Happy New Year, Brian Meadon [part 1]

Brian Meadon peers out into the darkness and is forced to admit a grudging fascination for the way the snowflakes are looming out of the sky and settling in an ominous and ever growing heap on his car’s windscreen. His initial feelings of hot anger and frustration with the car’s failings have ebbed away to be replaced with somewhat colder resignation. There is still just enough light outside to make out the writing on a road sign beyond his lay-by. ‘Stoodley Interchange’, it asserts, taunting Brian with confident superiority, even though accumulations of snow are creeping up its legs.

Settling back into his driving seat once more, Brian decides to give his phone another go. He is pleased with the way he’d remembered to charge up the battery, a task he’d frequently been accused of neglecting by his ex-wife. This small celebration of competence affords him a slight, smug smile until yet again ‘no signal’ appears on the screen in an impudent gesture almost as if it were conspiring with the road sign to gang up on him. At least the phone’s tiny screen casts a little light.

Brian shivers. He attempts to recall the advice being provided by experts on this morning’s Beeb’s news programme but it had been burbling away as a background to packing. If he’d not been carried away with optimistic anticipation of the evening revelries to come he might have paid more close attention to the weather warnings and in particular to dire predictions concerning road travel. What was one meant to do? Firstly, you should not travel at all unless your journey is absolutely vital. ‘Well’, thinks Brian, ‘It is vital to my wellbeing to have a bit of fun, so I’ve covered that one’. Secondly, you should ensure that loved ones know your whereabouts and your travel plans. Brian feels uneasy about this one, since although he has made Jackie, his ex aware that he has been invited to a ‘country house New Year festivity’ somewhere in Berkshire he had not been motivated so much by a need for self preservation, more a desire to demonstrate what a popular, well-connected and upwardly mobile fellow he has become since they split up. ‘Neither is she a loved one!’ he speaks aloud into the silent phone. He has not brought a shovel or a torch, but these would be of no assistance as the car is going nowhere, snow or not. A flask of coffee, however and a warm blanket, he has to admit, would have been very welcome by now.

Blind Date [part 2]

“Ha! I’ve been married three times. That’s a triumph of optimism over bankruptcy, you might say! Especially now I’m young, free and single again. I get on alright with Mary, my first wife, but the other two; they’re a couple of scroungers. Gold diggers, I call them, the pair of them; always after something. If I had all the dosh I’ve spent on maintenance payments I’d be minted now. You know what Rod Stewart said? ‘I’m not getting married again, I’m just going to find a woman I don’t like and give her a house’-So true!”

“I wonder why he did get married then, if he didn’t like the woman.”

“Fancied the pants off her, I expect, if you’ll excuse the expression. Doesn’t last though, does it, Erica? ‘Once the thrill is gone’ and all that?

So have you done a lot of this Internet dating malarkey? Met many blokes yet?”

“No, you are only the third person I’ve met.”

“What was wrong with the other two then?”

“Nothing was wrong with them. They were perfectly pleasant people. There just wasn’t a connection, a spark. Perhaps I didn’t have much in common with either of them.”

“What do you reckon it is that gives you a spark? Give us a clue! If I can find out where the other two went wrong I’m in with a chance. What sort of men do you go for?”

“I like the people I meet to be well mannered, I enjoy stimulating conversation and of course a sense of humour is a very attractive quality, I think.”

“Phew! That’s lucky. I’m doing alright so far.

I must tell you, Erica that I’ve met quite a lot of ladies in this Internet game and you are by far the most attractive. In fact I’d say you are in a different league to all the other ones. For a start most are very economical with the truth where their age is concerned. Some of the ones who say they’re in their mid forties, they’re either lying or they’ve lived hard lives. Mid sixties would be nearer the mark. How’s the wine? Can I get you another?”

“I shouldn’t have another, thanks. I can’t be late or drink too much. I have an early meeting to get to in the morning.”

“Soft drink then or a coffee?”

“I won’t, thank you. I must be getting home.”

“What a shame! We should have met up at the weekend. We’d have had more time to get to know each other. Still, there’s always next time. When are you free? I’ll take you up in my little plane; show you my joystick! Boom boom!”

“It is a tempting offer, Roger, but I’m going to decline. If I have to be honest I don’t really think I’m your type. I wish you luck with your future Internet dating though, and thanks for the drink.”

“Ah well, you can’t win them all. I can’t say I’m not disappointed, but you know my number if you change your mind. It was lovely meeting you. Don’t forget your coat, love. Bye bye.

It’s your loss.”

Blind Date [part 1]

Here’s part one of the next story for Fiction Month, written entirely in dialogue. I’ll welcome comments as to whether it works or not!

“Erica, is it?”

“Yes; Hello and you must be Roger.”

“That’s me! Roger the Dodger! Not really-just my bit of fun. What can I get you, Erica? Glass of champagne? You do like champagne, I hope?”

“Just a small glass of white, please. I do drink champagne but only on special occasions. Pinot Grigio is fine.”

“So what are you saying? This is not a special occasion, is that it?”

“Oh no, of course I didn’t mean…”

“Don’t worry love. I’m not offended. I’m only having a laugh. A glass of your best Pinot for the lady, my man, and I’ll have a single malt, no ice.

Did you find this place alright, Erica? Didn’t get lost?”

“No. I am familiar with the area. I have one or two friends who live around Fratton. That’s not far, is it?”

“No, but this side of the golf course is better; nicer properties. You can see my place from the first fairway. Did you notice my motor on your way in? Remember I said on the phone, look out for the Merc with the special plate-did you see it?”

“Yes. ‘RU55BIT’. Was that it?”

“That’s the one. Do you get it? RU-that’s me, Roger Urquart, then the 55-that’s meant to be two Fs. That spells RUFF. Then there is BIT. It says ‘Rough Bit’. It’s rather droll, don’t you think?

Well, Erica, what sort of things do you get up to? What ‘floats your boat’ as they say?”

“All the usual things, I suppose. I like to read, go to the theatre, see friends. I go for an occasional meal, go to the gym; but work takes up a lot of my time.”

“No special hobbies then? How’s the wine? OK?

Tell you what; I bet you’d like a spin in my little kite, wouldn’t you? It’s a thing that’s dear to my heart. She’s a Piper Cherokee, a little cracker! I don’t mean she’s got cracks in! I’m only joking! She flies like a dream. I take her over to Le Touquet some weekends. Do you like France? I can go over there for lunch and be back home for dinner. Do you like the sound of that?”

“It sounds…interesting.”

“Oh it is. It always goes down very well with the ladies. I don’t mean ‘goes down’ as in crashes! I’m jesting! You’ll soon get to know me. I’m a laugh-a-minute bloke.

Did you say you were divorced?”

“Yes, three years ago, but it is all quite amicable now and the children spend plenty of time with their father.”

A Matter of Time [part 2]

…For anyone who has stumbled here, this is the second part of a short story, part one of which can be read in the previous post…see ‘A Month of Stories’ for an explanation!-

There is a diminutive, amber globe attached to one of the plants, glowing like warm, evening sunlight. She bends to peer at its parent plant. There are two more ripening fruits clinging to the foliage, shining with impudent optimism. Frith stares then throws her head back, an almost hysterical laugh erupting from her lips and her eyes wet with tears.

The sound of footsteps crunching on the path causes her to turn and see the tall, bulky figure of Cal approaching then he is there filling the doorway, his woolly hat jammed tight over his dreadlocks and long scarf wound around his face and neck.

“A brace of coneys,” he tells her. “Not much meat on them but they don’t look to be in too bad a state. We’ll get some broth out of them anyway.”

Her eyes, turned to him are radiant. She shows him the tiny tomatoes illuminating their corner of the greenhouse. “Should we move the plant, do you think, Cal? We could take it inside the house. It might be special, have some immunity. And if we kept the seeds maybe they’d grow into stronger plants still!”

Cal reaches out to pull her to him, enclosing her in his arms, her cheek against the rough tweed of his overcoat. He looks over the top of her head towards the little plant with its defiant tomato warriors and thinks of the children he and Frith might have had. Her face, when it turns up to his, still damp from tears is itself reminiscent of a child’s.

“We’ll leave it be, love. If it is going to resist the blight it’ll do it here. Moving it will make no difference. Come back to the house now and help me skin the rabbits.”

He watches her later, staring at the flames flickering blue around the remnants of decaying logs in the fireplace and knows she is allowing herself to dream of a future.

“Frith love,” he murmurs. “Don’t get your hopes up. I know it was good to see, but not enough to signal any kind of recovery.”

She looks up, frowning, irritated; the extinction of possibility is hard to bear. He takes her hand. “We’ll keep watching it. It could be resistant. Only time will tell.” And he turns back to where the flames are ebbing in the fireplace, reducing the logs to glowing, flaky ash.

A Matter of Time [part 1]

Frith steps out into the grey, depressing familiarity of the patch she still thinks of as a garden at a time she knows is morning from her ancient alarm clock. She glances up into the hazy fog as she does each day, to assess the extent to which a semblance of light may be penetrating. This morning, within the billowing folds of damp cloud a sulphurous, bilious glow hovers like a searchlight beam, providing little in the way of illumination and no warmth, although Frith allows a small thread of encouragement to weave into the start of her day.

Along the cinder pathway fresh layers of fine dust display the prints of the girl’s boots as she moves towards a network of raised beds rising like ghostly islands in the gloom. She pauses by the first rectangular slab, a dark oblong mound constrained by timber planks, crumbling a little now from prolonged exposure to damp and housing what would have been a robust crop of potato plants. Frith adjusts the filter masking her nose and mouth before bending to inspect the nearest plant. A few dark, brittle leaves have struggled to the surface of the dusty heap of soil. She peers at them, unsurprised by their insidious coating and searches for any sign of a flower. They will need to be earthed up again, she decides, grimacing at the idea of the task; digging into the tainted earth will produce a storm of silver powder pluming up and coating all in its descent, including herself.

She walks to the apple tree, a spectral giant in the mist hung with fringes of dull spores and remembers her grandmother describing summer afternoons as a child lying in the shade of it with a book or clambering to the top to teeter on a spindly branch and marvel at the view across the sunlit valley. She shivers, conscious of the oppressive silence that hangs over the garden like the fog. On the tree’s lower branches one or two tiny, misshapen fruits cling in a valiant effort to perpetuate.

Beyond the tree, by the low stone wall that once marked the boundary with a neighbouring property there is a brave, rebellious clump of brambles making a stand against the suffocating effects of fungal invasion, producing fierce, protective thorns and exuberant, wet foliage tinged with hints of green amongst the smoky coating. Frith allows herself to hope for blackberries later on, in the time that used to be called autumn when there were seasons marking changes in climate; months when days were warm, hot even, and periods of fierce cold when the land lay dormant.

The greenhouse is barely visible at the end of the monochrome garden until Frith is near enough to touch its damp and slimy surface. She pulls the door open and steps inside. The tender plants here have not escaped the blight and she surveys the spindly pepper bushes, brittle stalks smothered in grey and moves slowly on towards the end of the small structure where she’s been nursing the tomato seedlings. She stops; holds her breath.

Mystery on the Dwarfdale Flyer

  “How do Verna! By ‘eck, its cold in that waiting room this morning!” An icy blast accompanies Jacob Hutton into the compartment as he settles himself opposite Verna, unbuttoning his jacket to reveal his customary navy blue dungarees. Verna chuckles, brushing imagined flecks of dust from her sackcloth apron with large, work-red hands.

“Morning Jacob! Warmer in here, I don’t doubt.”

She turns to glance at the basket beside her, lifts the blue and white cloth to check its contents and, satisfied, nods back at Jacob.

“I haven’t seen Arthur lately. Do you think he’s alright?” Jacob shakes his head, the habitual pipe in his jaw wobbling like a signalman’s flag.

“Nay, I said to my Mavis, it’s a while since Arthur came up to town, though now I come to think of it, he’s been looking peaky, so he might of come down with summat.”

“He works too hard, that’s what. He’s wearing himself out, all that digging, it must be a worry competing with all them new fangled machines they have nowadays. I saw one arriving only yesterday where that new bridge is getting built, all painted up, some digger or suchlike. Nothing stays the same, does it? Happen one day eggs will be factory made and then me and my hens will be out of a job an’ all!”

Verna, soothed by the rhythmic rumbling of the carriage, leans back to watch the passing scenery, as familiar as parlour wallpaper, the paint-bright emerald of the trees interspersed with a red and white signal box or a water tower. She catches a glimpse of station huts and a whiff of acrid smoke as the train begins to round the bend on the approach to Dentlake Junction.

“Poor old Arthur. I know how he feels. We’re none of us getting any younger, and I feel a bit worn out me self, what with getting up at crack of dawn every day. Them cows don’t milk themselves do they?”

Now she scrutinises Jacob, Verna realises that he does indeed look worn out. There are greyish patches emerging on the tip of his nose and his cheeks, his hair is more white than youthful chestnut, even his clothes have taken on a frayed and faded appearance. Worse still, on taking a closer look down at her own, solid form there are worn, shiny areas on her stockinged legs, an alarming, deep gouge in the brown, woolly sleeve of her coat.

The train grinds to a gentle halt as they pull in to Dwarfdale, where half a dozen passengers are preparing to board. Jacob gets to his feet, pulling his shabby jacket together, and opens the door to see a figure they both know, and yet almost unrecognisable in his renaissance.

“Arthur!” They shout, gladdened by the sight of him, vibrant, bright-eyed and fresh, as moments later they are lifted up and placed gently on a table amongst the paints and brushes behind the toy shop window.