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Fiction Month-The Exchange [part 2]

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Check last Sunday’s post for Part 1…

I ask Ava if she has any photos of Lucy and I am rewarded by her feverish, relieved smile as she replaces Matthew’s guilt-inducing image with that of her student daughter.

Plates of beer battered cod with potato wedges and mushy peas are delivered to a neighbouring table, momentarily distracting me with the waft of delicious, hot grease. It is what I would choose if I were lunching.

We three have less in common these days; now that our children have grown. Once, as young mothers meeting at the school gate, starved of adult company, we could never see enough of each other. When I look at them now I think how age is most cruel to the once beautiful; Beverley no longer the willowy, well healed style guru, Ava’s slender, elfin appeal grown brittle as a dried twig. Beverley didn’t understand Rob, she’d explained when justifying her adultery to me. He’d needed someone to talk to, someone to console him when things went wrong with the business. If I’d considered that she’d undertaken the consolation with a little too much enthusiasm I’d kept the thought to myself. In any case, Beverley was too embroiled in her own dalliance with Mr Smirnoff to care or even to notice what her husband did.

All that remains of the hot chocolate is a circle of glossy, brown sludge in the bottom of the mug, a last scraping I might attempt to access with the long spoon if I were on my own. Ava still has half a cup of cold, black coffee, impressive as ever in her ability to make a coffee last for the duration. She is reaching into one of the bags to bring out two small parcels wrapped in co-ordinating Christmas paper from Marks with matching gift tags. Not for her the ironed out, salvaged wrapping from last year or three-for-a-pound from Savers. I wonder why it is we’ve continued with this ritual.

We have exchanged gifts every Christmas since we met, the first few years’ offerings being humble, home-made items, sewn or baked or grown, rather than the competitive quandary the exchange has now become.

Beverley presents her own gifts. They will have been purchased from a craft stall or a tiny, beach front gallery; a driftwood photo frame, shell jewellery or a hand-thrown pot. They are wrapped with that artful carelessness she retains, as though she has scoured the beach for cast off paper and string. Ava plucks her package from the table and turns it in her red-tipped fingers, exclaiming how interesting it looks. I assume from the shape that she has the pot this year. Sensing their expectation I withdraw the two, identical parcels from my bag.

Infrequent as they have become, I have grown weary of these meetings; weary of these two self absorbed women and their confessional outbursts, the inconsequential chatter and the shadowy events that lie under each rendezvous like bubbling volcanic pools. I have extracted what I needed from them only as recompense for my services over the years as confidante, counsellor, shoulder-to-cry-on and keeper of secrets. Now I am ready to move on.

Ava thinks the parcels look the same. They look like books. Is it a novel? Do they have the same gift? I nod. The same book?  Yes. Is the author someone they’ve heard of? I’m still nodding. When she tells me she hopes it ends happily because she can’t bear sad endings I say she will have to wait and see. Bev has shown little interest and has stowed her holiday reading away in the leather appliqué satchel she brought and stood up. I’m guessing she is anticipating her first, warming, reassuring slug of liquor of the day as if she were going to meet her own secret lover.

Ava straightens and tuts, rearranging the silk scarf around her neck, smoothing her blond, highlighted hair. I wait for her to say she must look a sight but she gathers her bags and reels off a list of appointments she has before picking Matthew up from nursery; travel agent, chiropodist, the returns counter at Burberry. She wants to know where I’m parked because we can walk together and I know she is anxious to find out if I think Bev suspects anything. I could tell her that Beverley wouldn’t notice if a bomb exploded here in the café but I surprise her, instead by deciding to stay here, in my seat, alone at the table.

Then they are gone; the farewells said; the promises to meet again soon and the air kissing are all done. I don’t need to consult the menu before returning to the counter, since the seductive, lingering aroma of cod and chips is pulling at my senses and cannot be ignored. I am happy to sit alone now while I wait for my lunch, and contemplate a future which exists without Ava and Beverley but with a significant upturn in my fortunes, now that the royalties for ‘The Exchange’ are flowing in such a satisfying way and my account is inflated by a substantial advance for the second novel. Is it a sequel? No. I have said everything I want to say about those two parasites. They can edit their own future. I’m still working on mine.

Fiction Month 4-The Exchange [part 1]

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The Exchange

            I am first. I am always first; always too early. I don’t mind. Getting here before the others gives me an opportunity to peruse the cakes and pastries at my leisure without the pressure of pretending disinterest. By the time they turn up I’ll have chosen; even, perhaps have consumed something. I’m leaning in favour of the ‘special’, a slice of Christmas cake, a rich, aromatic slab speckled with fruit and topped with a glistening, tooth tingling band of white icing and a dark green fondant holly leaf.

On the other hand, if I buy it now I may not have finished devouring it by the time one, or both of them appear, which would present an unseemly image. I should wait. I exert a seldom utilised self control, and having made a mental note of my preferred option I go straight to a table-the only remaining table, which is next to the toilets.

There are diners who are perfectly at home eating alone, able to consume an entire meal in solitude without appearing uncomfortable. They pull out a phone or a tablet with what seems like an endless deluge of emails, texts or photos, or they have some absorbing task to complete. I could take out my phone, but then I’d have to feign interest in the one text I’ve received today, from ‘Store 21’, alerting me to their ten percent off day, a snippet of information I have already viewed and which is unlikely to sustain my interest for the unspecified period I must wait. I fall, instead to studying the menu and have read it all through twice and memorised it before I spot Beverley weaving her way through the tables towards me.

While her sunglasses are incongruous on a winter’s day in the gloom of this dark corner of the café by the lavatories, she is dressed in her customary way, in flowing layers and expensive fabrics. She is a tall, statuesque woman and can get away with this look in a way that the shorter and dumpier of us cannot.

I rise to greet her and we embrace gingerly, like wary politicians before she discards her tweed cape and sinks down on to the seat. She is forcing a wan smile, which may indicate tiredness or something more sinister. When she tells me that Ava will be late I can only smile. Ava is late in the same way that I am early-by default. Not wanting to share too much before she arrives we talk of the weather, the traffic, how busy the shops are. I know my eyes are straying towards the menu as my stomach growls in an impatient demand for the cake, although Beverley is occupied in checking her phone to see if Ava has called again.

Then she is coming in, bumping tables and customers with assorted bags, turning this way and that as she scans the café for us. For a few moments I observe Ava, taking in her discomfort, her small, breathless panic as she stares over the heads of the assembled diners until at last I relent and offer a wave.

She bustles up, all puffing and blustering excuses. ‘What a busy life I lead’, she seems to say, though the bulging bags of her purchases tell a different tale. She is so sorry to have kept us waiting and only wants a black coffee. She places a solicitous, manicured hand on Beverley’s arm and inquires if she’s alright because she looks tired. I volunteer to order, more a ploy to ensure the capture of the Christmas cake than a magnanimous gesture, returning to the table to find them already engaged in showing each other photos on their phones. In the competition of life’s successes Beverley has scored the giant prize of acquiring a grandchild.

They turn to me-a diplomatic nod of interest in my unglamorous existence. Has George retired yet? Is Jacob working now? Still living at home? Such a shame.

The order arrives; black coffee for Ava, cappuccino for Beverley, hot chocolate and the cake for me. There is a slight pause as we all regard the cake, before I lever off the first, sweet, rich forkful.

Ava is asking Beverley how Rob’s business is going now, since he had to reorganise and lay off staff. Bev removes her sunglasses and rubs her eyes, bloodshot and dark ringed. The business is ‘ticking over’. They’ve begun looking for a smaller property in a less expensive area, seeking to down-size, to release capital. She speaks to Ava, avoiding my gaze. I am allowing a chip of hard, sugary icing to melt on my tongue, recalling how I visited for coffee one morning and found her in the kitchen, working her way through the contents of a vodka bottle with a determination that had eclipsed her memory the invitation. The failure of the business is not the sole reason for needing to release capital.

She straightens, takes a sip of the creamy cappuccino. In an abrupt change of subject she questions Ava about Matthew. Does Ava have any recent pictures? Ava reddens as she fumbles with her phone, then hands it across the table. Bev studies the photo of Matthew for what seems like a screen bite as Ava glances at me, eyes wide in her frightened face. Matthew is only two, an ‘afterthought’ as Ava describes him. Holding out the phone, Beverley frowns at the tiny sparrow of a woman opposite her and declares she cannot see anything of Steven in Matthew and I’m thinking, no, because there is nothing of Steven in Matthew-a fact that Ava confessed to me prior to his birth when faced with the dilemma of whether to tell her husband he was not the father. I lick my finger to sweep the remaining crumbs from the plate, wondering how three years can have passed since Ava blurted the tale of her sordid affair out to me in a moment of tearful desperation. What should she do? Should she tell Rob he could be the father of her baby? I’d advised her to leave well alone-after all he might not be the father. Who would know? She was frantic, sobbing. The child might resemble her friend’s husband; and of course, now he is older, he does.

To be continued-Part 2, the conclusion in next week’s post…

Fiction Month 4. Caught [part 2]

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                 Caught [part 2]

                  Next morning a stiff breeze has sprung up as I stroll up to the village store on the Copseway to buy a newspaper and a pint of milk. On the way I search for the old butcher’s shop that was Ernie Brabrook’s, but almost all the buildings that housed businesses have been converted to dwellings, either having been demolished and rebuilt or their big front windows bricked in and I no longer recall the exact location of Ernie’s place. All I remember is standing inside while my father waited for his order to be prepared, the sawdust floor dusty beneath my feet and the cold, raw carcasses dangling, white on their metal hooks, an odour of chill sweetness and the resonant thwack of the butcher’s cleaver as he prepared chops or steaks.

The store assistant is solicitous. My father will be missed by the community, she says, and how am I getting on with clearing up the house? Feeling heartened by her concern I ask if she knows anything about Imberton Dance Band and the various members. She nods as she packs my purchases into a bag.

“My parents used to go dancing every Saturday. A girl called Mavis used to come and babysit us.”

I take the photo from my pocket and place it on to the counter. She looks closely before shaking her head.

“I can see that’s your Dad, in his young days, and that was his brother. But I don’t know the others I’m afraid. I’d have been too young, I suppose.”

When I mention Dick Abbott a look of recognition springs to her face.

“I was in the same class as June at school. We were a fair bit older than you and your brother I think, so we’d have left to go to the secondary by the time you two were in the juniors’ class. She was sweet, but she was a bit soft, if you know what I mean; not the brightest, but always kind and smiling. It was awful, what happened to her.”

“I heard she died. What was it, illness?”

She purses her lips, looking grave.

“No, nothing like that; she drowned in the brook that runs along the bottom of the field behind the house. ‘Accidental death’ they said it was, although no one knew how she came to be there. She was in her night clothes when they found her; all a long time ago now.”

I take a diversion back to the bungalow, down an old, overgrown footpath that leads to the narrow rivulet behind what was Abbott’s shop, with a dwelling at the rear. We’d dangled jam jars on strings into the stream to catch tiny stickleback, bearing them home triumphantly then being made to return them by our stern parents. The brook is no longer the rushing torrent of my memory, rather a thin trickle, banks overgrown with tall, bushy nettles. I wonder how she could have drowned, here in the shallows where the water is inches deep and the gravel of the stream bed ruffles the flow. Further up the sloping field the back of the house is just visible, changed now; refurbished. A new wire fence provides a barrier before the brook, where none was before. Perhaps she sleepwalked down to the stream and fell, found herself tangled in the undergrowth or mired in some mud. I’ve an image now of her night clad body lying cold in the water under the moonlight, her dark hair loose and mingling with the eddying current, but surely she’d have called for help?

My father’s modest house, the pride and joy of his later life seems diminished now that his furniture and effects are packed up to be distributed or disposed of. The rooms are strewn with cartons of bric-a-brac, books or bin bags full of clothing ready to be taken to charity shops. The walls bear the ghostly shapes of the pictures and mirrors that hung against them. His upright piano awaits collection. This is all that remains of his life. We humans spend a lifetime accumulating objects only to leave them all behind us for another to discard.

I make tea in the ancient ceramic teapot my parents always used. It is lined with a crust of brown stain but to succumb to dunking tea bags into cups feels a betrayal here in their kitchen. While I’m waiting for the tea to brew I ring my wife to tell her I’m almost done with the clearance and I’ll be returning home tomorrow.

I’m about to pour the tea when I catch sight of Arnold Goodridge unlatching the front gate and labouring up the path towards the front door and I think he must have smelt the tea to have timed his arrival like this. He settles into the worn settee with the ease of one who has sat there, in that same spot on many occasions, leaning his walking stick against the arm and placing a bulging manila envelope on the seat beside him. He glances around the room at the bare walls and loaded cartons as he sips the tea, nodding in sage acknowledgement, his chest still heaving with the exertion of his walk.

“Going up for sale, is it?”

“I’m afraid it is, Arnold. The family is too far flung to keep it. I’m hoping to drop the keys with the agent tomorrow, on my way home.”

He puts his cup and saucer on the coffee table and opens the envelope to pass me a few photos. I move to sit next him while he describes each scene. There are more pictures of the band, of course, but also snaps depicting charabanc outings to the seaside, village fetes and family parties, many showing my parents and their friends, the most striking aspect their smiles as they face the camera. It would be easy to assume that their lives were one long holiday on which the sun never failed to shine.

I pore over one shot of the beach, where my parents and another couple, all dressed in their Sunday best, are installed in deck chairs on the sand behind a number of children of varying ages playing with buckets and spades. Amongst the offspring is a young girl of about eleven, with soft, dark eyes, clad in a typically substantial swimming costume of the era, her arm around a sturdy child who I recognise as my brother. He is looking into her face with an adoring smile.

“There’s June,” Arnold offers. “She always did love the littl’uns. She’d have made a good mum if she’d had the chance.”

“Arnold, how did it happen? How come she drowned in the brook? There’s so little water. And why was she wearing night clothes?”

He gazes at the photo as he begins to talk.

“It was like I said. When Dick started stepping out with Mae they was only young, so it weren’t really serious, if you see what I mean. Then she fell pregnant with June and it was all Hell let loose. In them days it was like the end of the world. It weren’t long before that a young couple had drowned themselves in the lake from the shame of it and the fear of being found out. There weren’t any choice for them. Dick had to marry her quick, so when the baby came they could just say it was a bit early, like.

They lived with Mae’s parents to start with. It must have been hard for Dick. He was always a bit of a one for partying, had an eye for the girls. He could of taken his pick of ‘em, too if he’d wanted. But he was stuck with Mae then, and didn’t he know it! She never forgive him for landing her with a baby so young and I don’t think she ever thought he was good enough for her neither.”

“But she must have loved the baby when she came along. June was so pretty and so sweet!”

“She were. She were a cracker! But she were never the brightest, if you get my meaning. She weren’t going to get to college or anything like that.”

“Is that why she ended up helping in the shop when she left school?”

He nodded.

“Mae hated the shop, like everything else. She thought it was beneath her to work behind a counter; didn’t think she should work at all. ‘Course the shop folded in the sixties and Dick retired then. It had never made much money. Customers preferred the stores up on the Copseway and you could see why. Mae drove them all off, with her spiteful tongue and her nasty ways.”

“So what did June do, when the shop closed down?”

“She took up hairdressing, somewhere down Hardwick way I believe it was. Of course she favoured her Dad for looks, so she weren’t short of a few admirers. I think she did do a bit of courting, while her Dad was still alive but nothing serious. Then Dick passed away, a bit sudden. After his funeral no one hardly saw Mae. She stayed indoors, kept herself to herself, and June stayed looking after her. There weren’t no more gentlemen callers because Mae wasn’t having it. She were too scared June would up and get married and leave her. Thing was, with Dick gone she only had her daughter and they used to say in the village that were when June changed, stopped smiling, like. Some said it were because of losing her Dad, but I reckon there were more to it than that. That bitter old witch made her life Hell, that’s the sum of it. She tormented her and bullied her until her life weren’t worth living. And June, she were caught, like in a trap. She’d nowhere to go and couldn’t leave her mother. It got so she couldn’t stand no more. So she took the only way out she could. There were more to the stream in them days, but most folks don’t need a lot of water if they’re determined to drown their selves. You know the rest.”

He puts the photo on the coffee table before looking up. When he catches my expression he puts his hand on my arm, his face softening.

“I shouldn’t of probably told you all that, what with your Dad and all. Not exactly a cheerful story, is it? But you got to remember it were all a long time ago.”

“No, I’m glad you did. And I’ve enjoyed looking at the photos and hearing all the other stories.”

On his way out Arnold stops on the path to button up his jacket.

“Know what I reckon?” There is a mischievous gleam in his eye as he adjusts the stick in his grip. I shake my head.

“Them lot in the band, they’ve been up there waiting for your Dad to join them. Now he’s got there they’ll be making heaven jump to the beat with all their tunes!”

Though I don’t share his conviction, the image is so pleasing I have to smile as I thank him again.

 

I wake to an overcast sky, feeling moved to make haste with loading my car and starting on the long drive home. There is little of any monetary value amongst the house contents and nothing of use or ornament to us, the next generation, for whom tastes have changed. I have wrapped and packed the few items my brother and I decided upon as keepsakes; one or two first editions, leather bound, a hand painted tea set, a couple of prints and the box of photographs, which I have volunteered to sort and annotate. Everything else will be removed by a clearance company, leaving the empty shell of the house ready for viewing by prospective buyers. Once I have locked up and pulled the front door shut behind me I know I will not be returning. I pocket the house keys in readiness for the estate agent.

Before leaving the village I pull into the lay by outside the churchyard. I want to spend a few minutes alone by my parents’ grave, an action I doubt my busy life will allow in future. The new plot, freshly piled with earth stands out like a brown scar among the neat, green mounds surrounding it. Soon the simple headstone will bear the addition of my father’s name informing the reader he is ‘reunited at last’ with my mother. There are, as he requested, no bouquets wilting on the soil, donations having been made, instead, to the hospice that cared for my mother. He’d been pragmatic to the last, made all his wishes clear; his only desire to be laid to rest here in the rustic setting of the village churchyard next to his deceased wife.

I have no faith in an afterlife. I believe that our allotted span above the earth is what we get. I know that my parents are not here, under the soil in this country graveyard, nor do they exist anywhere except, for a short passage of time, in my memory. But the shady, green space with its gentle hummocks, vases of chrysanthemums and trailing ivy is a peaceful spot for contemplation and remembrance. I wind my way through the graves, stopping here and there to read a name and a date where they are visible, not obliterated by algae and age. As I round the corner by the low stone wall I halt as my attention is caught by a simple, marble, upright slab with the inscription, ‘June Elisabeth Abbott, 1945-1978, ‘Resting where no shadows fall’.

I perch nearby on a neighbouring slab. Her plot is overgrown, a joyous carpet of daisies and dusky pink autumn crocuses. A light mist of drizzle has begun to drift down, lifting a rich, earthy aroma from the vegetation. Somewhere close by a robin begins to trill a jaunty song. Then, at last I feel the tears well up and course down my face in hot, salty tracks until I drop my face into my hands and I’m howling, there in the secluded churchyard with the ghosts of my past for company.

After a while, when the tears have drained away I stand and brush the moss from my clothing before walking back through the grassy mounds and ancient stones to the gate. In the car I pick up my phone and call my wife. She asks if I’m alright. I tell her I’ve missed them all; that I love them and I’m ready to come home now. I start the car. When I get home I want to hold them, my wife and children; catch them in my heart and never let them go.

 

 

Fiction Month. Unmanned on a Wednesday-part 1

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It’s Fiction Month on Anecdotage. This is the third year I’ve celebrated National Novel Writing Month by posting up a month of stories. Here’s part one of the first story- ‘Unmanned on a Wednesday’- a tale of two women, a launderette and a shirt known to both of them.

Muriel stood outside on the pavement and examined the information on display, mouthing the words: opening hours, the management accepts no responsibility…

Shielding her eyes against reflection, she peered into the gloom, scanning for signs of life, hoping for an efficient counter assistant to relieve her of her bulky bundle; someone who was familiar with the machines and the vagaries of washing one’s dirty linen in public. Inside she could make out a figure, bending to pull open a circular door.

She inhaled, grasped the handle of the bag with one hand and pushed the door with the other, hearing its incongruous jangle as she dragged the holdall in through the entrance to the launderette.

The figure straightened, turned to acknowledge her presence with a smiling ‘Hello’ then continued to feed clothing into the open mouth of the washer, flicking items or turning them inside out.

Muriel looked around. The atmosphere was oppressive with the stifling damp of detergent fumes and hummed with churning dryers and the whirring of front loaders as they went into intermittent, furious spins. She approached an idle machine warily as if it were a stray dog and studied the instructions. It needed some pound coins. She dug into her bag for her purse.

A voice hailed her from the row of chairs opposite.

“There’s a coin dispenser if you need change. It’s on the wall by the service counter.” It was a lilting, youthful voice, the words coloured with a tint of accent.

Muriel turned to face the voice, the young woman having sat down, a dog eared magazine unopened on her lap.

“A coin dispenser?” she replied, “Oh, I see-for pounds to go in the slot. Sorry! You must think I’m an idiot! I’m not used to these places. I thought there would be someone here, to take the laundry and deal with it.”

In the ensuing pause she became aware that she’d spewed out her inadequacy like an over indulgence of champagne.

The seated woman smiled again. She had an elegant, restful face; a long nose above a wide mouth accustomed to laughter.

“It’s unmanned on a Wednesday and in the evenings,” she informed the older woman. “Don’t worry. It’s quite easy when you get the hang of it, as it were.” She grinned, extracting an inadvertent smile from Muriel, who negotiated the change machine, returned to the machine and stuffed as much of the contents of the bag as she could into its gaping aperture.

“They don’t like being overloaded,” cautioned her companion. “It might be better to split the load between two machines.”

Once the two appliances were humming in harmonious tandem Muriel sat down next to her mentor and the two watched the revolving drums in a shared trance.

“You must be a regular at this,” she ventured. “You seem to be an expert.”

The young woman shrugged.  “I’ve no washing machine in my tiny flat. I don’t mind it; in fact I enjoy coming. I get to read the trashy magazines I wouldn’t buy or admit to enjoying.”

“Except for tonight!”

She laughed; a light, infectious laugh.

“Oh no, I didn’t mean I wasn’t enjoying some company for a change! I come from a large family back in Ireland so talking is what I’m used to. But what brings you here? Has your home machine broken down?”

Muriel sighed. “The new one can’t be delivered until next week. I may have to visit a second time before it comes. You might have to suffer my company again.”

“I’d like that! What’s your name?”

“Muriel.”

“I’m Niamh.” She put a slender hand out to shake.

They watched the circulating fabrics in silence. Muriel thought it curious how an item would present itself at the front in the spotlight for a few seconds then withdraw to make way for a different article’s display. One of the dryers ground to a halt, prompting Niamh to stand, pull the door open and inspect the progress of its contents. Muriel continued to watch the revolving laundry behind the doors, her attention drawn to an item, the colours of which seemed familiar. Perhaps she had an identical tablecloth or bed linen; a coincidence. The piece of laundry came and went, teasing her in its intermittent exhibition.

Having reinvigorated the dryer with more coins, Niamh returned to sit.

“I see you’re married,” she said. “Do you have children?”

Muriel flushed. Accustomed to her own company or the stilted, polite society of her husband’s associates and their wives she was unused to striking up spontaneous conversations with strangers on subjects of a personal matter. Not for her the inconsequential chatter of the supermarket queue or the doctor’s waiting room. Her groceries were delivered, her healthcare private. But she was both flattered and warmed by this beautiful young woman’s attention and besides, she’d brought nothing to do or to read, not having considered she would have to undertake the task of washing the laundry herself.

She nodded. “I do, though they’ve flown the nest. The youngest is at university.”

“So you’ve more time to spend with your husband now, is that it?”

The older woman raised her eyebrows. “You would think so, but no. My husband spends more time at work since the children grew up and left; late evenings and overnight to different cities, for training sessions, he says. So I’m on my own most of the time.”

“This is a night out for you then!”

Infected by her familiarity, Muriel felt emboldened.

“You are not married yourself?”

She hesitated. “No. I am kind of seeing someone though.”

“Kind of?”

Check in next week for Part 2-the conclusion

Punctuating the Years

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I began as the third of three bullet points, like this:
• Child 1
• Child 2
• Me
Life continued in a small way, but developing, gathering commas, growing, learning, shuffling, crawling, walking, attending school.
School was a series of quotations. ‘Don’t be late’ ‘Do your homework’ ‘Read this’ ‘Take notes’ ‘Write that’ ‘Line up’ ‘Don’t talk’ ‘Sit up’ ‘Wear this’ ‘Don’t wear it like that’ ‘Too short’ ‘Too untidy’ ‘Get changed’ ‘Get ready’ ‘Sit down’ ‘Stand up’. Sometimes the orders were exclaimed: ‘Stand!’ ‘Sit!’ ‘Quiet!’ ‘Girls!’ Sometimes they were questioned. ‘Where’s your kit?’ ‘Where’s your book?’ ‘Where’s your homework?’ ‘Why are you late?’ ‘Why are you early?’ ‘Have you practised?’ ‘Have you finished?’ ‘Why?’ ‘Why not?’
I became a student. Student life was all about ellipses… We stayed up all night… We got drunk… We tried various substances… We got up late… We skipped lectures… We went on the pill… We had unsuitable liaisons… We had suitable liaisons… We shared flats… We somehow managed to stay the course…
The world of work seemed, initially to be a place organised into neat brackets. I rose [early], went to work [walk, train, tube, walk], taught my class [reprobates], went to meetings [tedious], received a salary [a relief].
I became a married woman, at which point I was hyphenated-a mere adjunct-even more so when motherhood occurred-. “What do you do?” I was asked-but before a reply was supplied-“Oh of course-you don’t work, do you?” They were the wilderness years-the 1980s-my ten years of hyphenation-stagnation; but punctuated with babies-[!]
They grew older. I returned to work, [brackets again] but harder {{{{more stressful}}}. There was ‘accountability’. There were computers [!] There were inspections [!!!] But there were also colleagues…who became friends…I took up running…and exercise classes…
I became an ‘unmarried woman’! … Moved house…Ellipse life returned… with interludes of exclamation! I was happy-or unhappy-by turns.
I met Husband, moved house again, changed job, settled, waved goodbye to the offspring, said hello to them again, [by turns]. Then a grandchild made an entrance! Grandparenthood was embraced with some bemusement-. Where had the years gone? Why so fast? How had all these events occurred [behind my back]?
Older age was here- The bonus-the consolation was retirement. I travelled. I read. I wrote. I followed pursuits I’d always wanted to. Bits of me hurt more when I exercised. I gave up running [for walking]. The return to work came back to haunt me in the form of chronic disease. I was diagnosed: it was all about the colon; which had deteriorated into a semicolon; somehow, for now it survives; even if-in the future-the colon gets discarded-after all, what is life except one, long series of ellipses?…

Mars-Travelling Hopefully-Never to Arrive

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If the writers in my writing group, The Spokes had begun writing whilst young I’ve no doubt that any one, or all of them would, by now have become best-selling authors. As it is we have left starting on the writing journey much, much too late. This is not a catastrophe-as we none of us are dependent on writing for an income [just as well] and all most of us want at this stage is some recognition.
This week there were a variety of readings as usual; one extremely hilarious on the subject of political correctness gone mad, another a whimsical tale of neighbourly domestics, one a police drama, one an extract from a [very promising] mystery novel and one a science fiction short on the subject of a manned mission to Mars. The Mars story got me thinking. An expedition to establish a human colony on Mars is no longer the stuff of sci-fi drama and written fiction. It is most definitely on the cards and is, as I write, being planned.
I understand that humans are programmed to want to know about everything within their world and beyond it. I understand that exploration and science are vital for any improvements in any area in the future. But I do think it dispiriting that having made an unholy mess of one planet, man is now set on going off to another one and messing that one up, too. It is not difficult to imagine how Mars will be in the future-over-populated, polluted and beset by tribal, religious and power wars. It all has a depressing predictability. Humankind as a species is programmed to cock up…isn’t it?
There is a wonderful children’s book called ‘Dinosaurs and all that Rubbish’, about a wealthy industrialist who, having destroyed his own environment sees a beautiful star and wants to travel there. In his absence Earth is restored by the forces of nature, becoming beautiful again and unrecognisable to him. Thinking it is another beautiful ‘star’ he returns and is taught his lesson. Simplistic, yes-pertinent, also yes.
In 2013, more than 200,000 people applied to become part of the Mars mission.          Although there is no upper age limit [applicants must be over 18], a cursory glance at the application criteria is enough to demonstrate that an attempt from the likes of me would be futile since I am defective in most areas. Besides being dependent on medication I am also prone to aches and pains, as well as inclined to believe the apocalypse has come when there is a power cut.
But surely we should be putting our own house in order before going off and getting another one?
Once you have reached that age where there is more of life behind you than in front, do plans such as these seem to ease the pressure of life ending? Or are you excited enough in your dotage to want to know the outcome of such exploits? Myself I feel we are most fortunate not to have the choice.

Fiction Month 5

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Fiction month concludes with the prologue from my novel, The Year of Familiar Strangers, a tale of trust and betrayal, a friendship forged then mired in deceit. It is written by my alter ego, Jane Deans and available to download from Amazon: http://www.amazon.co.uk/Year-Familiar-Strangers-Jane-Deans-ebook/dp/B00EWNXIFA/ref=sr_1_1?s=books&ie=UTF8&qid=1417341020&sr=1-1&keywords=the+year+of+familiar+strangers

Prologue

“Look round” he whispers. “Look back! Please!”

He stares out at the receding figures as they cross the tarmac; the urgency of his whispered request growing weaker with their diminishing size. He stays, leaning forward in the seat, craning, until they reach the building, a squat, ugly concrete block. They are in profile now, moving along the side towards the entrance. In a heartbeat the two tiny figures will disappear. He holds his breath.

“If you turn and look back I can’t do it.”

Then they are gone.

For a moment he cannot shift his gaze and continues to sit motionless as the audacity of the act he is about to undertake seals him into a rigid inertia. A second later he is out of the vehicle, heart pounding, slamming the door shut with a force that sends a few prowling seagulls into the air in a corporate flurry of panic.

He dives to the back of the car to wrench the boot open. Beneath him the assorted bags and cases glare back in silent accusation. He reaches in. As he withdraws the case the surrounding luggage sags into the space it has left, as if his absence, as yet unmarked, has already begun to be obscured.

He drops the case on to the tarmac, closes the boot, fumbles in his pocket for his keys then realises he must not lock the car. He glances over to the terminal once more to check that they have not emerged and opens the driver’s door to reinsert the keys into the ignition.

He must be quick now. A rapid scan of the loading area reveals little cover except for  a couple of container lorries further along the quayside and it is these he makes for, imposing a fast, business like stride upon his flight while his instincts scream at him to run. When he has gained the shadow of the lorries he looks again at the terminal building before scuttling through the gap between them. He pauses, trembling. His shirt is soaked with perspiration. He takes a handkerchief from his pocket and wipes his face. The sun is high, unforgiving. There is a stifling smell of mingled diesel fumes and metallic tarmac.

The lorries provide a barrier between him and the car. He continues towards the street, squinting against the glare, cursing his forgetful abandonment of his sunglasses on the car’s dashboard. At the pavement he halts to look over his shoulder once more but is unable to see the vehicle lanes from here. He wonders if they’ve returned to the car, although it’s only been a few minutes and he wonders what they will do. The thought that they may come running to find him spurs him to make haste with his disappearance and he hurries across the busy road, looking up and down as he goes, seeking a taxi. On the opposite side he manages to flag one down, leaning in to give his directions.

“Atesa-alquiler de coches, por favour.”

He throws the case on to the back seat of the cab before scrambling in. As the cab pulls away he allows himself a long intake of breath, closing his eyes to exhale, smiling a little in acknowledgement of the anticipation that is growing inside him like a slow, insistent flame.

Writing Superstardom

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Congratulations to Richard Flanagan, the winner of the Booker Prize 2014 for his novel, ‘The Narrow Road to the Deep South’. I have yet to read it, but fully intend to, not just because the judges were unanimous in their praise for the book but because I like to think the act of reading such an acclaimed and feted novel is a piece of research. Maybe there is a remote chance I will be able to uncover the secret of writing superb and successful prose by reading it.
When casting around for something new to load on to my Kindle I often turn to the long or shortlisted books that are in the race for a prize. I learned some time ago that Amazon reviews are not to be trusted [with the exception, of course of my own reviews]. I have posted before about the ghastly mistakes I’ve made-most notably in the case of the tedious ‘One Day’, a predictable rom-com set in the eighties [not a thrilling decade]. The book prize method of selecting reading matter is not always reliable and needs backing up with additional reviews, generally from a respected newspaper.
The only 2014 Booker contender I have read so far is American writer Karen Joy Fowler’s ‘We are all Completely Beside Ourselves’, a story which captivated me for a number of reasons. It is both laugh-out-loud funny and tear provokingly tragic. The subject matter-the tale of a child growing up with a chimpanzee as not only a sibling but a ‘twin’ is unusual and compelling. The book raised many issues including parental, children’s and animal rights. It is certainly a book I would have been proud to have written.
There was something of a shumuncous regarding the opening of the Booker prize to anyone who writes in English. I can see that widening the field does increase the competition, but perhaps it also leads to more diversity. As time goes on it becomes harder to find new subject matter. It is accepted that there are only seven basic story lines and that each and every tale is based on one of them.
The two world wars have spawned an explosion of literature both fiction and fact, much of which is very good-[Helen Dunmore, Sebastian Faulkes] and so any further foray into war territory must necessarily attack from a new angle. I gather Richard Flanagan’s novel is inspired by his father’s experiences as a Japanese prisoner of war. It is the author’s sixth novel and one that took him twelve years to write, a fact I find most heartening given that my novel 2 is stubbornly resistant to progress!
I wonder how winner Richard is feeling-beyond the euphoria of victory of course. There could be an element of pressure, I imagine, as once the excitement recedes the pressure must surely mount to produce another blockbuster, Hilary Mantel style!

Those that can, write, Those that can’t, write too.

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                I attend a book club at my local library. It consists of about eight gentile old ladies-[I am including myself in this description although the gentile part is the most inaccurate]. On the whole I love my fellow old ladies. They are smiley, mild mannered, self-deprecating. We talk about a wide variety of subjects-most recently hearing aids, the sights of Rome and foot ailments. Occasionally we come around to discussing the novel we have been allocated by Tracey, the enigmatic librarian. Given that we have all had a month to read said novel we should, by rights have plenty to throw into a discussion about it, however we are almost always as earnest as schoolgirls in our lame excuses.

                ‘I’ve read it but so long ago I can’t remember it’

                ‘I read some of it’

                ‘I couldn’t find it until this morning’-

The Book Club equivalent of ‘the dog ate my homework’.

                The problem lies, I believe with the kind of books Tracey chooses for us [or rather, the set of books that has become available for us]. They are rarely riveting, or if they are, I’ve generally read them already. Hence several recent issues have been, for me unreadable.  

                One of the ladies has literary tastes which are in direct opposition to mine. If there is an odd book that I enjoy I know she is going to declare it ‘rubbish’. One such book was The Great Gatsby, which I had read many years ago and enjoyed rereading. Other tales, such as the very popular ‘One Day’ by David Nichols did nothing for me but gave her much pleasure. You would think, would you not, that such discrepancies in reactions to books would lead to interesting and lively discussion, yet this has still to happen.

                I’m sorry to say I blame Tracey for this lack of debate. Were she to arrive at our table armed with provocative questions the conversation would be sustained and would not veer off on to subjects such as bunions or where to buy fruit teas. We could discuss characters, plot lines, whys and wherefores. We could say why we did or did not get something from the read [or lack of read]. Really there is no excuse, since many novels come ready pressed with the book club questions and stimulants all there at the end of the narrative.

                Just for once though, last week the opinions were unanimous. Everyone was agreed that the novel was one of the very worst we’d ever been given. The book? It was Richard Madely’s ‘Some Day I’ll Find You’.

                Richard Madely is a lightweight journalist and TV presenter who made a name co-presenting a daytime TV chat show with his wife and subsequently as a TV Book Club host. Now I understand completely what makes someone who is interested-even passionate about literature become motivated enough to take up the pen themself. This has happened to me. But the difference between myself and Richard is not associated with writing ability. It is that he, with all his lack of talent has simply thrown into his novel every cliché, formula and hackneyed device he has encountered and produced a tired story which he has not had to send to every literary agent known to man in order to get published. He can sell his boring book on the strength of his name.

It goes to show that reading, whilst useful to aspiring writers does not a writer make. Do I sound jaded? Indeed I am!

Failures-of Course.

Aside

                For an inexplicable reason which I now fail to recall, I considered, a few months ago, that it would be an inspirational idea to undertake a creative writing course. Of course, anyone who reads Anecdotage regularly will by now be scoffing and sniggering, since they will have acknowledged the necessity for my doing it from the first, but still…

                Above all, the timing could hardly be worse. We seem to be in the throes of a period of mad activity; a deluge of family, home, health and socially related issues.

                This is an online course. Week one arrived to the inbox. ‘I’ll start tomorrow’ was my approach, as I polished shoes, buffed nails, attended the salon and hoovered the carpets.

                During a five minute lull, in between making up beds and cooking lasagne I read one or two pieces of information and watched a couple of videos. Hooray! ‘This will be simple’ I thought.

                I resumed pre house guest preparations with a light[ish] step, given that, as I elaborated in a previous post, I am crippled with annoying foot disease. I mowed the lawn; de-gunked the lavatory. I found time to log back in. I completed a couple of quizzes, even successfully! It would be a slab of creamy gateau to complete this course!

                ‘Whoa! What was this? I had to write something?’ I logged out in disgust and went to scrub the bath and shine the shower screen. I had to keep a notebook.

                I am not against the idea of keeping a notebook, of course. It has been my ambition to keep one ever since setting out on the bumpy journey that is writing. My writing idol, Donna Tartt keeps one. It’s just that proponents of the notebook idea make it seem easy. ‘Take it with you wherever you go!’ they suggest. ‘On the bus, in the café, on the train, in the laundrette, whilst out for a walk…’ OK. How do I write notes whilst driving, in a café with Husband or Offspring, whilst our laundry is whirling in the kitchen or while cycling? [walking has been a no-no for some time].

                Worse-I had to write a paragraph. It must contain three fictions and one fact. For an inveterate liar such as myself, the fictions presented little problem. The fact was I was unable to conjure one single idea. Time was spiralling away down the week’s plughole with an ever louder gurgle. The weekend came-and went. Monday arrived and with it…Week Two. Horrors! The first week had passed without my submission so much as forming an amorphous cloud inside my head.

                On Monday I risked a cursory glance at others’ submissions, where hundreds of paragraphs scrolled down in an interminable roll. In a fever of humiliation I added my short, hasty contribution; an excuse for a piece of writing. I was not the only miscreant. Others had also missed the deadline.

                The end of Week Two is now starting to appear upon the horizon with an inevitability as stark as my enthusiastic intentions. Would that the course was good old paper and post-then at least the dog could have eaten my homework…

                I will keep you posted.