each as the first, pulsing drum beats herald the first number, prompting us to grin at each other like idiots then we’re nodding, stamping and hollering along with everyone else in between hot, greasy mouthfuls. I love this. I love the shared adulation, the belonging, the elation of knowing all the songs and joining in companionable singalong. It is all at an end too soon, even with two encores.

As the crowd begins to thin I realise I’d forgotten about Shona but she’s still there, behind us, looking kind of droopy, as if she won a holiday and it was to Skegness. Dylan reaches out and grasps her round the neck, pulling her to him in a clinch. ‘What did you think of THAT then, Shona-lona?’ he bawls, ignoring the woodenness of her response and the tears that are making their way down wet channels on her face.

‘Where’s Mickey?’ Shona hiccups, slumping against Dylan, who has a way of pulling in his chin and frowning when he’s flummoxed, which makes me laugh. Releasing her from the bear hug he shakes his shaggy head. ‘Haven’t seen him.’

‘We’ll give him twenty minutes then we’ll need to get the train,’ I tell them, ignoring the girl’s stricken expression. ‘You can wait, Shona if you want but I’m not missing the train home because of him.’

We’re picking up the chip boxes and collecting our belongings when he reappears, loping towards us, an inane grin hovering around his lips. As he reaches us he folds his gangly frame down on to the ground and motions us to do the same. He stretches out his long legs and leans back on his hands, revealing a ribbon of smooth, tanned stomach in the gap of his between his T-shirt and jeans. His head rolls back and he sighs. ‘Man…’ he slurs, ‘man…. Shona has knelt on the grass beside him but Dylan and I stare down, rucksacks on our backs and still holding the chip boxes.

Mickey’s unfocused eyes fix on Shona. ‘That was some fantastic shit, man’ and as she kisses him he rolls backwards on to the grass pulling her to him. She’s smiling like she won the lottery.

‘Come on, let’s go’ I say to Dylan. He gestures towards Mickey, who is uttering senseless chuckles where he lies with Shona draped over him like an exotic quilt.

‘We can’t leave him like this, Maz.’

‘He’s got Shona to look after him. I don’t want to miss the train!’

Dylan hands me his chip box, stoops and grabs Mickey by an elbow, dragging him up, shouting, ‘What did you take, Mick?’ He’s a big guy, Dylan, as tall as Mickey but with a beefy frame. He puts an arm around Mickey’s waist. Shona’s hanging off the other side as if she’s welded to him.

We make slow progress towards the station, surrounded by thousands of homeward bound fans which makes me wonder if we’ll even get on a train let alone get home but Dylan manages to drag Mickey all the way to the station, up the stairs, on to the platform and at last on to the train where we sink down in a heap by the exit doors.

 

 

It’s nearly Christmas. From my seat on the coach I’m gazing out at the drab towns as it travels southwards. I’m wondering if my choice of St Andrews was a deliberate ploy to get as much distance as possible between my home town and uni. This is my first visit home since I left in September and I’m hoping to help the time to slip away by catching up with friends but my messages and texts to Dylan have not been answered so I suppose he’s been as caught up in university life as I have. I don’t call my parents as often as I should, although the few times I’ve spoken to Mum she’s had no news of any of them-Dylan, Mickey or Shona. The Continuum gig seems a lifetime ago now.

I’ve left it late to do any Christmas shopping so I struggle up on my first morning at home and walk down into town, where the familiar streets look smaller to me and a little tired; some of the High Street businesses have disappeared or been replaced by charity shops but at least it’s warmer here than in Scotland.

I’m browsing in the fair trade shop when I think I see Shona. I say ‘think’ because to begin with it’s just the back of her, the signature white hair hanging down like a waterfall but when she turns I get a shock. Her shape has transformed and she has the substantial swell of pregnancy. Before I’ve time to move she’s spotted me and she’s making her way around the display to reach me.

‘Maz! It’s great to see you!’ As she leans forward to air-kiss me I’ve an uncomfortable sense of the proximity of her bump, as yet unmentioned. ‘You’re looking,’ I hesitate ‘-well’. She steps back and circles her protruding stomach with her forearms, her eyes dancing with excitement.

‘I’m having a baby in March.’

‘Congratulations’, I murmur, ‘Is it…?’

She breaks in. ‘It’s Mickey’s.’

I’m nodding but I can’t look her in the eye. ‘And are you and Mickey…?’

She laughs. ‘No, Maz I’m not with Mickey any more. But my baby will have a dad. We’re living with my Mum at the moment but we’re going to get a flat as soon as we’ve got enough money for a deposit.’

I’m struggling to understand. This is Mickey’s baby but he won’t be the father.

‘You met someone when you were pregnant?’ She shakes her head, chuckling.

‘No-no one new. I’m with Dylan, Maz. He wants to take on me and the baby, too. He doesn’t care that it’s Mickey’s. He got a job at the DIY store and they might be making him a department manager. You must come round and say hello!’

 

 

Back home in my bedroom I put on my headphones and listen to ‘Every Life’, my favourite Continuum album. Sitting on the edge of my bed, listening to Jacob Rimmer screaming out the lyrics the tears stream down my face. Dylan. Big hearted Dylan. No wonder he didn’t reply to my messages and texts. All this term I’d thought he was at uni and he never even started. I’ve lost him and with him my old life, my home life, my formative life.

Christmas comes and goes. I go through the motions with my family, the traditional, familiar routines a soothing background to the mourning I feel. Much as I love my family I realise I’m looking forward to getting back to St Andrews now, to throwing myself into the new term.

At last I’m on the coach, pulling northwards, the January skies leaden and a fitting backdrop for the grey cities we pass and the dreary mood I need to leave behind. I listen to music, read a course book and at some point I sleep. It is late when we pull into the bus station. I stand to pull my rucksack from the rack, shuffle down the aisle to the front and down the steps into Scotland. There is a fine drizzle falling so I lift my face and let the soft mist bathe it, tasting the wet smoky air and I’m smiling. Soon I’ll be back in halls. There’ll be news, gossip, coffee, doors open, laughter, music blaring. This is my new life and I love it.

 

 

 

 

 

 

A Topical Story

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           This week’s post is Part 1 of a story in which the principal character is one you will recognise from media coverage. Foisted into the public eye, perhaps more than she has been comfortable with I began to imagine how she feels and if, maybe, she has regrets about the life she has chosen for herself…

               Behind Him

                It is like the sea, she thinks, a tidal surge with flashes of light. In reality the flashes are cameras and the surge is people. She puts her hand to the high collar of her coat and swallows, composing her expression, breathing in long, steady breaths like she has been told. There is a roar, startling her and she realises she’s lost concentration for a moment then she remembers and raises her hand in a wave, stretching her lips in a smile-not too wide. She doesn’t want to appear stupid.

Standing behind, she can only see the back of his head and his arms as he spreads them, the finger and thumb of each hand pressed together to make the point. There is another roar from the crowd.

He starts to turn his head and she feels her heart jump and her throat constrict as his hand strays out towards her; but she takes it, dipping her chin as she steps forward into the limelight.

“Smile now.” The instruction hisses from the corner of his mouth and she parts her lips a little to show the perfect, white teeth she has maintained for so long. Another wave of camera flashes later and she is able to follow him down off the stage, stepping with careful tread in the shoes she’s deliberated over and managing to keep her head up.

She trails along through the cheering crowd, nodding, maintaining the smile, her cheeks aching just a little.

“You looked so beautiful!” Mama had said last night. “The white jumpsuit so elegant! You did so well. We are proud, your father and I. The first lady! Living in that white house!”

Papa has not said much about her marriage since he asked her if she was happy the night before the wedding all those years ago. He’s been more reticent than her mother on the subject of how well she’d done to bag herself a multi-millionaire business man, asking only if it was truly what she wanted. He seems content enough now to have the New York apartment but is tight-lipped on the subject of politics, offering only one remark to her.

“Remember who you are, Mela. You are an immigrant like your mother and me. Success and happiness are not always the same thing.”

Alone in the spacious bedroom she watches herself on the news, her manicured brows creasing at the sight of her own figure bent awkwardly to the microphone in a hasty bid to summon up some supportive words, stumbling, parroting, ‘Make America great’, looking like the stick puppet that everyone believes her to be. More footage shows their ‘victory dance’ as she is clutched in a stiff embrace and his engagement is, as always, with the crowd and the flashing cameras as he gestures to them during every slow turn.

She thinks of William, her only real achievement, a ‘mini-me’ his father calls him and she wills it not to be so, thinking of her disdainful adult stepchildren, whose cliquey conversations and  spiteful remarks she’s learned to ignore. She wishes her son could grow up like Papa having a strong sense of justice tempered with compassion. He is not ‘Barron’ to her; can never be. She bites her lip as the news images roll on, the pictures plastering a cover on to the reality.

 

“No, I am not going to The White House. I’ll be staying here in the Towers with my son and my parents. It’s important for him to stay away from the media and to continue his studies. You can tell this to my husband. My son comes first. Politics is nothing to do with me; that’s his job.

 

To be continued. [Part 2 of this story follows in next Sunday’s post…]

Not the Lover that Rhymes with Cover…

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I’ve begun to notice interesting developments on social media recently. Some conversation threads have started to engage and pull in Facebook contacts from different spheres.

Take, for instance a news snippet concerning Lover. Lover [correctly pronounced Low-ver and rhyming with Dover] is a tiny satellite hamlet and part of a much smaller village called Redlynch, in the county of Wiltshire, England. For many years Lover post office has cashed in on its oft mis-pronounced name whenever Valentine’s Day became a distant speck on the horizon of February. Would-be beaux, belles and partners have made a habit of flocking to this backwater to post their cards and declarations of love in order to have ‘Lover’ stamped upon the outside of their envelopes.

In 1957, at the age of four I began school life in Lover, walking down through the village with my mother on the very first day only and after that having to accompany my brothers. There was no soft, part-time option, no lollipop person to see us across roads [there was no traffic either], no inside toilets-[a bucket under a wooden seat in a building across the playground sufficed], only two classes-infants and juniors-and thirty seven or so children altogether. We played all together in the playground [schoolyard], did country dancing to the accompaniment of a wind-up record player and played rounders on the field at the back which was shared by a farmer’s dairy herd. Anyone succeeding in attaining a rounder would have to run the gauntlet of cow deposits as well as fielders.

I loved my infant teacher, Miss Hunter with a devotion matched only by my fear of the head-teacher and junior class teacher, Mrs Reardon. Miss Hunter taught us fractions by bringing in a beautiful Battenburg cake that demonstrated halves and quarters. Mrs Reardon violated my fragile confidence by shaming me in front of the class for my ignorance in the mysteries of tracing. Miss Hunter took us for nature walks, holding hands with our partners in a long, snaking crocodile as we learned the names of trees and wild flowers. Mrs Reardon applied soap to the mouth of a small, swearing boy so that he ran around the playground crying and frothing at the lips.

I was in the junior class for a short period, probably no more than a year and yet I spent a good deal of it sitting by an older girl to help her with her grey, English workbook-mortifying for her and tedious for me. Distractions were provided by newts inserted into inkwells [we had to dip our pens into them, never managing to write without the inevitable blot] or someone’s misdemeanour prompting a few whacks across their palms. I laboured over sums involving pounds, shillings and pence or stones, pounds and ounces or yards, feet and inches.

At age seven my family moved to a different part of the country for my father to take up a promotion. There I attended another two-class primary school in a rural area-this time almost remote enough to be another country-but that is altogether another story…

A Very Happy Christmas to all Anecdotage Followers and Visitors-

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Since Anecdotage is on Christmas Day this year I’m posting a seasonal story on the blog. While it is a story for children it is also a parable of our times. The birds in our own garden seem to have definite characters, making them ideal fodder for fiction…

Goodwill to All Birds

                  Rowena Robinson was huddled on the spindly branches of the lilac tree. Her feathers were puffed up like a seeding dandelion while Roy, on the branch above her was filling the garden with a selection of his latest songs.

“I don’t know why you’re bothering with that rubbish!” Rowena nagged. “Nobody is taking any notice. It won’t get us any nearer to the peanuts; not with that rabble hogging the bird feeders.”

She jerked her beak at the bird table across the lawn. The Starling family, all seven of them, were feasting there, tearing into the peanuts and the suet as if it was their last meal on earth. Shreds of food rained down upon the grass. Rowena shook her head. “Their manners are terrible! Look at the mess they make! No wonder their chicks are so badly behaved, with the bad example they set. And why do they have so many children? Three or four is enough for any bird, surely?”

Roy hopped down to join his wife. Cold and hunger was making her bad tempered.

“They are hungry too, my love. Perhaps we should call them the Starvling family! And if they drop scraps on to the grass it’s easier for some of the smaller birds like Jenny to pick it up. Wrens prefer the ground for feeding after all. Stevie and his chicks will be done in a minute then we will get a turn at those nuts. We’ll need some supper. It’ll be dark soon.”

Sure enough a light came on in the house, illuminating the garden and prompting the Starlings to rise up like a cloud and swoop away over the fence. As the Robinsons prepared to fly over to the bird table a door slid open on the patio and the giant figure of a girl chick stepped out. Rowena turned back with a squawk of alarm as her husband landed on the stones next to the girl’s feet. He bowed several times in front of the enormous figure, who stood still and murmured to him in her strange tongue. In her hand she held a bag and now she shook it over the stones, peppering the ground with delicious seeds, nuts and mealworms.

Roy called to Rowena, “Come on over, dear. There’s enough food here to feed a flock!” But she shrank back into the tree, trembling.

“Roy! Get out of there! It isn’t safe.”

He hopped over and looked up at her. “Dear, the people won’t hurt us. They like us. They are the ones who put all this food out. We must show them we like them too. When we gather around them and sing they keep feeding us.”

He coaxed her from the tree, leading her on to the stone slabs to where the girl, Millie was standing.

Later, feeling well-fed in their cosy roost as they prepared for sleep, Roy was explaining about the family in the house. “That one you saw, the one who served us the meal; that was a hen-chick. They call it a girl in human language. I don’t think she lives in the house but she visits quite often”

“Girl” Rowena murmured.

“Then there’s an old hen. She lives there all the time. They call it a woman.”

Rowena yawned. “How do you know she’s old?”

“Well her feathers are all white and straggly. Of course, the poor things only have feathers on their heads and they can’t even fly.” He turned to his wife but she was asleep.

The next morning, after a quick preen and a beak wipe they peered out to see Mark and Mandy Magpie strutting around as if they owned the place and making their usual racket. The other birds hung around at a distance listening to what sounded like pistol volleys. Rowena sighed.

“Not much chance of breakfast any time soon, then.”

“No-but they are the only ones who can keep Squirrel at bay, so they have their uses! What do you think that is?” Roy indicated a bedraggled, grey mound of feathers on the slabs by the door. Rowena stared, aghast. “Oh Roy! Do you think that dreadful cat’s been here again?” She shuddered, remembering the last time the fearful beast had terrorised the inhabitants of the garden.

“I’m going to take a closer look.”

“Roy you can’t! It isn’t safe with the Magpies there!”

But he’d already taken off. He flew over to the patio and perched on a window ledge above the feathers, ignored by Mark and Mandy who were squabbling and squawking over a fat ball they both wanted. Rowena saw Roy bend towards the feathers as he chirped at it then was astonished to see the feathers move! A bedraggled head appeared and peered up at her husband.

Just then the door opened and Millie stepped out. Mark and Mandy screeched and rose up grumbling to retire to the nearest tree but Roy stayed where he was, watching. When the girl-chick spotted the heap of feathers and got down to look at it Rowena gasped, for the heap of feathers did not get up and fly away or even try to move. The girl-chick went back inside the house and Roy glided back to his wife.

“It’s a pigeon, Row. His name is Preston. I know pigeons aren’t very clever and they’re a bit common but he’s in a bad way. I think his wing is injured. He says a car hit him. Look-the girl-chick is coming back out.”

Millie returned. In one hand she held the peanut bag they all knew so well, in the other a saucer of water. She knelt by the pigeon and placed the water and some peanuts next to him. Then withdrew to the other end of the patio. Preston raised his head to stare over at Roy.

“It’s alright” chirped the robin. “The girl-chick won’t hurt you. She helps us all.”

“Shush, Roy! You know we don’t talk to pigeons! They come in here from miles away and take all our food and water!”

Roy cocked his head to one side. “My love, we are lucky to be very well looked after here in this garden. Does it really matter where this poor bird is from or who he is? He may not be like us but he is a bird all the same. There is enough to go around, whoever needs it, isn’t there?”

“I suppose so. But he won’t stand much of a chance if he stays there anyway. Fox will get him.”

She was right, thought Roy.

The next morning Preston wasn’t there and in his place was a box. Millie stepped outside and poured some nuts into it. “Is it some new kind of bird feeder?” Rowena asked and Roy went to look. “He’s in the box, Row! Preston is in there!”

“Don’t be daft, Roy. Have you been eating those rotten apples again?”

“It’s true-go and see for yourself.”

She took off and made a cautious circuit over the patio, peering down at the box before returning to their branch. “He seems a bit better today-more perky and he’s tidied himself up a bit.”

Two days later they woke to see Preston standing on the slabs tucking into a saucer of peanuts. Roy called to him. “How’s it going? You’re looking much better.”

The grey wood pigeon took a few wobbly steps towards the edge of the slabs. “Since the girl-chick gave me food and a safe place to sleep my wing is starting to feel less painful. I might try a few exercises after breakfast.”

“Take care, friend,” warned Roy, “The Magpies can be very rough and we sometimes get Fox here in the garden, too!”

They watched as Preston hopped around the garden, flexing his wings and wincing then propelling himself half a metre into the air in a series of leaps whilst flapping. At last he flopped on to the slabs for a rest.

“He’s persistent. I’ll give him that.” Rowena glanced sideways at her husband.

Preston got stronger every day until one morning they woke to see him flying around the garden and making experimental landings on branches and the grass. He stopped on the ground flower bed below them and squinted up with one beady eye.

“I’m off this morning. I’ll say Cheerio. Might be back some time. Thanks for all your help.”

Roy flicked his tail. “Take care friend. You know where we are.”

Preston bowed deeply before making an ungainly ascent, circling once and then heading west. They watched in silence until he became a tiny speck. The patio door slid open and Millie stepped out, looking about her and into the box, which was empty. She called something into the house behind her and a short, old hen-person came out to stand by her.

Roy took off, calling to Rowena. “Come on!”

“What are you?…” Rowena spluttered but flew to join him on the patio next to the two humans. “Sing, my love. Sing with all your heart!”

The Robinsons perched together on the edge of the bird bath, serenading the hen and girl-chick as they stood smiling outside the door. Millie clapped her hands. “That was so beautiful. Thank you. I expect you’re hungry after all that singing!”

She sprinkled a liberal helping of peanuts on to the slabs in front of them.

“There-you see?” Roy nodded at his wife. “We are so lucky. We live in the best garden in the world.”

Fiction Month: Renaissance.

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      Fiction month concludes today with an extra story-dedicated to anyone who, like myself was a child of the fifties when television was in its infancy and children’s programmes reflected the times. This was an era that pre-dated political correctness, colour TV, children’s presenters and all that ensued and for all its crude presentation held a kind of naive innocence. One of my own childhood favourites was ‘The Woodentops’ which first aired in 1955. To view a sample, visit youtube.

Renaissance

                She stirs. Her eyelids part in a narrow slit although it is still dark. What has woken her? She shudders and feels a sharp intrusive dig on her left side, wedged as she is between two others.  There it is again; a blow to her ribs. Her eyelids widen as she gasps, feeling around with her right hand for the offending weapon. An elbow.

‘Jenny!’

She stiffens. ‘Get off me! What are you doing?’ Her small, high voice is thick and slurred from under-use.

‘There’s someone out there. I can hear sounds-steps. Listen.’

Jenny groans. ‘Leave me alone, Will. I’m asleep.’

‘You’re not asleep. You are talking to me.’

She lifts her head as far as the space will allow. In the oppressive darkness of their space there are rhythmic snores amid the sighing breaths and snuffles of sleep as well as an occasional whimpering yap from the dog as he dreams of biscuits and buried bones.

‘There!’

She feels her brother’s hissing breath as the sound of steps approaching and receding invades her consciousness. In the gloom she knows he is listening too just as she knows everything he is thinking. After a moment a thin strip of light appears below them along the floor. She takes in a sharp breath and needs to cough but stifles it, reaching instead for her twin’s hand. There is an abrupt rattle as the door knob is twisted which prompts rousing from the others and whimpering from the baby, who threatens to howl.

‘Did you hear the voices?’ Jenny can feel Will trembling. The dog is stirring, a low growl heralding what could become a tirade of barking.

‘Don’t panic. I’ve got him.’ It is their father who has wrapped a restraining hand around the dog’s muzzle.

They are all awake now and straining to hear. The footsteps have disappeared but the light remains. Jenny frowns, trying to think how long they’ve been here and what prompted them to have been banished to this dark, musty cell. She can remember someone saying they should be kept as she was brought in but none of them knew what they did to be banished and hidden away like pariahs. If the footsteps return they might find out. She allows herself to hope.

She tries to stretch her limbs but in doing so elicits an outraged ‘Oy! Watch yourself!’’ from Sam who is squeezed next to her other side.

Mrs Scrubitt’s voice is tremulous as she utters, voicing all their thoughts into the half- light. “What are they going to do with us? They might be having a clear-out, like. Will they be…doing away with us, do you think?’

Jenny trembles. Sam’s mum is right. They could be cast into a bin somewhere or thrown on to a bonfire. Mummy intervenes. ‘There’s no use in worrying what’ll happen. What will be, will be. Whatever they do we’ll be all together, like always.’

They are startled into silence then as the footsteps return, more this time. There are voices at the door and they hear a key in the lock. The door opens, deluging their small closet with blinding light, forcing them to wince and squint at the unaccustomed brightness.

Jenny swallows and lifts her chin as they prepare to face whatever fate awaits them. A large face looms into hers and she shrinks back into a space she does not have. There are two of them scrutinising, exclaiming.

‘Take care! They’re very old, you know-nearly seventy years!’ The voice booms like a fog-horn in the little cupboard until Jenny’s ears feel like exploding balloons.

‘They’re in good shape though!’ The second voice is softer. After a moment a warm, scooping hand envelops her and she is off the shelf, travelling outside the safety of the cubby-hole and along a bright, white corridor. She closes her eyes as the glare prompts tears to stream down her face. Then she is in a large room, comforted to be sitting on a surface she recognises as wood and mummy and baby are placed next to her.

The two giants discuss them. ‘Of course, if we’re going to remake it there will need to be changes. The show was made before political correctness was thought of.’

The other one chuckles. ‘Yes of course. We can’t have a Mrs Scrubitt and we’ll need to address the nuclear family issue. Plus the fact that they are all white, fully-abled and middle class.’

Jenny glances across at Mrs Scrubitt whose face has become an unnerving, chalky white and whose mouth is open in a silent cry.

‘I’m not so sure that they were middle class. He is a farmer.’

‘Yes but Mum doesn’t go out to work and they can afford to employ servants.’

‘OK. Well maybe we can use Mrs Scrubitt as extended family and Mum can be a farm worker, too? And how about giving one of the twins a disability? I don’t know about Sam Scrubitt though. There may not be a role for him.’

Jenny and Will exchange a stricken look as Mrs Scrubitt claps a terrified hand over her mouth.

Four months later they are on set. Jenny has become adept at the sign language she must use to communicate with her twin, they have all learned to call Mrs Scrubitt ‘Grandma’, Mum has had a new wardrobe consisting of overalls, has got the hang of the power tools she must use and they’ve all adjusted to their new, ebony colour as well as remembering to call Sam, who’s been given some exuberant dreadlocks, ‘Denzil’.

Fiction Month. ‘The Courtyard Pest’ [Part 2]

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               Nancy has heard enough from Jeffery and takes an escape route. Will she be able to integrate into her new community and can it offer her any of the comfort and friendship she misses?  Part 1 of this story can be found in last Sunday’s’s post on ‘Anecdotage’

The Courtyard Pest

Part 2

               Having had to demonstrate her intention by leaving the flat, she wanders along the High Street and turns down the lane leading to the library. There may be a noticeboard showing local events, groups and activities or at least someone who could point her in the right direction. The building is new with lots of internal glass. She spots a small, neat, grey woman like herself wearing a navy raincoat and realises it is herself, reflected in a rotating door.

The vast space is decorated in garish lime greens and scarlets. At a circular desk she has to wait as one librarian is attending to a young woman with a foreign accent and another is talking on the phone.

At last she is directed across to an area designated ‘local information’ where there are brochures, wall maps and a noticeboard advertising special interest groups and activities. She reads each flyer. There is a cycling club, meeting each Sunday morning at seven, a ‘knit and natter’ group in a church hall on Monday afternoons, there is the WI, the University of the Third Age and Psychic evenings. On a low table is a file labelled ‘cultural events’ and she bends to begin flipping through but is interrupted by a commotion around the reception desk.

Nancy straightens to peer around a bookcase and sees a figure in a beige waistcoat gesticulating at the librarian, who is responding by adopting a decidedly non-library tone and pointing in the direction of the exit doors.

“Mr Marsh, as I’ve said before we cannot stock every periodical and the library is run according to local authority guidelines. Now I’m sorry but unless and until you are able to follow our code of conduct I am going to have to ask you to leave the building and you may be barred from entering the premises in future.”

Her neighbour doesn’t spot her as he is escorted out of the exit doors. She sits down to look through the file of cultural societies, noting one or two phone numbers down then waits ten minutes before she leaves to avoid bumping into him.

She has walked twenty five yards before a dizzy spell threatens to topple her and she stops by a bus stop, clutching the side of the shelter until it has passed, then perching on the narrow plastic bench inside. A bus pulls up, disgorging several passengers; the driver leaning forward to see if she’s getting on. She shakes her head and takes a few deep breaths as the doors wheeze closed.

 

Back in the flat she feels jittery and unsettled. Perhaps getting on with her unpacking will help. But when she leans down from her bed to get a box out from underneath the dizziness descends like a fog and she sits back up, closes her eyes and sinks on to the pillows. A deluge of jumbled images gushes in to a background of piercing squeaks which rise to a crescendo, at which point her eyes fly open and she is aware of the door bell ringing with an insistent, lengthy clang.

“I didn’t know if you were in.” There is an element of reproach in his frown. “I thought I’d better let you know I’ve put some rat poison down in the alley. In case you go out that way. Let me know if you see anything, won’t you?”

It takes Nancy a moment to gather her thoughts. “Yes. Thank you. I will”.

He clears his throat. “Can I interest you in an early evening glass of wine? Over at my place?”

She pulls the edges of her cardigan together, aware that she is dishevelled from sleep. “Just a small one” he continues and she can think of no excuse to refuse. She keeps him at the door while she slips her shoes on and fetches her bag and keys. “All secure?” he asks, as she locks the door.

His flat is as different from hers as an identical design could be, the surfaces crammed with objects, odd-shaped stones, pieces of wood, metal parts of things; the walls clad in pictures, photos, mirrors and hangings. It feels claustrophobic, as if the entire space is closing in on her. She murmurs ‘thanks’ as he hands her a glass, watching as she takes a cautious sip. “Know your wines?” he asks, “Where do you think that one’s from?”

Tempted to say ‘Tesco’ she perches on the edge of a sagging sofa covered in piles of magazines and shakes her head. He grins, holding his glass up to an imaginary light. “Algeria! You wouldn’t know, would you? A friend brought it back from a trip for me. I love the stuff.” He places his glass on the edge of a shelf, snatches up an object from the coffee table and offers it to her. “What do think this is? Any ideas?” She turns the small, circular, metallic item in her hand. It has an opening with a serrated edge like tiny, sharp teeth

“A nut-cracker?”

He chuckles. “It’s a pepper grinder. African. I bet you’ve never seen one like that before!”

She clears her throat. “I must go, Jeffery. I have some calls to make. Thank you for the wine.”

“You haven’t finished it!”

“No. It’s very nice. But I’m not much of a drinker. It goes straight to my head I’m afraid”. She picks up her bag. He continues to stand, tilting the glass up to drain it then twirling the stem as he watches her.

Back in her flat Nancy makes some tea and takes it into the sitting room. She finds the numbers she wrote down in the library. As she picks up the phone she is distracted by a sound. She sits still and concentrates. There! A scraping, grinding sound, like a pot sliding along on the slabs of the courtyard. Jeffery told her if the rats got into the yard they might dig up the bulbs. She goes to the patio door and pulls a curtain back, peering along the shaft of light that’s been cast. But there is nothing other than the pots standing motionless in their places.     A rat, however large would not be strong enough to move a large, terracotta pot full of earth. The sound must have come from something in the alley; someone trundling something along there, perhaps. She picks up the phone again.

It is two twenty three when she wakes, having fallen asleep thinking about her telephone conversation with Rebecca Fripp, of the local amateur dramatic society. Rebecca’s response to Nancy’s enquiry had been Luke-warm, as if she’d be doing her a favour by allowing her to attend a rehearsal. But they always needed ‘front-of-house’ help, she’d said, even though Nancy’d explained about her experience in set design. Once she is awake, she is unable to drift off again and thinks that perhaps she should get up and make tea. She stretches out her hand to the light and there! There is the sound: scrape. Outside the windows.

She freezes, stomach churning, her skin prickly; but forces her feet to the floor; tiptoes through to the kitchen. She takes her time in the half light, pulling open a cupboard door to withdraw a heavy pan with a long handle. She breathes in long, slow pulls like an automaton. She returns to the living room, pan held to her side in one hand and uses a finger to create a slit of light in the long curtains.

A wind has got up, stirring the trees over the alleyway and chasing leaves around the small yard; but there is also a dark, rounded shape moving around the pots. Nancy grips the pan handle and uses her other hand to inch the patio door open. The swishing breeze is louder as she steps outside, flattening her nightie against her legs. She searches for the shape then spots it-moving from behind one pot to another. In two paces she is there. She pulls her arm back straight like a forehand smash and swings hard at the shape. Crunch! The contact is sickening, jarring her arm as she stumbles. The shape topples and she drops her weapon. She takes a step forward to look but the foot gives way, sliding and she falls to her knees in the wetness, confused. There has been no rain so why is there a puddle? Reaching out she feels fur, wetly sticky; then she is swaying, sinking as the fog descends.

 

She is dressed and in the chair when Sarah arrives. “Ready, Mum?”

Got your tablets and everything?”

Nancy nods. She stares at her daughter, eyes wide. She swallows. “Sarah-I can’t, I don’t…”

“Shh-Mum it’s ok. You don’t have to go back to the flat. Danny and I have packed all of your stuff. You can take a case with you today and the rest will follow.”

“How…how is he?”

“He’s doing alright, Mum. He’s a tough old boy. His skull has a small fracture but it will heal. He doesn’t blame you. He’s an idiot to have been there in the middle of the night! ‘Checking the rat bate’, apparently.

A solitary tear rolls down her mother’s face. “I’ve caused so much harm. I’m so sorry”

Sarah takes her hand. “No, Mum. I’m the one who should be sorry. I should never have nagged you to come. Now we must go or we’ll be late.”

Nancy stands and accepts her daughter’s supporting arm. In the car she sinks back, closing her eyes to picture Meg’s sparkly eyes and the way specks of scarlet lipstick are visible on her teeth when she grins. “You don’t have to downsize, dear” her friend had told her, sitting by the hospital bed. “Just come back and live at my place. We can look after each other, can’t we? And you can come back to The Nettlehide Players, where you belong.”

Nancy had nodded, feeling relief course through her like a transfusion. Of course. It was all anyone wanted or needed. To belong.