Tag Archives: writing

The Power of the Written Word

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So 2019 is grinding towards an end, and what a complex, mangled year it has been for us, here in the UK.

On our small island with its natural water barrier between us and the world, a civil war of words has raged since 2016, over whether we should pull up the drawbridge to our sea moat and withdraw into our brittle little shell or continue to relate with our nearest neighbours in the same convivial way we’ve enjoyed for 50 years.

I’m disconsolate to say to my overseas readers, not only that the drawbridge fans have won the war of words, but that all of we ordinary citizens, those of us who don’t have huge investments squirrelled away or are not hedge fund managers, who are not the fabulously rich elite and right wing newspaper owners, we have all lost.

I can’t dwell for too long on an issue which has been divisive enough to make me sick at heart. Instead I turn for comfort to my own community and to the groups which provide solace, friendship and distraction in these gloomy times.

While I have only been a member of my current book club for about a year, the members feel like old friends already, with their lively, cheerful discussions and their enthusiasm for reading and sharing views. During the evening we spent enjoying a Christmas meal I discovered I am the oldest in the group [by 4 days!], although I’ve never felt myself to be a different generation. I love the range of ages and stages of life. Members relate to the books differently depending on these stages, which provides a wealth of varied insights. The group has grown so much that numbers have had to be regulated!

In contrast, my writing group, the wonderful Spokes, has kept going for years with fluctuating numbers, on occasions dipping to three of us, the original three. We’ve moved venue several times and seen writers come and go, some getting published, some moving to new areas, others giving up their writing journey. But new members always turn up, currently a disparate but interesting set of characters with very different levels of expertise to bring to our group. People have different reasons for attending a group; perhaps writing is an outlet for them, perhaps they are serious about pursuing writing as a career, or perhaps the feeling of belonging and being valued is all they need.

We are fortunate, these days to be housed in our wonderful, local library, a facility denied to many since austerity crept around the country pruning services to the ground. If you are still lucky enough to live near a functioning library, please use it! There are few greater treasures than books, even in this digital age.

So at this point, I wish you-readers from all around the world, all faiths or none, all nationalities, a very happy and peaceful Christmas.

 

Fiction Month. Extract 4.

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      In this, the last extract of my new novel, ’til It’s Gone’, a sea captain, Hooper is taking the undercover researcher, Uzza to the poisoned ‘Wasteland’ to research a disease. During the voyage Hooper becomes fascinated by the sight of Uzza writing with pen and paper…

After dinner Hooper went up on deck to check that the mast and rigging were secure and to scan the horizon and coast manually, a task which instrumentation had replaced but which she continued to undertake herself as a safety measure. When she returned Uzza was again writing in a small book, an activity which fascinated the mariner as she had seldom seen anyone using a pen and paper except in footage from history lessons as a child.
“Why do you write” she asked her passenger, “when technology has replaced manual writing?”
Uzza finished the line she was writing and looked up. “Our ancestors would consider it a paradox, but paper has become the means of messaging that is most secret. Since communication became restricted to PAM, broadcast, V-meet and voice-technology there is no other secure way to record data, observations and conversation. Think about it. Surveillance has increased beyond calculation in our lifetimes. Here at sea we can perhaps enjoy a relative degree of privacy where a signal may not reach but on inhabited land there is no such luxury. Life for most is lived under a scrutiny so ubiquitous it is akin to living under a microscope. Paper can only be seen by the person who has it. Paper can be destroyed.”
“Where did you learn it?”
“I taught myself to write from watching history footage. It is not so difficult, although of course it is laborious in comparison to voice recording!” She bent her head to the notebook, signalling an end to the conversation and continued to make lines of marks on the paper with her pen.

In another day they were far enough north to need to make preparations for disembarkation. Hooper stood Fulmar out from the shore, far enough to be free of the poison zone but near enough to be able to get Uzza dressed and masked for her expedition. She would need to don the protective gear and wait outside while the yacht pulled in. Hooper explained how she would stand Fulmar as close as possible to the remains of the jetty using the small bio-motor, giving the woman as much of a chance as she could to step up on to it.
“But it has not been maintained” she advised her, “So you must be very careful to tread on the firmest parts. If you fall into the water it will be certain death and I cannot save you. The water will poison you in minutes, your skin, your lungs, your…”
“Yes, yes I realise, thank you.” Uzza frowned in irritation, anxious to be getting on with her project. She had a small bag containing vials which she intended to use to collect samples. She peered out at the shoreline. “What is that, Hooper? Is a factory of some kind?” She pointed to an enormous structure consisting of once tall, grey chimneys, crumbling warehouses and the skeletal remains of high scaffolding.
“It is the ruins of an old fossil fuel processing plant” she told her. “They used to call them refineries. The oil would be piped from the wells across the land to the coast then prepared for use before being shipped on flat vessels they called tankers, which then used vast quantities of the fuel to transport it. It seems a nonsensical process to us now, but it was all they knew.

This is the final sample of ‘Til It’s Gone’. Any feedback comments are appreciated. Updates on publication will be posted on ‘Anecdotage’. [Normal service resumes next week!]

Fiction Month. Novel Extract 3

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  In Extract Three of my new novel, ‘Til It’s Gone’ Grandfather, Hugh Conway has opted for travel to the solar fields of the African desert rather than euthanasia. He has forged a bond with Ahmed, the African superintendant of the scheme. Here, Ahmed takes Hugh to visit the solar fields and they discuss the state of the world as they travel:
Ahmed was taking Hugh out to visit a solar farm, a two-hour journey by solar powered vehicle across the desert. It was strange, Hugh considered that the desert he’d first seen and thought so uninteresting, so devoid of features he now realised was as varied and fascinating as any landscape in the world. The vista changed from rocky outcrops in myriad colours sprouting from undulating sands to boulder-strewn plains stretching to the horizon, or sumptuous, curving dunes, silky smooth at a distance, the sand shifting visibly on occasions.
Ahmed was a comfortable travel companion, sensing when Hugh needed silence to appreciate the sights and occupying him with conversation or information when time lagged. The two had become friends, finding they had much in common despite their disparate cultures. Hugh felt fortunate to have been accommodated in Ahmed’s own village and whilst the other two elders, Anders and Peter, were pleasant enough he enjoyed the challenging discussions he had when Ahmed dropped by for tea or when they sat together at the edge of the village to watch the sunset-an event he never tired of seeing.
To an extent he was embarrassed, that he was learning more than he was imparting, though when he expressed this his friend disagreed.
“No, no, no my friend! There is no real distinction between teaching and learning. They are two points on the same circle, are they not? What better way to learn than to teach? And what better way to teach than to be constantly striving for understanding?” Ahmed was an optimist by nature as well as by religion. He challenged Hugh’s view of the world as doomed.
“Why would you think this?” he demanded, “Since the beginning of mankind people have adapted, learned, made the best of what they had. This is why mankind has endured. And to be adaptable is to be optimistic. When your road is blocked you try another pathway. When he needed to eat and feed his family ancient man-made tools to make it easier and learned how to grow food. When he was cold, he began to make clothes. Other ancient species did not survive. Perhaps they could not adapt or were not optimistic enough to try!”
Hugh protested. “But the poisoning and exploitation of Earth’s resources has itself been wrought by mankind. He has orchestrated his own downfall!”
Ahmed shook his head. “Not so, friend Hugh. It is a mere chapter in our history. Men will put the poison to some use, will find alternative resources. It happens already! What did you have too much of, back in your homeland? What was a surplus, a problem to be eradicated?”
Hugh did not hesitate. “Water! Water rising and water falling. Too much, always. Leeching the land of nutrients and forcing people from their homes.”
His friend nodded. “And yet here, as you see we have none of our own at all. We could equally say our problem is sun. We have too much. This is a paradox, is it not?” He laughed, throwing his head back at the clear blue sky. “Between us we have found the solution, your people and mine. We provide your power. You provide our water. Perfect, is it not?”
Hugh grimaced. “It isn’t much of a deal. Our water is poisoned with acid. Even rainwater can no longer be used untreated for irrigation or anything else. Then we create more pollution cleansing it for our own use.”
“Hugh! See here, we have no shortage of a power source. It never fails. And it is all we need to purify your water. You pipe it over. We clean it. Problem solved.”
When they were within half an hour of the solar farm Hugh was given a visor to wear to avoid glare damage to his eyes, his protest about deteriorating eyesight overruled. “No, no-we have use of your eyes my friend.”
In the distance a pinpoint of white light hovered near the horizon, expanding as they drew nearer. The extent of the solar field took his breath away. It was vast, stretching across the desert and disappearing into the earth’s curve; a silent, recumbent country of plates, as if the entire desert had been tiled over. It was unfenced, unguarded, unpatrolled. Ahmed shrugged. “The desert is its own defence,” he explained.
They travelled down a passageway between the plates, like the corridors between the polytunnels at Earthsend, until they came to some low, white buildings in the same style as his village house. A single, modest sign by the road was all there was to say that it was the property of SOL, the energy giant.
Ahmed turned to Hugh as they drove past the sign and pulled up outside the building. “Did you know, Hugh that SOL now owns and runs installations in the deserts of America, Australia and Europe? It is a powerful world force. I wonder what our African predecessors would think of that? Only a hundred years ago the African continent was on its knees, begging the rest of the world for help. It was decimated by corruption, wars, misguided ideology, famine, cruelty. Now it has become a world energy superpower, looked up to by everyone.”
Hugh experienced a wave of despondency, as if a heavy weight had been hung around his neck. He’d expected to freed of concepts such as ‘energy superpowers’ by relocating here. It was a land of purity, of high ideals; an egalitarian society that valued individuals and revered the elderly, wasn’t it?…

Further extracts from ‘Til It’s Gone’ can be read in this November’s posts. Comments and feedback will be much appreciated. Thank you in anticipation…

Fiction Month. Extract 1

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If it’s November it’s Fiction Month on ‘Anecdotage’. This is the time I usually post short, new fiction stories. In a departure from short stories, however this year I’m posting some extracts from my new novel, ‘Til It’s Gone’, a work of speculative fiction telling the tale of a late 21st century Welsh farming family battling climate change, economic difficulties, sinister takeovers and a brutal killing within the boundaries of their property. This week’s post is part of the prologue…

                                                                         The Kill
The storm gathers for four days before keeping its promise, loosening a cacophony of thunder and howling winds and a deluge.
In the chaos, vessels buck and rage against their moorings. Dwellings shudder and creak in their weaknesses. People stay in, cowering, sheltering, whatever damage ensues. The hillside above the village becomes a furious torrent; a tumbling waterfall then a landslide as the soil gives way and a gushing brown channel of mud races down carrying soil, rocks, roots and debris.
In the sky intermittent flashes expose the silhouettes of the towering turbines across the hilltop, skeletal against jagged forks of lightning. Along the tunnels, tattered edges of white plastic flap like so much unruly laundry, beginning with a border here, a corner there then ripping in abandoned strips. Wind and water race into the gaping chasms they’ve made, desecrating all inside.
A tall eye on a stalk swivels in a slow revolution, water cascading from its top as it detects warmth and movement. A figure darts into view, swathed in a cape and hood, head first bent then upturned, reaching up to catch a flap of torn fabric, grasping, pinning down.
Below, in the darkness and the ferment an unlit vehicle approaches, creeping its way up along the track, lashed by the driving volley, buffeted by the cyclonic gusts and beset by loose rocks hurling themselves against its sides and beneath the sturdy, all-terrain wheels, two pale faces inside leaning forwards, straining for a view of the upward track as it curls around the hill, black water streaming across their route before hurtling down towards the river mouth.
Unknowing, the caped figure works on, lashed by the storm, pegging, weighing down, battening as the grey truck draws closer, invisible in the curtains of rain and silent in the screaming wind as it whips and sings around the tunnels.
The truck halts beyond the outer fence, disregarded by the frantic worker. More bolts of lightning split the sky illuminating vast structures shifting, protesting under the onslaught and giving brief insights into the hopelessness of the task; more and more material wrenching free to flap like hapless sails in a shipwreck.
Now the passenger is clambering out, reaching back inside for tools, hunched against the elements, chancing the small pinpoint of a flashlight. A blaze of lightning bursts over the razor wire as he inserts first one clip then another before applying bolt cutters. In a few moments a gap appears wide enough for the truck to pass through.
The caped one has disappeared up along the side of the tube, doing what he can, saving, preserving.
The truck pulls through into the security channel ready for the cutting process to be repeated on the other, inner fence and it rolls through the second breach. The driver emerges, fighting his way to the rear of the vehicle and wrenching the tailgate open before joining his companion. They move quickly into a breach in a tunnel, emerging with cartons, battered, fighting the gusts as they place their booty into the truck bed, returning for more, their arms piled with boxes four high, the shorter, slighter of the two staggering sideways as the bulkier and taller figure grips his arm. He indicates they should move on to the next tunnel as his partner hesitates. He stores his boxes then lifts his hand in protest.

         ‘Enough! Let’s go!’ But the other is off into the neighbouring cavern, reappearing with another load, water coursing down his face and beard. Then in an instant both figures freeze, one laden with cartons, the other by the truck’s open tailgate as the dark shape of a dog appears in front of them, a black shadow outlined by lightning flashes, long head low, sodden fur raised up in a barb of wet spikes along its back. Its ears are flat alongside its head and its open mouth a snarling saw of serrated teeth, white razor points dripping drool, slavering, growl unheard in the screech of the gale.
Bulky makes a gradual half turn to Slight, the indication clear.

          ‘Get in the truck!’

           Slight stands fast. The dog raises its head, mouth open, tensing to spring. Bulky lifts the cartons high and hurls them in the beast’s direction before jumping sideways into the open aperture of the cab. The dog leaps towards him as the door closes on its head, its jaws fastened tight upon Bulky’s arm. He works in a frantic bid to free it, smashing the door repeatedly with his right hand until it withdraws then slamming it shut. One in, one out. Slight still stands amongst the crates, rooted…

 

I’ll be posting more extracts from ‘Til It’s Gone’ this month. Feedback will be very much appreciated. Thanks in anticipation!

Climbing the Novel Volcano

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How it goes:

  • You think you can write a book. ‘Everyone has a book in them’, don’t they? You toy with the idea. You start. You stop. You think again. Maybe you start.
  • You plan it, idly. One rainy day you write a beginning. It’s rubbish. You bin [delete] it.
  • Another idle afternoon you begin again. Maybe you write 500 words!
  • You continue. Maybe you have a chapter.
  • You’ve got going. You become absorbed. You write. And write. And write.
  • You stop. Months pass. Life intervenes. The boiling has slowed to a simmer and become still. The words lie gathering [virtual] dust in a file somewhere on the PC.
  • Months later, in between scribbling flash fiction, blogging or writing Tripadvisor reviews you come across the dusty file. You read it.
  • ‘Hm’, you think. It’s not that bad! You apply yourself. You have another couple of chapters. Hooray!
  •  Life intervenes once more. The file languishes unloved in the depths of ‘documents’. Months pass.
  • One day you mention it to someone. They express an interest, thus re-kindling your own enthusiasm for the project. You get going once more. Hooray!
  • At long last you complete the first, raw, ragged draft of a novel. You feel accomplished/uncertain/satisfied/unworthy/confused/conflicted.
  • The someone wants to read it. Hooray/ Horrors!
  • The someone likes it!
  • You know you need feedback. Another someone suggests you try a shared edit. You try this. The someone likes it. Hooray! But they want you to rewrite the plot. Bleurgh!
  • You edit. And edit.
  •  Enough editing. You consult the Bible [aka the Writers and Artists Yearbook] and find a meagre handful of possibly sympathetic publishers/literary agents.
  • You must write a synopsis. This is the writer’s bete noir. You think about it. You lie awake thinking about it. Maybe you didn’t want to be published anyway?
  • One rainy day you apply yourself to synopsis writing. You consult online advice. Horrors! You know it’s crucial. Maybe you don’t want to be published?
  • It is still raining. You make a start. It’s terrible. You get a cup of tea. You start again.
  • It’s hopeless.
  • You read it aloud to your writing group. It sounds rubbish.
  • You return to the task. You edit. It’s still awful.
  • You rest the hopeless synopsis and attempt a cover letter. You write a blurb. You read it. It doesn’t sound like your novel at all. Perhaps getting published is not all it’s cracked up to be; Waterstones’ window can probably survive without your best seller…
  • In the night you make promises to yourself: I will submit the work to a publisher before I make my next trip away. I will complete the synopsis tomorrow. I will get up now and write the cover letter. You fall asleep.

 

 

Second Time Around

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You know that adage about clouds and silver linings?

One side effect of rain and of confining illness is productivity.

I have been sporadically working on ‘that difficult second novel’ for several years, blocked at times, stuck at times, making excuses, indulging in displacement activity and generally procrastinating. I have taken the almost finished first draft away with me more times than I’ve cared to admit.

When I finished writing the first novel, ‘The Year of Familiar Strangers’

I experienced a euphoria. I had written a book, and not just any book, but one that had rattled around in my head for years, niggling away at the edges of consciousness and invading my dreams. The euphoria that accompanies the completion of a novel lasts until the first rejection letter/email appears, or at the first, coldly polite ‘You’ve written a book? Well done!’ from friends and family.

The finishing of a second novel is tempered by your experience of how your first has been received. There is a satisfaction at having got to the end. There is a wry anticipation of the huge mountain to climb that is editing. There is a reluctance, this time, to confess to having produced another tome.

But alongside all this doubt there is a satisfaction and a steely, stubborn streak of determination to have another go. To this end I’ve bought a new copy of this:

P1070552

Which must be the first, actual, real, paper copy of a book I’ve bought for a number of years [since becoming a Kindle convert]. The Writers’ and Artists’ Yearbook has to be a paper copy in order for scribbling, highlighting, asterisking and tearing out of pages to be undertaken.

When I dip into this writer’s Bible I note that some articles remain from my last copy, as do many of the agents and publishers whose stinging rejections I was handed last time. But there are new, useful chapters. For starters, I’ve learned that my new novel’s genre is known as ‘speculative fiction’. This is useful because I’ve been thinking of it either as science fiction-a genre that appears to be reviled by many agents, judging by their preferences, or as an ‘eco-thriller’; this being a term invented purely by the writer [ie myself] and thus unlikely to score any pints with the publishing business.

Speculative fiction is a genre I’ve been reading for some years, including such novels as the brilliant Margaret Atwood’s ‘The Handmaid’s Tale’, several books by Barbara Kingsolver such as ‘Flight Behaviour’ and most recently, John Lanchester’s ‘The Wall’. ‘The Wall’ is a chilling forecast of what could occur in the not-too-distant future if we in the UK continue to pursue current paths and neglect issues like climate change. When I read examples of speculative fiction I am both encouraged by the ideas-some of which are addressed in my own work, and dismayed at how much better written their novels are.

So it’s back to The Writers’ and Artists’ Yearbook, with my highlighter pen in hand. Because you never know…

February Fiction.

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By the time this post is published I will have deserted the gloomy shores of the UK to enjoy some respite from the wintery weather and the wintery political climate in the sunny Caribbean. While the West Indies is a fine and inspirational place for writing my budget does not stretch to the huge sums needed for internet use. Hence the next 2 posts are a BRAND NEW short story, which begins today and concludes with Part 2, next Sunday…

 

Lewis’s Basement Herbs

Part 1

The first time was spooky. From the top of the last flight down the steps an eerie glow radiated from a line around the metal door and a soft hum throbbed from whatever was inside. Lewis had been both intrigued and nervous as he edged down the last few concrete treads and stood listening, riveted to the soft line of light.
He knew nobody lived down here in the basement because the numbers on the ground floor flats began upstairs where the lift stopped. He’d been subjected to repeated warnings from his mother not to come downstairs to the basement; warnings that whetted his curiosity, seducing him down into the bowels of the block even as she was glancing at the clock in their cramped kitchenette and preparing to summon him to supper.
He wasn’t supposed to wander off, although he was allowed to venture down to the lobby floor and outside to the bleak, graffitied playground as long as there were no teenagers there to intimidate or indoctrinate him. But the play area held few pleasures for Lewis, who was an introverted, solitary child, small for his nine years and not easily able to make new friends. The dark basement with its narrow shaft of light, its smooth concrete walls and gentle hum had a womb-like comfort that soothed him after the rigours of a tumultuous school day and kept him from his mother’s irritable nagging over chores and homework. He began regular descents to what he considered to be his own, private retreat, sometimes bringing his tiny games console or a notebook and pen and after a few visits he’d managed to sneak a small cushion out of the flat to make the concrete step where he sat more comfortable.
One late afternoon he was ensconced on his cushion and engaged in drawing a monster in his notebook when he heard some quick, light footsteps approaching the basement door above him. He closed the notebook, pocketed the pencil and, taking his cushion crept around the corner of the steps into the dark alcove behind them where he crouched, making himself as small as possible while the mouse-like steps pattered down.
A short, slight figure, silhouetted in the shaft of light stood at the metal door fiddling with its padlock, which Lewis already knew to have a combination like the ones on the bikes in the racks at school. The door sighed opened with a rasp, flooding the small space at the base of the steps with white light. Holding his breath, Lewis edged back tight into the shadow but caught a momentary glimpse of the interior before the door was pulled to; what appeared to be a still, silent row of slender, dark structures, their base a glinting, reflective surface like the Christmas decorations in the city centre. He could hear the person inside bustling about and see her-he was sure the figure was female-flitting backwards and forwards across the narrow gap in the doorway. Supposing she was busy on some task, he crept from his corner and across the passageway towards the metal door, where the combination lock lay open. He looked at the barrel of the lock. There was enough light to see the numbers along the shaft opening: 6628.
By the time the girl came out of the room he was back behind the steps, having written the number in his notebook. He watched as she clicked the lock together before pattering back up the stairs and opening the basement door, leaving him once again alone in his den.
Lewis was thrilled. He felt like a detective looking into a mysterious incident, except that no crime was being committed. He was determined to investigate the basement room further but would have to try tomorrow as his grumbling tummy told him his tea must be ready by now. He gauged that the woman would be clear of the ground floor and went up the steps to the lift.
As he exited the basement door a voice assailed him.
“Whoa! What you at, fella?”
Lewis flattened himself against the door as the tall, rangy figure of Desi loomed up against him. Desi was a member of the notorious Bunja gang whose antics terrorised the inhabitants of the block and who Lewis’s mother had instructed him to avoid. Now he was trapped, his mouth dry, his throat constricted as though strangled, unable to utter so much as a squeak. But Desi persisted.
“What you doin’ down there, eh?” The tall youth jerked his head at the closed door behind Lewis and stepped forward so that he squashed the smaller boy, his tobacco breath hot and nauseous.
Lewis made a frantic effort to think of a reason for being in the basement. A lost cat? But tenants were not allowed pets. An errand for his mother? But he couldn’t think of anything. A game? But there were no other kids around. He held his breath.
Across the lobby a voice echoed. “Eh Desi! Time to go! C’mon!”
Desi gave the boy a hard shove against the door before turning and loping off to join his companion and Lewis slumped forward, exhaling with closed eyes as the two Bunja gang members disappeared out of the building.

Next day was Saturday and he was obliged to help out with going to the launderette, tidying his bedroom and accompanying his mother to the shops and back, carrying his share of bags. After tea and washing up he asked if he might go out to play, as it was still light and after some hesitation his mother agreed, although she stipulated that he must be in again by seven thirty.
He was careful to look around before opening the basement door. This time he’d brought a tiny torch he kept in his bedroom. He was breathless as he swivelled the numbers on the barrel into position and breathed out as the barrel unclipped, freeing the padlock, allowing him to grasp the handle and push gently, whereupon he was bathed in the white light of the compact room and stepped in, mouth agape.
The structures in rows were dark green, spiky plants, all the same, their bases encased in silver foil like his mother used for lining the roasting tin. There were bright, white lights directed at the rows and the entire room was warm and damp like the launderette on a busy morning. But the smell was not at all like the launderette. It was fragrant and herb-like. Lewis walked up and down the rows for a few minutes then he realised. Of course! This must be a herb garden. They had one at school in a raised bed outside in the playground; only this one was indoors and this one had only one type of herb, not the mixture they’d grown at school.
He sat down on a box in the corner, enjoying the warmth and the cosy, aromatic atmosphere and forgetting how long he’d been there. At last he remembered he should not stay too long in case the girl came back so stood to leave. He stepped away from the cardboard box he’d been sitting on and looked at it. It was not sealed. He pulled up the flap and peered inside. It was full of small plastic bags containing what looked like tea leaves. He knew about tea leaves because his mother was fussy and refused to buy tea bags, preferring to spoon tea into a pot. After a moment’s hesitation he pocketed one bag, replaced the flap and crept from the room, giving the door a gentle push and locking the combination. He hoped the girl wouldn’t notice that the numbers, when he swivelled them around were different but he guessed she wouldn’t look too closely as long as it was locked.
It was later than he realised. As he ran to the lift he glanced at his watch. It was seven fifty. The lift, when it sank into place contained one person: his mother, coming to look for him.
Lewis was grounded for the next three days. His mother gave him chores and stood over him while he learned spellings and times tables. He was sent to tidy his room each day after school and was denied TV. Seeking to sweeten her up a little, on the third day Lewis offered to make his mum a cup of tea while she watched Coronation Street, a proposal that led to a narrowing of her eyes in suspicion but an acceptance. He filled the kettle and took down the tea caddy. When he glanced into their narrow living-room he could see that she was engrossed in the programme so he withdrew the plastic bag of dried herbs from his pocket and mixed them in with the tea leaves in the caddy, augmenting the amount by about one third. His mother was always moaning about aches and pains. They had learned at school that people used herbs to treat illnesses. Maybe the herbs would help. He took her a cup of tea and sat down next to her while she sipped it and watched her programme…

Check in next Sunday to find out how the ‘herbs’ affected Lewis’s mother and what happened next…

Fiction Month 4

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In the last instalment of ‘Chalet Concerto’ Angela finds that being a good Samaritan is not all it’s cracked up to be…

Chalet Concerto Part 4

       I looked up. ‘That’s about all I can tell you, Officer.’
Dave gave my shoulder an encouraging squeeze. ‘Well done, love,’ he said.
The detective constable had stopped writing in her notebook. Will I…am I going to be arrested for aiding and abetting?’ I asked her.
‘I doubt that, Mrs Tanner.’
‘Angela’
‘Angela, yes. I don’t think there’s any cause to prosecute you as you couldn’t have known at the time that Anne LeParnier was wanted in connection with a crime.’
‘What will happen to her, when she is found?’
‘She’ll be taken in for questioning of course.’
‘And if she is found guilty of murder? What then?’ I was still feeling nauseous and I couldn’t stop shaking. I’d vomited the words out just as I’d vomited all morning after turning on the TV news and discovering that Guy LeParnier, the prominent French conductor had been found stabbed to death in his Bayswater apartment.
‘A lot depends on the circumstances, Angela. It may have been self-defence or she may have been driven to the act by her husband’s behaviour. Or she may be innocent. But you are certain to be called as a witness so you must be prepared for that. You are sure that you didn’t see her enter the house?’
‘I’m certain. But whose house is it, if not her sister’s?’
The policewoman shrugged. ‘We don’t know yet. But there was no one at the address earlier this morning.’ She stood up and Dave showed her out then came back to sit with me.
‘Do you want another cup of tea, Ange?’
I looked at my husband, sitting up close to me on the chalet’s tiny sofa. ‘I’m sorry Dave. I’ve ruined our holiday, haven’t I? Should we go home, do you think?’
‘Well it’s been a bit more lively this time, love-I’ll give you that. And no, I don’t see why we should go home. It’s Karaoke tonight isn’t it? And curry night? I tell you what though. Maybe we should do something a bit different next year. We could see if our Kayleigh would mind us tagging along when they go to Majorca. They’ve got some cracking golf courses. Do you fancy it?’
It would be a long time before I could think of Anne LeParnier without imagining her slender hands drenched in blood, without dreaming of her long fingers plunging the blade into her husband’s heart. But I knew if anyone could help me get over it my husband, Dave Tanner could.
I nodded. ‘Majorca with Kayleigh and Martin. Yes, I think I’d like that very much-and I’ll have that second cup of tea, too. Thanks Dave. I’m a lucky woman.’

 

     If you stumbled upon this, the final part of a long, short story and want to read from the beginning the 1st, 2nd and 3rd parts are in weekly instalments from the beginning of November. Just check into ‘Anecdotage’ November 4th to find Part 1. If you’d like to comment, critique or share anything regarding Fiction Month your input will be enthusiastically received. 

 

Ripple [Part 2]

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Part One of ‘Ripple’ can be found in last week’s post [January 7th]. In this concluding episode Oliver is drawn to the canal he’s avoided for so long…

Ripple

            …His phone rings. Wrenching his eyes from the laptop he dives from the swivel chair and snaps the lid down on the device.
“Oliver Grantley” he croaks into his phone.
“Olly it’s only me, Mel! What’s with the formality?”
There is a pause. “Nothing. It’s nothing. I was working. The phone has broken my train of thought.” Oliver doesn’t want this. Doesn’t want his sister to know what he’s seen. She will think he’s lost it. Maybe he has lost it.
“I’m really sorry, Olly. It’s good that you’re working though. Are you sure you won’t change your mind and come round tonight?”
“I’m busy tonight, meeting a friend. We’re going for a drink.”
“Oh Olly! That’s great! Is it anyone we know? Male or female?”
Oliver stutters, frowning. “No. No one you know. It’s someone from work.”
“What’s her name then?”
Now all he wants is to tell his sister to get lost. “Paula. Her name’s Paula. Look, I have to go. I have a report to finish.”
“Alright Olly. But I want to know how it goes tonight. Call me back tomorrow!”
At last she hangs up. He tosses the phone on to the sofa, folds his arms and looks out at the city. After a moment he goes to the kitchen and swallows a couple more pills before going to his desk and glowering at the offending computer. He lunges forward, snatches it and stuffs it into his bag.
Outside the breeze has stiffened, whipping up eddies of litter and dust and tugging harder at his collar as he strides along. His deceased wife’s throaty laugh swirls around him in the wind. How many nights had he spent in the guest room after her claims of feeling ‘too exhausted for company’? How many times had he put his hand in his pocket to fund yet another ‘night out with a friend’? He could stand these deceits, and more if she’d shown him some affection instead of scornful jibes and mocking laughter.
He’s walked half a mile or so before he realises where he is; on the tow path. He stops, hitching the bag higher on his shoulder, takes a few steps to a bench and sits. The flowing canal is mesmerising, travelling along in it’s relentless passage to the harbour, carrying small islands of detritus-tangled sticks, discarded coffee cups and bits of polystyrene packaging or plastic bottles. He shivers. When they’d walked here last summer it had seemed romantic. He’d felt proud showing her the waterside. There had been swans bobbing on the water and a kingfisher darting amongst the willow trees that hung over the bank trailing leafy fronds, leaving ripples.
Today’s ripples are from the insistent, blustery wind. Beneath the surface there are dark, wavy shapes like hair; like black, glossy hair and the air is rank with an earthy smell of rotting vegetation. He leaves his bag on the bench and shuffles towards the canal side, drawn by the undulating contours below the water. He peers down. She’d asked him if there were fish he remembers and they’d leaned down to see. He’d put a restraining arm around her for protection. Weeks later he’d followed her, watching her swaying hips as she made her way down to the canal, hiding in the lush undergrowth while she lay on the bench with her lover, her skirt pushed up and her head thrown back as the other man drew his lips along her long, white throat.
Afterwards the man had left without a backward glance, striding away on the path, smoothing his hair and tucking his shirt in.
Under the wrinkly surface there are pale shapes, sometimes still, sometimes moving like soft, creamy limbs in the flow. This is where they’d found her. Oliver had been in the flat when they came to tell him how they’d pulled her from the canal, speaking in hushed voices, solicitous, offering counselling, offering to call someone. He shouldn’t be on his own, they’d said.
Later he’d had to go and identify her as she lay on a slab, her cold features bleached, her ivory skin blue-tinged; no trace of scorn remained on her pale lips, no remnant of guile under her dark eyelashes.
They’d traced the man from forensic traces along the path.
“He got what he deserved” Mel had said when Nerina’s lover was sentenced to life.            But Oliver knows better.
He is on the edge now, leaning forwards towards the shapes, drawn by them. She’d stood on the verge, her back to him as he’d emerged from his hiding place. He’d only meant to shock her, to make her see sense, to see how angry he was. She’d hit the water without much of a splash and the sounds were more like strangled squeaks than a scream, her slender arms flaying a little, making circles of ripples that radiated out from her head as it sank. A steady flow of bubbles rose to the surface, slowing after a couple of minutes then the brown, snaking canal had continued on as before.
A white hand flutters among the weed, beckoning. On the surface her face is appearing again, swaying in the ripples, mouth half open, smiling. A gust of wind rushes through the trees on the bank, roaring in his ears as he takes another step towards the undulating shape, where her arms are open to receive him.
In the bag on the bench Oliver’s laptop is wide awake, its blue screen oscillating as a gentle stream of bubbles rises from the bottom to the top in a never-ending stream.
 

Ripple [Part 1]

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While I am away and  doing internet cold turkey for a couple of weeks I’ve left you a brand new two-part story. Is Oliver delusional? Or is there really something sinister happening on his computer?

Ripple

             It is there again, rippling the surface; an outline surfacing and receding against the background. Oliver rubs his eyes and peers again at the blue screen. Now there is nothing under the desktop shortcuts. He makes a mental note to take the laptop into town.
He stretches, rises and walks to the tall wall of glass where he gazes out over the cityscape. It is an arresting view, even for one who lives such a large part of his life in front of a screen. The city stretches away, a pleasing mix of old and new dotted with ancient steepled churches and elegant, high rise skyscrapers and further away the sweep of the harbour with a variety of shipping docking and embarking day and night. Immediately below his block the silver snake of the canal winds its way around the parks and estates on its way out to port. But Oliver does not glance down, ever. He prefers to see further into the distance and away.
His phone buzzes, breaking into his thoughts.
“Are you ok?”
Melanie. She has assumed responsibility for his wellbeing despite his protests that he is fine.
“Yes. I’m alright. You don’t need to keep ringing.”
Mel laughs. “You’re such a charmer, Olly! I’m only looking out for you.”
“You don’t need to.”
“Have you been out today? You should get out. It isn’t good to sit at home brooding.”
“I’m not brooding. I’m working. And I do have to go out because my laptop’s playing up. I may need to get a new one.”
His sister sighs. “Is that the only reason to go out? You could just walk! How about meeting for lunch somewhere? Or come here to eat this evening?”
Oliver shudders. He’d have to sit around the table with noisy, prattling kids, make small talk, Mel and Charlie tiptoeing around his feelings like bomb disposal experts.
He grabs a jacket, stuffs the errant laptop and lead into its bag, grabs his keys and steps out of the apartment to summon the lift. In the lobby he grunts a peremptory reply to the doorman’s greeting before exiting through the revolving glass door and down the steps to the street. Pulling his collar together tight against the blustery wind he turns left and left again rather than continuing along to Canal Street, which would be the shortest route into town. Oliver has not walked along the towpath for eight months and has no intention of going there again, ever.
Nerina haunts his thoughts as always, day and night. As he walks he tries to picture her but succeeds only in conjuring parts of his wife- her smooth, white throat as she laughed, the black curls that fell down her back, the velvet soft touch of her and her husky voice as she spoke in her accented English. How she’d mocked him, her sly, sideways look as she posed in front of their mirror before telling him she had to go out. The way she dressed, a sensuous smile as she pulled on a sheer stocking or applied glossy, red lipstick.
At the store counter he unpacks the laptop, explaining the issue with its screen. The assistant, Paula according to her badge, turns the screen to the side for him to show her the fault. But there is nothing; no vestige of the movement he’d been witnessing. Oliver frowns, feeling a heat rise to his face. Paula smiles an open, sympathetic grin.
“Don’t be embarrassed! It’s common for devices’ faults to disappear like magic as soon as customers step through the doors with them. It’s almost as if the threat of repair is enough to make them behave!” She laughs; a deep, throaty bellow that forces Oliver to stare up into her face. It is a broad, guileless face, not pretty but honest; a face accustomed to laughter. For a moment he feels his shoulders relaxing, feels the tension draining down towards his feet. He nods at Paula, stows the errant laptop in the bag and thanks her.
“Bring it back if it starts playing up again” she advises him, before turning to another customer.
Oliver feels lighter as he exits the store and heads for home. He’ll try and eat something then get on with the figures he is supposed to be producing for a company report.
In his kitchen he can think of nothing he wants to eat and opts instead for a couple of the prescription tablets, standing at the sink, pressing the tiny, white capsules from their foil wrapping and swilling them down with a mouthful of water.
At his desk he opens the laptop lid and switches on, waiting for his password prompt and taking the deep breaths he’s been coached to employ if he feels a sense of panic. As he taps in the password his palms grow damp and he wipes them on his jeans as he waits for everything to load. The desktop shortcuts appear, nothing else. He exhales and thinks of Paula’s kind, friendly face as he clicks on his work folder and scans the files for his current spreadsheet. The white screen underneath the figures is flat and stable. Oliver breathes, closing his eyes to relish the relief.
He begins to work, clicking on each cell, highlighting, deleting and replacing. Needing to refer to some previous notes he rifles through some papers in a cardboard folder beside the laptop. Sheet in hand he turns back to the screen. It is heart-stopping. Oliver feels his pulse thumping as he takes short, shallow breaths, the blood draining from his face. He stares. The outline has reappeared, more defined now, undulating but clear. It is a face; a face he knows; the pronounced cheek bones, almond-shaped eyes and full lips. Nerina. He starts as her eyes flash open, the paper dropping to the floor. Her sensual lips part in the shape of a word as the image floats on the screen. She smiles, continues to mouth the word.
Oliver has dreamed of hearing Nerina’s husky voice; has lain awake at night bathed in perspiration, longing for her but now he dreads to turn on the volume switch, fearful of listening, although he knows what it is she is saying. He should switch off. He should shut down, power off, pull the plug. He shudders, transfixed by her rippling features, strands of her curls drifting in a rectangular pool…

      Check in to Anecdotage next week for Part 2 of ‘Ripple’.