Three Marriages. Part 2.

Part one of this story can be found in last week’s post:

I keep my head down as we step outside into glaring, unforgiving daylight but as I begin to make my way along the path to the gate Solange grabs my arm, preventing me from escaping. “Wait Mum. I’ve got us a lift to the reception. Emilia’s uncle has room in the car for us.” I’m about to reply, to tell her to go on and I’ll see her at home, when Sonya appears. My old friend stands in front of me, blocking my way, clutching my hands in hers, her face wreathed in a wide smile.

                “Claire, you look wonderful!” she cries. “I’m so happy you’re here! The day wouldn’t be the same without you and Solange. You are like family to me.”

                Her eyes glisten with tears that threaten to follow those she’s shed in church, judging by the faint channels down her cheeks. We hug and I’m crying too. “Emilia looks beautiful”, I tell her. “You must be so proud.”

                She nods. “I want us to sit down together and have a glass of champagne later; just the two of us. It’s all been so frantic I haven’t had a chance to gossip with you!”

I pull away. “Actually, Sonya I wasn’t planning on coming to the reception, but Solange will. She can be my representative.” I give her a weak smile. From the corner of my eye I catch a glimpse of rust-red curls amongst the guests milling about on the grass. The throng has thinned out as people make a gradual move towards the road to find vehicles and make their way to the wedding feast.

Sonya’s face puckers. “Oh, but you must come, Claire! We’ll have a dance together, won’t we? It’ll be like the old days! And I’m so sorry I didn’t tell you about Giles, but I really didn’t know! Nobody did…” Someone is plucking at her arm now. Mother of the bride is in high demand at a wedding.

“Yes! Come on Mum, you can’t wriggle out of this. And our lift is waiting!” Solange is looking stern, parenting again. I’m sighing, bowing to the inevitable. I follow her to a car and climb obediently into the seat beside her. As we pull away I catch a glimpse of them, of Giles and his wife, standing on the grass a little apart from the other guests, her hand on his arm, his blank face staring out into the distance.

There is a melee at the hotel as guests flood into the foyer, taking glasses of champagne and drifting into groups to chat while they wait for photographs to be snapped. I hold my glass and stand with Solange, glancing around for them. I think as long as I know where they are, I can avoid contact. Now and again, one or two of Sonya’s friends and relatives come over to chat to us and I know Solange would like to mingle with her own set, the friends she shares with Emilia but I’m clinging to her like a drowning woman to a life-raft so she stays.

“I’m going to find the bathroom”, I tell her, disciplining myself not to ask her to stay put until I return and she nods and smiles, looking over my head for someone she knows. I make my way to the Ladies and when I get there I stand at a basin and lean my head against the cool glass, eyes closed. A woman enters behind me and goes into a cubicle. I wash my clammy hands and blot my lips, straighten my skirt and adjust my hat. I can’t stay here in the toilets. I must go out there. I only have to get to Solange. I must hope that she’s in the same place I left her.

I re-emerge, hesitate as I scan the crowd. Solange is nowhere to be seen. I begin to make my way towards the throng, taking a second glass of champagne from a proffered tray as I pass the waiter. I scan right and left as I move between the groups, searching for my daughter or for Sonya then a hand grasps my arm, halting me and I turn. I’m staring straight into Giles’ face, a few inches from my own. His eyes are burning into mine with a strange intensity, then he barks my name,

“Claire! There you are! I’ve been looking for you! Where have you been? I want to go home! Please, take me home! I want to go now!”

She’s there, his wife, on the other side of him, pulling at his sleeve. “Giles!”, she hisses, “Sh…shush now.”

I’m frozen to the spot as she makes ineffectual attempts to pull him away and he yanks his arm from her. “Get away from me! I’m with my wife. Leave me alone!”

The surrounding guests have all turned to watch us now, where we stand, the three of us like a tableau, glued together. A small trickle of moisture is trickling from the corner of Giles’ mouth as he begins to pull away from her, his agitation growing. I try to speak. “Giles”, I say, but he is too disturbed to listen, shouting and pulling.

I’m aware of a presence at my elbow. Sonya’s husband, Marcus is there, his voice low and soothing. “Alright Giles? Let’s go and get a drink now, shall we?”

On my other side Solange has appeared, her face aghast. She mouths at me. “What’s happening?” and I shake my head. Marcus seems to have persuaded Giles to let go and leads him, stumbling through a corridor in the surrounding crowd. A space opens between Giles’ wife and me and I look into her eyes and see a myriad of emotions; shame, fear, despair. The spectators have lost interest and begun to drift away. Solange puts an arm around my shoulders. “Let’s go and sit down, Mum. We’ll get another drink.” In the scuffle my glass has plummeted to the floor, the contents spilling into a champagne puddle like a teardrop.

“I’m sorry”. The red-headed wife is still there, alone now.

I stammer. “Oh, please don’t apologise, there’s no harm done.”

“I’d better go and find him.” She bites her lip, looks away.

Sonya comes to find Solange and me, perching on the arm of the sofa we’re occupying. Are we alright? She is so sorry for what happened. Marcus has offered to get them a taxi but she, his wife has insisted they’ll be fine and she can drive them home.

“How long have you known?” I ask Sonya.

“Goodness! I only found out this morning when they arrived at the church. Giles didn’t seem to know who I was. She just said he’d been unwell but that he’d be ok; he’d enjoy the wedding, she said. I didn’t like to ask what the problem was but it’s obvious now, isn’t it? How are you feeling, Claire?”

“I don’t know-numb, mostly.” It’s too soon to analyse my feelings.

At last we follow everyone into the dining room, where the tables are bedecked with flowers, glasses, sparkling cutlery and place cards bearing our names. The fellow diners at our table are friends we share with Sonya and Marcus and their friendly chatter is soothing. I can listen and smile without contributing much. During the speeches I’m lost in thought. How should I feel to discover that Giles, my husband of twenty-five years, who left me for a young girl my daughter’s age, has developed dementia? When he left I fell apart for a while, as if he’d taken my life away with him; all the best years. Then I’d begun to discover the benefits of not having him around; the joys of selfishness, having the house to myself, choosing how to spend my time. What to eat. When to eat. What to watch, who to see.

If Giles were still married to me I’d be caring for him, just as she is having to. I wonder how long she’ll feel obliged to look after him, since she is still such a young woman? What will happen to Giles when she decides to quit? I look around me at the guests, their attention rapt as the speeches continue, ripples of laughter, smiles and nods ensuing from them. Life is fragile; increasingly so as we age. Solange has a whole life of opportunity ahead of her and I have, if not a whole life, then a great deal of it. What do I feel? Lucky.

Fiction Month1. Three Marriages.

November is Fiction Month at Anecdotage. This year’s Fiction Month is starting later than usual because I didn’t want to interrupt my travelogue memoir: Solo to Africa. Here then, beginning today is the first of a two-part, brand new story, ‘Three Marriages…

Three Marriages

It feels hopeless. I’m staring at my reflection, sitting here on the stool at my dressing table and I’m thinking I might just feign sickness and send Solange to the wedding on her own. I let go of the soft concealer brush. I can do nothing with the sallow shadows under my eyes, the furrows around my mouth, my sagging, fleshy cheeks, thin, pale lips and wrinkly neck. I can’t pretend I’m younger than my age, can’t compete. Instead I pull the comforting folds of my ancient, towelling bathrobe around me and consider my options for the day.

I could don gardening gear and make a start on the rose border; or I could walk the dog-a long, leisurely stroll across the meadows, returning via Mabel’s Coffee Shop. I could come back and do some baking. I could loll about in a hot, fragrant, bubbly bath with a large glass of Merlot and listen to an audio-book. I could heat up a ready meal and slob around on the sofa watching a film. Yes. It sounds a perfect Saturday. I take the towel from my head and begin dropping make-up items into the drawer, leaving a dusty pink trail across the glass top, then there’s a knock and my daughter enters before I’ve a chance to answer, bustling up behind me looking like she’s stepped from a page of Vogue magazine, wearing a cream silk jumpsuit, her honey-coloured hair swept up into a twist.

She is exclaiming before she reaches my stool. “Mother! What on earth are you doing? Do you know what the time is? The taxi will be here in twenty minutes! You haven’t even started your hair. Whatever is the matter?”

                So many questions. But she knows the answers. She knows how I feel about my wedding invitation. Emilia, the bride, is the daughter of my oldest friend, Sonya, and the same age as Solange. The two girls were born in the same month, grew up together, in and out of each other’s houses here in this sleepy corner of our Wiltshire village. It would be unthinkable not to attend the wedding, this most important event in our friends’ lives. Wouldn’t it?

Solange is opening the wardrobe and taking out the dress and jacket we spent days looking for, scouring the shopping centres of several cities, trudging around clothing departments, searching the independent boutiques until I felt that if I was to try on one more floral shift or fitted, peplum jacket I’d run screaming up the High Street in my baggy, grey underwear. I watch in the mirror as she hangs the outfit on the outside of the wardrobe, smoothing it down. It is a dress in muted tones of dove grey silk with a loose linen, duck egg blue jacket on the top. I gaze at it. On the rail it looked beautiful. On anyone else it would look wonderful. The lure of the gardening gear is stronger than ever.

Solange is thrusting a hairbrush into my hand. “Here”, she says, “Start brushing your hair while I delay the taxi and get some bits.” She rushes from the room, leaving me to drag the brush through my mangy locks.

She returns with a hair dryer and some cosmetics, dropping items on the glass. “Tilt your head up!” she instructs, and begins to sponge foundation on to my face, then “lids down!” as she dusts my eyelids with a deft sweep.

I try to protest. “Sh!” she hisses, continuing with her mission to make me presentable. “Did you get that sculpting underwear on yet?” I shake my head and she tuts. “Next job then.”

Together we squeeze my protesting body into the dress before she teases and coaxes my wayward locks into a semblance of style. I’m relieved to see that the veil on my chic, blue-grey hat conceals some of my face. Solange stands back like an artist assessing a portrait. She darts forward to adjust the hat then turns me towards the mirror. “Ok, Mum. Stand up now and take a look.”

I can barely breathe in the constricting underwear and I wonder how I’ll cope in these heels but I admit she’s done the best she could, although not enough to allay my humiliation in the face of young, beautiful competition.

She is glancing out of the window. “Come on. Taxi’s waiting.”

She thrusts a small, matching clutch bag into my hands, pops a creamy hat with a broad, sweeping brim on to her head and grabs my arm as if I’m about to escape. Moments later we’re in the taxi and she’s instructing the driver. I study her as she sits beside me, cool, sophisticated, adult and I wonder at how she’s becoming the parent here, to my diminished, fearful self.

My hands feel clammy in my lap as we pull up outside the church. Solange steps out of the cab and waits for me, then tucks her arm in mine. “You look gorgeous, Mum”, she says. “I’ve done a brilliant job!” She’s done her best, I think.

                I’m breathing fast, my heart thumping as we enter the sunlit churchyard. The guests must be inside by now and as we approach the stone archway of the porch, I can hear organ music; the last few notes of ‘The Wedding March’ dying away. The oak door is open a sliver, policed by an usher, the bride’s younger brother; he pulls it open enough to allow us to slip through and indicates a space on the last remaining back pew, on the bride’s side, of course. No one notices us slipping in to sit on the hard, wooden pew. All eyes are facing ahead, to the couple in front of the altar.

Emilia is in place, half-turned towards James, the groom, as the vicar prepares to speak. Now I’m feeling hot and cold, scanning the assembled guests for a familiar head, for another couple, an older man with a much younger woman, a couple who could be father and daughter, except they’re not.

 I think I’ve spotted them half way down the row. I nudge Solange, who is engrossed in the ceremony. “Is that them?” I hiss and she looks where I’m pointing, at a balding grey head next to a red-haired one, an auburn cloud of hair cascading, hatless in riotous ringlets over slim shoulders. My daughter shrugs. Even though the back of Giles’ head is as familiar to me as my right hand I feel a tingling jolt that he is there, only a few pews in front of Solange and me. Does she feel the same way? He is her father, after all, although she’s disowned him since he left us for a woman her own age. But Solange has eyes only for her best friend, a vision of ethereal beauty in French lace.

I drift into a trance of memory, the heady scent of wedding flowers like a drug as I recall my own wedding to Giles in the tiny Normandy village of my birth; processing along the village street followed by the guests, braving a cacophony of trumpets, shrieks and whistles, standing before the mayor, solemn in his finery, emerging into the sunlit courtyard, white damask clad trestle tables adorned with gleaming, silver cutlery and small bags of candied almonds tied with white ribbons. Canapés and champagne flowed before we sat for the meal, after which, the speeches. Giles took my hand and led me into the middle of the space as the band struck up the first dance and I thought I could never be any happier in my whole life than at that moment.

There is a sharp pain in my side. Solange is elbowing me. It is time to stand as the couple prepare to exit the church. They advance, sedate and glowing, glancing right and left to give a smile and acknowledgement, three small bridesmaids in pink satin stumbling and giggling as they follow. As they pass us all I want is to slide out now, to slink from this place and go home, home to a comfortable cardigan and a cup of tea.

Why is Claire so reluctant to attend the wedding? And what will she discover as the celebration continues? Check in next week for the conclusion to Three Marriages…